Intcatinfo A Masterpiece!

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Maddyclassicfilms This visually beautiful and deeply poignant story about love and desire in colonial India is one of Merchant Ivory's most overlooked and underrated films.Telling the somewhat similar stories of two women from two different time periods.Heat and Dust presents us with two different views of India from the prejudiced British Raj rule of the 1920's to the tourist and spiritual hot spot of the 1980's.It's based on a novel written by the third member of the Merchant Ivory team the screenwriter Ruth Prawer Jhabvala.As in their previous films in Heat and Dust we find the usual mix of exquisite period detail,memorable performances and a well crafted story.Beginning in the grandeur of 1920's India,Heat and Dust tells the story of young British woman Olivia Rivers(Greta Scacchi)who has joined her husband,The Assistant District Collector Douglas Rivers(Christopher Cazenove)out in the stifling heat of India.Although deeply in love with Douglas Olivia soon finds herself falling in love with the handsome local ruler The Nawab(Shashi Kapoor).The performance of Kapoor is the highlight of the film a brilliant blend of intellect,ruthless power and English manners,breeding and bearing.Intercut with Olivia's story is that of her sisters granddaughter Anne(Julie Christie)who is researching Olivia's story after becoming intrigued by the series of intimate and revealing letter she wrote to her sister concerning her time in India.Although both time periods are distinctively separate one man is present in both and that is the Nawab and Olivia's closest friend Harry Hamilton Paul(Nickolas Grace)who Anne interviews at his home in England in the 80's.He tells her more about the forbidden love affair that began between his two friends.As Anne travels to India to see the places mentioned in her relatives letters she begins a similar story of her own.She has an affair with and Indian and falls pregnant but also like Olivia she finds the strength to live independent,away from the restraints and expectations of the masses.One of the best supporting performances comes from the fantastic Madhur Jaffery as Begum Mussarat Jahan,the Nawab's mother.She holds court at the palace taking long drags from her elegant cigarette holder,scoffing at the English and their inabilities to adapt to the stifling climate,she's a perfect mix of bile,humour and anger.With beautiful costumes and locations Heat and Dust is one of those films the team made so easily and so well,a visual yearning for another time with different values and morals.In a word this is sheer perfection,and a highlight in the careers of the late(and much missed)Cazenove,Scacchi and Kapoor.

nickrogers1969 Excellent film, maybe Merchant-Ivory's best. The story is wonderfully compelling. I love how the lives of the two British women are linked together. It's fascinating to see how differently they were treated by falling in love an Indian at different times in the same century. Great roles for Julie Christie and Greta Scaachi to play in this beautiful and poetic film. It's filled with great character parts for the English and Indian people surrounding them. Lots of food for thought, the film touches on the traditions and ways of life of both cultures showing how trapped people could be. There are some funny incidents when the cultures clash. The end brings both sadness and hope. A very underrated film that deserves to be seen and remembered!

Balthazar-5 This, the the first internationally successful Merchant-Ivory production, continues to be a major achievement. Effortlessly passing from post-sixties soul-searching to twenties scandal, it uses the stylistic freedom of the filmmaker to make solid what can be only suggested in the novel.Ruth Prawer Jhabvala, long-time Merchant-Ivory scenarist, got most of the gongs - and rightly so - for her adaptation of her own novel is a copy-book to be studied by any aspiring scenarist. However, one should not overlook the unforced direction by James Ivory and Walter Lassally's truly wonderful cinematography.One of the most endearing aspects of the film is that a great range of attitudes are expressed by the English characters towards India and the Indians. One suspects that less culturally confident filmmakers nowadays would feel obliged to be more black and white (no pun intended)about 'colonialism' and the like. Not so here. Anne (JC) exhibits a range of attitudes to modern India, as does her ancestral alter ego (GC). Such plurality make the film richer, more complex, less ideological and dogmatic and much, much less boring.In a way, this is a twin film with Jefferson in Paris... see them both together and you will understand what I mean...MO

valleycats Based on Ruth Prawer Jhabvala's Booker Prize winning novel of the same name, this film is not so much as being about India but rather using the country as an effective setting to tell a story spanning approximately 3 generations. Two story lines - one set in the past and one in the present - are juxtaposed and connected by the narrative of a young British woman who seeks to uncover the truth about an ancestor who once caused quite a scandal by having an affair with a local Nawab. The story lines examine the impact of Western and Indian cultures as lifestyles, social mores, and centuries of history clash and collide. A tapestry of India is woven, as seen through the eyes of the narrator, a foreigner, who sincerely attempts to grasp and interpret her observations. The story and the screenplay for this movie speak volumes about Ms. Jhabvala's extraordinary literary and cinematic talents as a social and historical commentator, storyteller, and screenwriter.