Heidi Fleiss: Hollywood Madam

1996 "Hollywood was the whore. She was just the madam."
6.6| 1h46m| R| en
Details

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

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Also starring Ivan Nagy

Reviews

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
fedor8 Broomfield takes a look at Hollywood decadence, not just the world of porn here. This documentary should be viewed by anyone who still has naive notions about Tinseltown i.e. what really goes on behind the scenes.Heidi Fleiss is interesting, I suppose, with her boundless naivety (while fancying herself a sly vixen) and greed, but it's really her Hungarian pimp/porn-master/sex-partner and other lesser-known seedy individuals (like the fat old madam who hates both the Hungarian and Fleiss) who catch one's full attention here. These people make Ron Jeremy look utterly dull by comparison (yes, he's in this, too - no surprise there). Even a forgotten Peter Sellers daughter makes one or two appearances, letting us see what happens to some of the offspring that aren't as lucky as David Arquette or Anjelina Jolie. The mad relationships between various inidviduals here almost make for a sort of soap-opera: there is treason, bickering, back-stabbing and all that other stuff. Wonderful.It's just a pity that the movie was made before Fleiss hooked up with Tom Sizemore. Having him scream into the camera would have been fun.Not a minute of this film is dull.
kate I felt so trashy while watching Heidi Fleiss: Hollywood Madame, yet it was so engrossing I just couldn't help continuing on. It's an expose of a woman who ran a high class prostitution ring in LA in the early 90s. Nick Broomfield interviews his subjects (call girls, the director of Starsky & Hutch, an elderly madame who looks and acts exactly like the Egg Lady in Pink Flamginos, a gruff voice on the phone belonging to "Cookie" the bodyguard, and eventually Heidi herself) again and again, eventually trapping them all in a web of lies. It's impossible to figure out who is telling the truth, if the people involved are just having a chuckle at Broomfield's expense, or if they're all so wigged out on coke that they legitimately have no idea what is going on.In exchange for interviews, Broomfield actually hands his subjects huge wads of cash on camera, so at first he seems like the sucker (or, oddly, like he's applying the prostitute/john relationship to the structure of his documentary), but really he's buying a career move while they're just making themselves look silly. Overall I think Broomfield had the last laugh by exposing how absolutely ludicrous some of these Hollywood types are.Broomfield is a shameless sensationalist, but he certainly knows how to bring out the hilarity and surreal nature of otherwise serious subjects.
MovieCriticMarvelfan First of the person who said you will like the characters in the film is out of his mind. The characters in this BBC documentary from Fleiss to her 50 yr disgusting exboyfriend Ivan Nagy are truly revolting. Cap it we see how Fleiss was brought....rich...My god. How pitiful that so many rich white punks out here in California sink their life down the toilent when you have honest hardworking people working day by day for nothing.Anyhow, no surprise we learn that eventually the Fleiss household was one big dysfunctional family leading up to Fleiss turning tricks with the help of an old whore named Madame Alex.The film was funny to me because anytime you see so many dysfunctional characters on screen you cant stop from laughing (like in NBC's Days of Our Lives and Passion).I am surprised that by all Nick Broomfield encounters he doesnt fall on the floor laughing while filming this.I know I would.The best work Nick does here is really exposing Fleiss as the 20 cent whore she is and even when she was getting rich of her prostitute she still wanted more even gone as far as starting to squeeze out that old whore Madama Alex.Another funny part that has to be seen is when see an old washed up porn star, literally begging for me to support her drug habit.Um yeah, porn stars , theres another example of life's loosers. LOLHighly recommend but only to people who really want to laugh their asses off from beginning to end, but then again "Laughter is the best medicine"5 out of 10.
auter I've never "loved" anything that Nick Broomfield has done, but I certainly love him as a documentarian. He has a unique, and very obtrusive style of filmmaking that forces the viewer to follow his line of thinking. This, as one might surmise has advantages and disadvantages, and indeed the flaws in this otherwise fascinating documentary are mostly from his style.On the other hand, it's a fitting style to use as he does his investigative reporting trying to get the inside scoop on the whole Heidi Fleiss affair, and just what exactly was going on between the cast of characters involved. I haven't seen such a collection of manipulative, shady characters in one place in a very long time. It's particularly fun watching a former Madam and a former (or are they still together?) lover of Fleiss exchange insults and spin intricate lies about each other and their roles in her life.Part of what allows this to come out is Broomfield's follow-up style. He interviews one person, then another, then often goes back to a previous interviewee to get their reaction to what someone else said. It's an inevitable, but still ingenious structure that helps to involve the viewer.At the same time, there does come a point when all this lying becomes tiresome. But just when you think you've had enough, Broomfield finally scores an interview with Fleiss herself, which rather than clearing things up, only adds to the confusion. It's a wonderful scene, and true to form, things don't end there, as Broomfield once again returns to certain people to try and put the pieces together.OVERALL SCORE: B