Cleveronix A different way of telling a story

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

JohnHowardReid PRINCIPAL MIRACLE: Although Hit the Ice failed to make the topmost ranks of 1943's domestic ticket champions, the movie must have filled plenty of seats, because both Bud Abbott and Lou Costello were voted equal third (to Betty Grable and Bob Hope) as the year's most popular stars by motion picture exhibitors in the U.S.A. COMMENT: In this one, Sheldon Leonard has the bright idea of committing a bank robbery while hospitalized with a phony fever. He ropes the boys in to cover him while he does the job. Unfortunately, the rest of the film is not as imaginative as this original premise.The boys are in good form and perform their usual routines (the best of which is a stint in which Costello pretends to play the piano while Bud plays a record behind) quite ably, but the jokes supplied to them by scriptwriters Robert Lees, Frederic Rinaldo and John Grant are pretty feeble: "Teller!" - "Tell who?" - "Teller in the bank!" - "Tell who in the bank?" - "Listen, stupid, I want a teller in the bank!" - "Well go ahead and tell her! Who's stopping you?"Their acts are interspersed with some pleasant but forgettable songs, and there is the usual chase finale, this time on skis.The kids will love the movie anyway. For connoisseurs, however, the film is somewhat of a lesser joy. Charles Lamont's direction is as dull as can be. It's a long way down the scale from the smoothly confident competence of an Arthur Lubin or an S. Sylvan Simon. Fortunately, quality photography, sets and sound help take up the slack. OTHER VIEWS: Nicely photographed, fast-moving fun, complete with neat routines, crazy gags, plus polished musical numbers courtesy of Ginny Simms, Helen Young and The Four Teens, Johnny Long and his Orchestra. PRINCIPAL MIRACLE: Although Hit the Ice failed to make the topmost ranks of 1943's domestic ticket champions, the movie must have filled plenty of seats, because both Bud Abbott and Lou Costello were voted equal third (to Betty Grable and Bob Hope) as the year's most popular stars by motion picture exhibitors in the U.S.A.

lugonian HIT THE ICE (Universal, 1943), directed by Charles Lamont, certainly has the distinction of being another one of many ice skating musicals starring Olympic skating champion, Sonja Henie. Though Henie doesn't appear, much of the icing goes to Universal's top comedy team of Bud Abbott and Lou Costello. While there are good songs and some ice skating involved, HIT THE ICE also has the distinction of other fine things presented that truly indicate why Abbott and Costello movies were so successful during the World War II years. Though they don't really hit the ice, they surely were hitting their stride.The story opens at Fulton Hospital where Harry "Silky" Fellowsby (Sheldon Leonard) occupies a room feigning feverish illness in order to establish an alibi as he and his fellow mobster pals, Phil (Marc Lawrence) and Buster (Joseph Sawyer) sneak out of the hospital to rob the bank across the street. While Bill Burns (Patric Knowles) is doctor in the case, his nurse, Peggy Osborne (Elyse Knox) suspects foul play. As the gangsters await for the arrival of a couple of gunmen from Detroit, Doctor Burns meets up with a couple of friends from his childhood days, Flash Fulton (Bud Abbott) and Tubby McCoy (Lou Costello), now photographers hoping to get some pictures for the newspaper where they hope to obtain employment. Inviting the boys to come along on an emergency call via ambulance, naturally when Flash and Tubby unintentionally encounter Silky and his gang at the hospital, they are mistaken for the boys from Detroit. Unwittingly assisting the gangsters in the bank robbery, it's Flash and Tubby who are accused with their photo sketches placed on the newspaper's front page. As the dual attempt to prove their innocence and return the bank money by following the gangsters via train to Sun Valley, Silky and his gang keep watch on Flash and Tubby believing they hold actual photos of them at the robbery. In the meantime, as Silky hides the loot in his mountain cabin, Burns, now a resident physician at Sun Valley accompanied by his ever suspicious nurse, Flash and Tubby, working as waiters, soon meet up with another friend from their boyhood days, orchestra leader Johnny Long (Johnny Long), whose vocalist, Marcia Manning (Ginny Simms), might have some connection with Silky and his gang. Then the fun really begins.Aside from great comedy routines in the true Abbott and Costello fashion, including some clever verbal exchanges (one resembling their classic "baseball" routine), pack and unpack, Costello's "all right" piano playing to a recording (a scene usually edited from broadcast TV channels to allot for extended commercial breaks, and a routine later recreated in an episode to their 1950s TV series, "The Abbott and Costello Show"), and the handkerchief and punch-me gag, there's the usual time-out song interludes to showcase some musical talent, in this case, the vocalization of the gorgeous Ginny Simms. Songs scored by Harry Revel and Paul Francis Webster include: "I'm Like a Fish Out of Water" (no connection to the same title tune from the 1937 Warner Brothers musical, "Hollywood Hotel"); "I Like to Set You to Music" (sung by Ginny Simms, The Four Teens, and Johnny Long); "Slap Happy Polka" (sung by Simms and skaters) and "Happiness Bound" (sung by band members). Of the four tunes, "Slap Happy Polka" and "Happiness Bound" are at its listening best, with the Polka number staged in hilarious fashion as Costello gets himself entangled in an ice skating ensemble, to hilarious results. If that's not hilarious enough, be sure not to miss Abbott and Costello's climatic chase coming down the mountain on skis.With frequent broadcast television revivals, especially on New York City's WPIX Channel 11 Abbott and Costello Sunday morning movies(1971-1990), and prior to that on WNBC, Channel 4's late show through much of the late sixties, HIT THE ICE, which was then one of the most widely known among Abbott and Costello film titles, has become sadly overlooked through the passage of time, which is a shame because it's still 84 minutes of old-style non-stop fun.Formerly available on video cassette around the 1990s, HIT THE ICE can still be seen in its full glory on DVD, along with other Abbott and Costello titles on the same disc as IN SOCIETY (1944) and THE NAUGHTY NINETIES (1945). Take note that while Costello is called "Tubby" throughout the story, he's listed in the closing cast credits under the name of "Weejie." Now that's really hitting the ice. (***)

Lee Eisenberg I would like these sorts of movies a lot better if they didn't have the musical scenes. I watch these movies strictly to laugh. Certainly plenty of scenes made me laugh (namely the snowball scene). One can imagine being a fairly intelligent guy like Abbott's character always having to deal with a brainless sap like Costello's character and how annoying it would be.So, even though the singing drags the movie down, I recommend it overall. Pretty entertaining.Tied up for a while indeed...PS: Sheldon Leonard, who played Silky, later produced "The Danny Thomas Show" and "The Dick Van Dyke Show". He also provided his voice to Robert McKimson's cartoons "Kiddin' the Kitten" and "A Peck o' Trouble" as a lazy cat who tries to make a kitten do his work.

jimtinder In this film, the boys are photographers who are mistaken for hired killers by bank robbers. A&C provide some funny moments, including the "All right" piano bit and the "Pack, Unpack" routine.Despite giving their best efforts, this film ranks as their weakest starring vehicle among their films from 1941 to 1943. There are two main reasons: first, the story and situations are contrived to the point of annoyance; the plotline relies on people constantly bumping into old friends. In the film, A&C meet up with Patrick Knowles whom they haven't seen in years, then they bump into old friend Johnny Long; Ginny Simms conveniently knows gangster Sheldon Leonard...and so on. Second, the musical numbers are back. One would think that Universal learned their lesson with the success of "Who Done It?" by having no numbers, but they are here, and there are plenty of them. Ginny Simms is a lovely lady with a great voice, but the movie boggs down by the sheer number of songs. (It doesn't help that she's no actress.)The supporting cast is fine, and A&C truly give the material their best. But it's not enough to save the film, considering the contrived situations and musical numbers. 4 out of 10.