Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

fionaxkwong ******spoilers?****** I really liked this film; I thought there was a lot of raw emotion and I felt a connection to the characters. I enjoyed watching Anya grow throughout the movie, accepting her new role as a caretaker and then finally allowing herself to be cared for as well. The movie begins with her as a more naïve, young girl, looking for love in places where she knows deep down it does not exist. As the movie progresses, she learns to love herself and other people, and learns what it means to be loved in return. She learns to have sympathy for those around her, something that many of the people in her life lacked. Ultimately, she travels a great journey in the name of love, and is able to find love at the end of that journey as well. All in all, I thought it was a good film and really embodied what it means to grow up and understand empathy and love.

Red-125 The Eastern European movie Ya ne vernus (2014) was shown in the U.S. with the title "I Won't Come Back." It was directed by Ilmar Raag. I said the movie was "Eastern European" because the language is Russian, the director is Estonian, and the film includes scenes set in St. Petersburg, and--at least in the script--in Kazakhstan. (I wouldn't recognize any of the geographic locations anyway. Sometimes one of the protagonists--Anya--doesn't know exactly where she is either.)Watching this film is a unique experience. It never telegraphs where it's going next, and, usually, it goes in a direction that you don't expect.This movie is really hard to review without giving the plot away. We learn right in the beginning that Anya (played by Polina Pushkaruk) was raised in a orphanage. (We're never told about the conditions in the orphanage.) We first meet Anya when she's receiving a gold medal at graduation. In the next scene, Anya is a graduate student, giving a lecture. Her supervisor arrives after class, and we learn that she and he are lovers, although he's married, and has a child. Still within the first 15 minutes of the movie, Anya is on the run, pretending to be much younger than she is so that she can stay at a shelter for homeless youth. It's there that she meets young Kristina--played superbly by Vika Lobachova--and that's where the story really begins.It would have been relatively easy to swing into a traditional road/buddy movie style at this point, and that might have turned into an interesting film. That's not what happens in this movie. Try to see this movie so that you can learn where director Raag goes with it. It's not an easy ride, but it's an interesting one. We saw this film in the wonderful Dryden Theatre at George Eastman House in Rochester, NY. If you're lucky, you'll find the movie at a similarly excellent venue. If not, it will work almost as well on the small screen.

Raymond Saw this at the Helsinki International Film Festival. I try to catch Russian movies with subtitles every time I can and that's basically only possible during festivals. While this is a multi-national production with an Estonian director, the movie is essentially Russian.Since there's quite a little info on this one so far, I'll open up the story a little. The movie is about Anya, a young woman who grew up in an orphanage, but has now got herself a job as an assistant to a professor at the university, with whom she also has an affair with. Then an old boyfriend from the orphanage shows up and gets Anya in trouble with the law. This leads to a runaway situation and Anya unwillingly hooks up with a younger girl Kristina - also orphan - who wants to travel to Kazakhstan to find her grandmother. The girls then start a long journey through Russia by hitchhiking.The movie is essentially a road movie, but the focus is more on the girls rather than the people they meet on the road. Some people help, some people have other agendas. Anya also struggles with figuring out whether she should help young Kristina or concentrate on herself. These girls have never had a family and their capability of loving someone - themselves included - is put to test.Both of the actresses are good, especially the one who plays young Kristina. It's amazing how she does certain scenes. The director was present at the screening and he told a few stories from the set and I got the impression he was just as awestruck by the level of acting the young actress could pull off, definitely some of the best acting from a child actress I've seen. Watch out for the scene at the cemetery, it's heart wrenching.The movie is a small modern classic in my opinion. It's a simple and beautiful story which has qualities often found on classics that are filmed time and time again, but this is an original story as far as I know. The director said it was based on a play, but I couldn't find info whether the play was an old classic or a newly written one.The movie is multi-dimensional, if you want it to be. I think the director said that he felt it is a modern fairy tale and that's exactly what it is. While the autumnal and wintery scenes of both urban and rural Russia look as realistic as they can, there are elements that may make you think if everything you see on screen is actually happening. This is a handled quite well and at one point near the end you will be able to make your own mind. In my personal opinion, there was one scene too much, I would've liked the movie to end before that, but it doesn't really make it considerably worse, just different.The possible "fairy tale" element also makes it easier to overlook a few flaws in the script, if you want to see them as flaws. It seems as if the story starts in the autumn, but ends in the spring, which would mean the story spans for months. Unless the seasons differ so much between locations, but I doubt that. There's also the small detail that Anya has a fully working cell phone during the trip, which is a bit debatable.The cinematography is really beautiful. The "rusty" urban scenes, rainy roadside views and the peaceful rural landscapes are all a pleasure to watch. Even if you didn't like the movie itself, the pictures on the screen are well worth the time spent watching.Be prepared to get emotional. There were quite a few sobs in the audience. I think the director was expecting this as he was clearly looking at our faces and reactions when he walked in during the credits.I'd wish this movie got proper attention and distribution, it's a small classic. Even tho it's a Russian movie, the story is universal and portrays Russia in a way that at least Finns really do not see in the media.

besserglik I saw this in the Cannes market two weeks ago and it has lingered in my mind as one of the better offerings at the festival as a whole. It appears at first to be a gritty piece of social realism in the manner of Ken Loach but gradually evolves, adding touches of humour and wistful fantasy as the protagonists break out of their urban environment and settle into a road-movie routine. A late plot development introduces a blast of harsh reality and paves the way to a bitter-sweet conclusion. Polina Pushkaruk is excellent as Anya, the young woman determined to put her past behind her, and Vika Lobacheva utterly charming as the 13-year-old who plays on her heart-strings. This is accomplished filmmaking, and Ilmar Raag is clearly not a newcomer on the scene. He does not appear to have established himself as a name in the West, but hopefully I Won't Come Back is a first step towards changing that.