Platicsco Good story, Not enough for a whole film

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

SnoopyStyle Angie (Kierston Wareing) is frustrated after getting fired from being a recruiter. She's 33 and in debt. She's tired of dead end jobs and decides to start her own recruitment agency with her flatmate Rose (Juliet Ellis). They struggle to build up the business as Angie gets pulled into using illegals as laborers. Her son Jamie is getting in trouble at school and her parents want her to be more involved. They disapprove of her work. She's sleeping with Pole laborer Karol. Mahmoud is an illegal and political dissident from Iran who has his wife and kids.Director Ken Loach tackles the modern world of labor and illegal immigration in a real world way. It's all murky and ethically challenged. Wareing is pretty good. She's great as a hard-headed woman always striving. There is a shocking turn. It's not the shocking turn that I would expect. I can't complain because it fits the murky ethics that is the backbone of this movie. This has a point of view and sticks to it all the way to the very last scene.

p.newhouse@talk21.com This is a powerful eye opener of a film. Set in contemporary England, this film lays bare the migrant worker situation in Britain from the angle of someone running a twilight employment agency. It powerfully lays out the background to the recent influx of migrant workers to Britain, and the conditions they have to endure, at work, at home, and at the hands of the agencies and others that they work for. The quality of the writing, direction, and character portrayal will leave many speechless, and the film over all, will leave many viewers feeling challenged and needing to think.This film handles the subject in much the same way as the film 'Under The Same Moon', and is every bit as powerful.

Ignasi Miró-Sastre Ken Loach is one of Britain's most prolific directors nowadays. His movies and his personal style have also gathered a faithful group of fans and followers (and many awards, as well). He takes on many subjects that would otherwise have a hard time finding their way to the big screen, such as the Irish revolution or the actual state of unemployment and abuse of immigrants, which is the theme of 'It's a free world....' The script, written by Loach's regular screenwriter Paul Laverty, is really sober. There is not much in the sense of artificiality, with dialogue that seems real and fitting to the characters and setting. Perhaps too much. Their mumbling is quite hard to follow, and abundant, and most of the action on the screen feels a lot like a filling. This can be blamed on Loach's approach on directing, following his usual style of being just an observer. Although it's a commendable approach, it can also lead to make the movie quite boring and messy, which is the case with 'It's a Free World....' Most of the time, the movie just feels interested on showing how miserable are everyone's lives, which is guess is fitting to the context of the film, but it is a bit too much. The supposed-to-be humorous breaks, to make the movie easier to swallow are quite obtuse and scarce, leaving us with plain drama. And that is my main grumble about the movie: it feels so obsessed to show how miserable everything is that most of the times it just forgets that it is a movie. At the end I just wanted it to finish, as I was not only bored, but annoyed with how obvious and manipulative the movie turned out to be. The acting, as usual with Ken's movies, is filled with fresh faces. Most of the actors are newcomers, and that actually helps immersing the spectator in the movie, for good or bad. Their gibberish is so hard to follow that you might actually need the help of subtitles in order to know what is going on in most scenes. From the ensemble, Kierston Wareing stands out as the lead character, giving a much-needed stream of energy to the film. The rest, however, feel amateurish, which can be a good or a bad thing, considering the documental-like approach of Loach. 'It's a Free World...' sure isn't a movie for everyone. It is, like every Ken Loach film, a film striving for showing a reality, to criticize a wrong, and somehow, be food for thought. Sadly, that seems to be the one and only motivation behind this movie, it being absolutely oblivious that, after all, it is a film. That is a common problem, for me, with English social dramas: the obsession of showing how miserable life is, and nothing else. At the end, I was absolutely bored and pleading for it to end, instead of being shocked and disgusted to the reality 'It's a Free World...' tried so hard to criticize. I would still recommend it to those interested in the problems of immigration and work nowadays, but warning them that, as a film, it does not deliver at all.

rowmorg Another slice of low life from Ken Loach, this is an "issue" picture dealing with trafficking in stateless workers. It's not the first, but this one features the astonishing Kierston Wareing, who landed this leading role after appearing briefly in just one TV episode. Kierston can play the pushy cow in the workplace, the caring neighbour and mother in private, and the tender lover in the bedroom. Strutting around getting her new business together, rounding up clients and welcoming curious workers, in all-black leatherette motor-bike togs, she makes this otherwise rather ordinary little drama stand out. When the going gets rough, she is utterly believable as the plucky fighter standing up for herself against an all-male world. When things go pear-shaped, she is the vulnerable female, but also the protective mother, as determined as any tigress. Throughout, we are rooting for her, even when she is obviously losing her way in a messed-up workaday world. At the end of the film, she is doing the wrong thing in order to do the right thing, and Loach has shown up brilliantly the conflicted people who traffic in the misfortune of their fellow workers. Definitely see this picture, if only to relish Kierston Wareing's maiden performance.