Horus: Prince of the Sun

1968
6.6| 1h22m| en
Details

Young Horus lives in a mythical Scandinavia of the Iron Age. Recovering the stolen Sword of the Sun from a rock giant, he learns he must travel to the lands of his ancestors, encountering the beautiful but enigmatic Hilda as his journey leads to a series of adventures.

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Reviews

Lawbolisted Powerful
Console best movie i've ever seen.
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
JTurner82 HORUS: PRINCE OF THE SUN was the first and only film Isao Takahata directed for what was Japan's top animation studio in the 1960's, Toei, with a little bit of contribution from Hayao Miyazaki, of course. At the time most Japanese animated features were made cheaply and quickly. But Takahata wanted to go one step further and create something elaborate and beautiful. It drove up the budget, to the point where it annoyed the Toei executives. At one point during production, the budget froze and so the animators were reduced to using still shots for certain scenes, such as a wolves attacking on a village at about 29 minutes in, and later, when rats stampede through the same village. For similar reasons, the film was only given a limited release in Japan and it received poor box office numbers, even though the critics greeted it with raves. To add insult to injury, Takahata was demoted and never directed another feature for Toei again. Sometime later, Takahata and Miyazaki left Toei to find work elsewhere.Watching this animated film today you probably wouldn't even realize that any of this happened, but it did. The animation style is obviously 60's, but it has a vibrant, rich palette. It's not quite as gorgeous as the Studio Ghibli classics we've come to know, but nonetheless it is lovely.HORUS starts out with an intense action scene in an unknown Scandanevian region in which we see our hero, a boy warrior named Horus (Hols in the dubbed version) battling a pack of silver wolves with only a hatchet as a weapon. In a quick twist not all that different from King Arthur, the tide turns in his favor when he draws a sword from a massive rock giant who appears out of nowhere. After this victorious fight, Horus returns home to his father, who dies after telling him about his village being razed by the evil Ice Lord Grunwald. Vowing to avenge his village, Horus sets off and eventually comes across a village of innocents. En route, he also encounters Hilda, a golden-voiced girl who sings songs on her harp. Unfortunately, she turns out not to be as nice and innocent as she seems, setting the stage for a potential showdown.The story contains many plot elements that Miyazaki would later use in his subsequent films, but in terms of character development, I'm afraid HORUS comes up a bit short. Horus himself isn't all that interesting, and neither are his companions. Even the villainous Lord Grunwald is pretty much what you'd expect from a manipulative, scheming, power-hungry baddie. Perhaps the most interesting character is Hilda, who is presented as a conflicted character torn between her friendship with the hero and the temptations of the villain. But her redemption at the end feels a bit rushed. Perhaps part of that can be attributed to the running time of 82 minutes; although it results for a faster pace, it does cause for some character bits that seem a bit hasty.Despite being a financial failure in Japan, HORUS: PRINCE OF THE SUN has attracted considerable attention from viewers both in Japan and even in the U.S.. Bizarrely, the film was shown on American television in the late 60's, renamed LITTLE NORSE PRINCE, although uncut. The dub was done by Fred Ladd's New York-based Titan Productions , so a lot of the voice talent will be reminiscent of shows around this period such as KIMBA THE WHITE LION and ASTRO BOY. They also dubbed THE WONDERFUL WORLD OF PUSS 'N BOOTS and ANIMAL TREASURE ISLAND. As such, the dub is occasionally campy and theatrically stylized, using only four actors(!). Because this was done in the age of reel-to-reel, there are obvious places where the actors struggle to match the mouth movements, and some stiff delivery. Truth be told, the dub is not so awful that it ruins the film, but it is mediocre by today's standards. (It should also be noted that Hilda's songs come across differently in the Japanese version, the English versions are noticeably dissimilar.)Despite its flaws, though, HORUS is still a fascinating look at historical Japanese anime. Try not to get too high expectations of this film and you'll enjoy it more.
Tweekums Having seen Isao Takahata's Ghibli films I was interested to see this much earlier work so when it was on television I couldn't not watch it. Not surprisingly it feels much older than his later work but it didn't feel out dated.The story opens with a boy called Horusu fighting off a pack of wolves. They fighting awakens a strange rock giant who is bothered by a thorn in his shoulder, much to the giants surprise Horusu extracts the thorn which turns out to be an ancient sword. He returns with the sword to his dying father who tells him that their family came from a village in the North that had been devastated by an evil sorcerer called Grunwald. When his father dies he heads North where he meets Grunwald who casts him from a mountain and believes him to be dead. Of course he survives though as is found by a child who takes him back to a village. The people there are being tormented because a giant pike is eating all the fish in the river. Horusu sets off and after a struggle manages to kill the creature and the fish return to the river, this leads to him being hailed as a hero. Later in an almost deserted village Horusu meets a girl called Hilda who he invites back to the village where to locals are enchanted by her beautiful singing. At least most of them are, the mayor is clearly upset that Horusu and now Hilda are so popular and his deputy who is an agent of Grunwald. I won't say more about the plot as I wouldn't want to spoil the ending.I really enjoyed this even though it if fairly different, it certainly felt like it was targeted at a younger audience than his later works, I was surprised for example when characters had conversations with their pets. The animation was good, especially considering its age. If you've enjoyed Studio Ghibli films I'd certainly recommend this film.These comments were based on watching the film in Japanese with English subtitles.
benjamin_lappin Was this the start of anime as we know it? I'm not versed enough in the history of Japanese animation to make such a bold statement, however what I can tell you is that with the creation of this film we have derived many classic, awe inspiring and moving stories from Studio Ghibli. As some may say with no Akira there would have been no Matrix, without The Little Norse Prince, there would have been no Nausicaa, Laputa, Princess Mononoke, Grave Of The Fireflies, Spirited Away and many more. While The Little Norse Prince may not be as grand as the fore-mentioned it is an emotionally captivating fairytale whose importance transcends the 81 minutes it runs for.Set within the medieval ages of Nordic Europe, The Little Norse Prince tells the tale of a young boy named Hols embarking on a journey to find his kinsmen and restore peace to a land taken by a devious sorcerer named Grunwald. Isao Takahata's film is an innocent telling, yet harbours some severely darker moments (for the younger viewer), as our hero ventures through a blend of myth, legend, swords and magic, showing the courage and bravery that have become the hallmark for the protagonists at Studio Ghibli. While Disney were creating gimmicky films like The Sword In The Stone, Takahada filled his film with the truest essence of humanity, as Hols must not only fight The Frost King, but must also deal with peoples misconceptions, stubborn attitudes and discriminatory views. The Little Norse Prince is deeper than fighting shape changing witches and squirrel romances, and in its purity is so awe inspiring. It has the ability to turn you into a child again, and view it with the eyes of an innocent as he manages to remind us what is noble about humanity and what we sometimes lack in ourselves. The Little Norse Prince is by no means a classic in the grand sense of cinema, but has an undeniable ability to transport us to a time and space when the world seemed a better place and life was worth fighting for.Takahada laid the foundations with The Little Norse Prince for some remarkable and simply brilliant films, and it is quite easy to see how he and Miyazaki (who was an animator on this production) found the inspiration to be able to take the essence of Norse Prince, elaborate and expand on the settings and morals. One of the notable aspects is how exceptionally refined the imagination of Takahada is, as this film just exudes originality and feels completely different and fresh next to its contemporaries, and indeed the same can be said of the more recent Ghibli films compared to talking fish and super hero families. The Little Norse Prince may not be the greatest anime ever created, but it certainly is true to itself and the messages it wishes to deliver us as an audience and can only be praised as an effective means of emotive story telling which can and does not only appeal to all ages, but speak to all ages.
siderite I can only imagine how hard it was to do an animation such as this in 1968. At the time Disney was doing Mickey Mouse animation (the squeaky voice ones) and Yellow Submarine was released.However, as in most Isao Takahata animes the focus is not on the animation, but on the script. People battle against the forces of evil using their most powerful weapon: will power. Evil comes in the form of bad luck, misfortune, direct attacks and sneaky social manipulation. Good's champion is a boy that has come to fulfill his dying father's last wish. You can find love, betrayal, anger, violence, marital ceremonies, friendship, all the hallmarks of good Japanese anime.OK, the animation is not great. There are whole scenes of static images that are filmed , for example. Also, there is a plague that Disney is just now getting rid of, the plague of group songs in the middle of the film. But there are a lot of good things that overcome by far the bad parts. It's like a battle of good versus evil in its own :)Doesn't hurt to mention Hayao Miyazaki, which is humbly placed somewhere in the middle of the crew list, as an animator and scene designer. As far as I know this is his first work, but you already find a lot of elements that will appear in all his work from then on.Any anime fanatic must watch this. Children or very young people might get slightly bored.