TrueJoshNight Truly Dreadful Film

Fairaher The film makes a home in your brain and the only cure is to see it again.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

wilsonstuart-32346 I was very young when I saw Invasion on TV many, many years ago. The dead man lying on floor, fire poker beside him, two rather attractive female aliens standing impassively over him, somehow stayed in my mind (for some reason) for a long time. Shortly afterwards, there Invasion was referenced in a beloved compendium of B Movie sci-fi I bought in a church jumble sale. Childhood, eh?Anyway, I watched Invasion again a few weeks ago on a cable channel. It is a product of British science fiction period from the late Fifties to mid Sixties, taking its cue from the likes of Quatermass or Village of Damned; maybe not in the same league as those classics, but still enjoyably effective nonetheless.I don't think I need to repeat the plot and, yes, there are a few holes (what happend to the second alien? Did they kill the nurse?), and rushed ending, but when most of today's low budget sci-fi and horror revolves around CGI, found footage, gore and zombies rehashing, Invasion is a reminder of the quiet powers of understatement.

Leofwine_draca One in a series of low budgeted, virtually forgotten science fiction thrillers released in the UK in the mid 1960s, including THE EARTH DIES SCREAMING, this is a sombre, intellectual look at an extraterrestrial visit upon earth. Set in one location, a small village, the action is played out slowly and eerily over the short running time, with the emphasis on a creepy atmosphere instead of special effects. In fact, there are virtually no SFX in the film, apart from a wobbly rocket take off at the end. The budget was obviously the reason for this, but it forced the writers to deliver a more literate script than we might have had otherwise (just take a look at films today like VOLCANO, where the writers don't really bother anymore).The cast is full of virtual unknowns, with only a couple of familiar faces. Saying that, the acting is still all to a high standard. Edward Judd (ISLAND OF TERROR) is the big name, and once again he plays the square-jawed action hero who spends most of the time running around in the sewers and basically being an all round pillar of the community. Cult fans will also notice Fu Manchu's daughter, Tsai Chin, in the film as a nurse. There is little action in the film, but instead a strange kind of siege, in which the doctors and nurses discover they are surrounded by an impenetrable force field (shown in one clever moment where a guy's car runs into an invisible brick wall and smashes up), with the alien visitors closing in. The tension here is quite high, and the film uses NIGHT OF THE BIG HEAT's trick of having the temperature constantly increasing, both an ominous sign and a factor which quickly affects tempers and makes it difficult to think.The eeriest moments are of aliens wandering around in the forests, watching and waiting, or when a man has a heart attack after two alien girls approach him. There is some fun to be had from the conflict between the doctors and the local military (always an ongoing conflict of interests in these films), and the scenes involving the alien at the hospital, which can only speak after touching a human. Quite clever when you think about it. The only bad thing about the film I would say is the rushed twist ending, which leaves the viewer a bit confused and should have been slowed down a bit. Still, this doesn't detract from a nicely engaging tale.

MARIO GAUCI This low-budget British sci-fi outing is so rare that I have had to make do with a copy sporting forced French subtitles for this first viewing! I was glad to confirm that the film's solid reputation was well-deserved; plot-wise, it is not dissimilar from two other notable genre entries from this country which I caught quite recently – namely UNEARTHLY STRANGER (1963) and THE NIGHT CALLER (1965). I recall being particularly impressed with the former and, actually, I feel that INVASION is very much on a par with it; incidentally, the title is a misnomer since the aliens here are actually stranded on earth and their mission is to recapture an escaped prisoner they were escorting rather than occupation! Even so, we do get a show of their (typically advanced) technology and, needless to say, there are human casualties involved; to be fair, though, we never learn of their true intent until quite late into the game and, consequently, the carefully-built suspense and smart handling throughout (this was director Bridges' feature-film debut) makes for consistently satisfying viewing. One rather clever notion has the aliens requiring to physically touch an Earthling before they can speak our language…though, of course, no explanation is given as to why they happen to have an Oriental complexion! In the long run, the modest scale of the production (the setting is largely confined to a hospital and the woods nearby, with events unfolding over just one night) works in its favor, making the central concept both gripping and persuasive. Hero Edward Judd was something of a fixture in British sci-fi around this time: his rugged good looks and evident intelligence were always good value for money in these fantastic surroundings; leading lady Valerie Gearon does well by her role too, familiar character actor Anthony Sharp has a prominent (if rather unlikely) role early on in the proceedings and, obviously, the intervention by the military is a requisite in this type of film. Among the more visually striking moments are a shot where a door opening leads into a doll-house, with the camera then panning up to reveal the actual room, and a car very realistically crashing (into the invisible barrier created by the aliens in order to isolate the area) with its driver spurting out of the windscreen. As to flaws, these are indeed negligible – but I suppose I should mention the fact that one of the alien women unaccountably disappears during the film's last third, while the climax is a bit rushed (if still quite unique: the pursuing alien deliberately crashes her spaceship into a fleeing rocket bearing her quarry!).

Adrian Smith (trouserpress) This is a great movie. I love sci fi B movies, especially British ones, and this something of a classic. The story is not the most original, but it does have a few twists and turns that I wont give away here. It's very atmospheric, and the black and white photography is off a very high quality. The one complaint I would have is that there isn't really any kind of invasion in this movie. The title is a little mis-leading to say the least! But don't let that worry you. This is an entertaining movie with worthy acting and directing that gives you a glimpse into the post-war mentality of middle England. And aliens. Don't forget the Chinese aliens.