Rijndri
Load of rubbish!!
GrimPrecise
I'll tell you why so serious
Platicsco
Good story, Not enough for a whole film
Ella-May O'Brien
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
pkeadle
I watched this film with anticipation. Could it get better, could it get any worse? Well the answer was NO on both counts.Cuba Gooding was obviously NOT a bad guy. Matthew Modine was wooden and not a sympathetic character AT ALL. James Caan usually looks good and he lived up to that...though his character was a blank piece of paper, no life, no substance.The array of Familia were cookie cuttered, I couldn't keep track of who was who. I finally started naming them bad guy in the limo, bad guy looks like Sinatra, bad guy stool pigeon and big fat bad guy.If it promised to be a mob movie, it failed. If it promised to be a love story.....ewwww.If it was meant to be a behind the scenes stunt movie....I can't go on...the best I can say is James Caan usually looks good.So I gave it a 2.
EvilTommy
A simple if improbable plot that gives Modine a chance to show his own shadowy side. I thought he did an excellent job for a guy who usually portrays the grinning, likeable, young quasi-hero. Here he has a lot of baggage as a mob hit man who is more mechanical than actually living, until he meets Joey Lauren Adams, who gives another lovable performance. It's always great to see James Caan as well, as he reminds me of an actor like Burt Lancaster. I enjoy every moment he is in a scene and how quickly he tends to dominate the moment. I thought the ending was a little surprising, but in the tradition of the classical Greek tragic-hero, it was appropriate.
dalepro59
Just want people to know that Cuba Gooding Jrs character is not that of a drug dealer like some of these people commenting on the film has said. They must not have really paid attention because if they had they would have known that he is actually a DEA agent....
George Parker
"In The Shadows" tells of a hitman with a conscience (Modine) who becomes a stuntman because this dumdass flick wouldn't work if he didn't. Ill-conceived, sophomorically contrived, poorly written, and poorly directed, this flick is long of atmospherics and short on everything else. One can only watch and wonder how Caan, Adams, Modine, and Gooding climbed aboard such a shabby project. A waste of time for all but diehard fans of the principals and maybe people with some interest in film stunts. (D+)
