Involuntary

2008
7| 1h38m| en
Details

In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.

Director

Producted By

Svenska Filminstitutet

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Reviews

Wordiezett So much average
Intcatinfo A Masterpiece!
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Niklas Pivic This is a very human film, where a number of different stories all meet. In a way, it is a film where the Swedish condition overpowers the human one; Swedes are well-known for not wanting to seem "out of the ordinary", so much that everything "normal" is perverted by the will to stay inside the box and not make any noise; the very first scene in the film is a kind of metaphor for that, and the rest of the film also.At the same time, I see this film as a kind of way to show that the obscure and involuntary can be normalised as well, which is displayed beautifully; the cinematography rarely - if ever - involves a moving camera, which has plagued much of modern Swedish cinema.Some of the acting is sublime and just torturously good, as with the two main young girls, the teacher and "the macho guys". The scripts complements all of this, wonderfully.This is a film that, when at its best, touches on the sublime. At its worst, it's wavering, but that's really beyond the point. This is a mostly beautiful film on the selections we tend to make today. I recommend it.
ingelaallard Five independent stories which all possess an admirable wit and acuity. They all share one thing - the involved have to stand up for their own will and resist the so often overwhelming peer pressure that we all at some point has been the victim of.Ruben Östlund has created a sleek, straight and accurate film where the acting is unbeatable. We have to be alert, listen and try to keep up with the sometimes very complicated plot. The camera is rolling and it allows all the involved to take all the space. The stories has a strange sense of normalcy on the surface, and the every day situations succeeds each other with finesse, perfectly knitted together until the end without any forced resolution or final connection. It is this kind of story I feel can be associated with Sweden. This may be our future culture imprint.Ruben Östlund possesses a narration that grabs at his audience and he is not afraid to challenge. It is exciting despite unremarkable equality in the presentation, and the persons in the five stories, feel very real.
tom van de Bospoort Brilliantly simple in its story, yet it engages you right throughout, Simple doesn't necessarily mean it is not deep and meaningful. This film with its raw truth and its meaningful exchanges, I'ts a typical low budget foreign film, in that it is brilliant(though some of the low budget films are not).Brilliant acing by the actors, especially the young girls, and a brilliantly shot film with unusual angles and unusual filming shots, that work well to frame the story.A Swedish take on life with dramatic acting and choice of matter, brilliant on all levels and a must see, a clear 8/10.
ozjeppe A teacher who witnesses a colleague strike a pupil gets ostracized by the other teachers. The elderly host at a posh party is injured but refuses to have medical attention. A stout bus driver refuses to go on driving unless the one who vandalized his bus steps forward. Two young teen girls go on a drunken, out of control-spree with friends. An all-male party weekend in the country has unexpected sexual repercussions... Five very different Swedish stories with one big common denominator: peer pressure and the situations it puts people in.Sad, on-target and all-too credible snapshots of social awkwardness & spinelessness, male pride and an equally sad alcohol culture. Major asset is the refreshing, semi-documentary-style ensemble acting, which makes me ask: why can't all Swedish movies have such seamless, perfectly and naturally performed dialog all the time? Too bad it's yet another case of finely written (and carefully photographed - often Roy Andersson-static - leaving details out of shot) little stories that don't get the development or resolution they deserve - we never get to know some characters enough to care (like the old man who gets a piece of fireworks in his eye), which proves that this movie easily could've been even stronger with 20 more minutes or so! 6 out of 10 from Ozjeppe