GamerTab That was an excellent one.

SoTrumpBelieve Must See Movie...

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Mr Black I've been looking for this film for quite some time and finally found a copy on DVD. I absolutely love the style of this film. The costumes, the buildings, the interiors is superb and really captures the Vienna of that era. I found a few flaws in this film. For some reason I couldn't follow the plot at the beginning. The girls goes to a concert given by the maestro,, and yet goes into another room and there is Beethoven! Turns out the guy playing the piano was not him, however the actors looks so similar I found it odd. This happened a few times in this film for me.. maybe it's just me. Also there are quite a few historical points that are not accurate. Beethoven was only 57 when he died. But the death bed scene at the beginning makes him like like he is well into his eighties. He wasn't that old. Also, one of the early scenes when he was still quite young hand him placing his ear on the piano just to hear the notes. But he wasn't that deaf at such a young age. His hearing was failing but far from being profoundly deaf. The story line is totally fictitious, which is fine. No one knows who the real immortal beloved was although there are some good guesses. It doesn't matter though, it is still a great story. Also, they try to explain that he was such a miserable person because of his hearing. But notes from the time simply explain he wasn't a pleasant guy to be around. All in all though, I thought this was a terrific period piece of exceptional production values, directing and performances. I wish they made more movies like this.

iamyuno2 I don't give out 10 star reviews very often, but this film is one of my very favorites - and not just because I'm a huge fan of Beethoven (because this film is about something much larger than Beethoven). This is a romantic tragedy on one level - and a real tear-jerker - but it is also brings to life the composer's times and the many fascinating people who surrounded him. The story is surprising on many levels and rises far above the typical movie about great composers. This movie is a great movie in its own right - from the script, to the acting, the cinematography (absolutely gorgeous), the directing, the camera work, and of course the music which is used naturally and to great effect. This is perhaps Gary Oldman's very best movie (and that's saying a lot, because he is, of course, a brilliant actor and great chameleon, able to play any kind of role) - you really believe you're watching Beethoven himself. And Jeroen Krabbe is incredible, too - what a moving performance he puts in as Beethoven's loving assistant. Isabella Rosellini puts in a fabulous performance, too, (perhaps her best) as does Johanna ter Steege. (If you didn't think Isabella was a fine actress because of her sometimes dubious choice of roles, you have to see her in this movie! Her mother would be proud.) Aside from biographical surprises, too, there are historical surprises you'll learn in this film - realities not brought out in those old history books you read in school. You'll find yourself recommending this film to all of your friends and relatives and wanting to see it again and again over the years. If you don't realize how great an actor Gary Oldman is yet, you must see this film.

ursulahemard Not at all convinced. Why? Because this movie has numerous historical inaccuracies aka no chronological order: Ludwig van Beethoven's (17 December 1770 – 26 March 1827) total deafness occurs far too early, LvB is conducting personally works he actually never did, composing works in the wrong time order, etc. In addition to that, the movie takes too many liberties, to my taste, about the biographical facts, and to imply that that famous love-letter, written by LvB to his 'Immortal Beloved', would be ultimately his sister-in-law is just utterly preposterous. That letter was written and could have been addressed to several very well known ladies, we meet some of them during the movie, nevertheless no absolute certainty was proved until today. But it's most certainly not his sister-in-law, with whom he had so many conflicts and legal battles over years. The idea that LvB composed the 9th for his sister- in-law as a-forgive-me-for-making-your-life-a-hell is the director's personal fabrication and so is the feeble ending.Also, there is much more to LvB than his 5th, 9th and the Pathetique and it's a shame that even these were cut into bits and pieces and added here and there without any musicality to the frames, but rather as background music.There is short scene when a white pianist is accompanied by a black violinist playing the Kreutzer Sonata; it did ring a bell but I had to look it up. The 'mulatto' violinist was supposed to be George Bridgetower (11 October 1778–29 February 1860) an Afro-Polish-born virtuoso who had a quite tempestuous professional relationship with LvB. Such a shame that this was not more elaborately depicted in the movie. That could have been a great instructive scene.LvB is quite distorted here and even the great actor Gary Oldman can't save his dignity nor the voluptuous and expensive production. Actually Mr Oldman is over the top but I blame it on the pathetic direction.Watchable for the young, but not very instructive.p.s. Hearing the gorgeous Isabella Rossellini speak a couple of sentences in Hungarian made me smile :-)

treeline1 The year is 1827, and famed composer Ludwig van Beethoven has just died. He leaves his estate to someone only known as his "Immortal Beloved," so his secretary goes about finding out who she may be among his many lovers.This movie is absolutely beautiful. Beethoven's music, of course, is the soundtrack and also the main plot point, as the writer/director speculates on the events in the maestro's life that inspired each piece. The movie goes back and forth in time to each of the important people in Beethoven's life and we see his music evolve from much tragedy, some euphoria, and most of all, his passion for life. There is even a persuasive scene accounting for his deafness.With lavish costumes and picturesque Czech locations, it's lovely to look at but even more impressive is Gary Oldman's portrayal of Beethoven. Though playing a conceited, temperamental, and often angry man, Oldman still wins our sympathy and he is at his charismatic best. If you love Beethoven's music and/or period films, you'll enjoy this exciting biopic. Highly recommended.