Hearts of Fire

1990
4.3| 1h35m| R| en
Details

A reclusive musician, once a huge rock star, takes a young female protegee. While on a tour she meets a younger, more popular rocker and switches her loyalties.

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Also starring Fiona

Reviews

Steineded How sad is this?
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
angie-235 I am a Rupert Everett fan so I knew I had to see this despite a horrible memory of watching it years ago when I had no idea who R.E was. The main problem is that only R.E seems capable of acting and he's trying to hold himself back. What is even stranger is a folk star a girl who plays what I'd describe as heavy metal and a New Romantic are all supposed to be a mix that will work. The best thing you can do is read Rupert's description of this fool of a girl jumping out of bed when she hears he's gay .........a groupie who'd hung about with The Doors I read somewhere .Dylan is worse than awful , it's a mess with no story and no real idea of who it's trying to appeal to. I gave it 3 for Rupert's stand-out acting in one of the worst films ever.
aliciadipesto Picture the scene; Dylan's early 80's career has stagnated. Prince has just released Purple Rain to a rapturous audience and critical acclaim. A die-hard fan gets the job of directing, and before you can say ego-massage, Hearts Of Fire is born.Yes it's a terrible movie but I have deep affection for it; I spent my teenage years with my best friend mooning over Bob Dylan-as-a-young-man and this was always a treat when it appeared late at night on BBC2. Hearts Of Fire generated countless corny catchphrases we still use today, which says something surely. Come on, back me up here...Briefly, the story goes: one-time rock star Billy Parker sweeps into town, chats up ambitious young waitress. Takes her to London. Enter up and coming heart throb James Colt to irritation of Parker and excitement of young girl. Girl and Colt get it together. Tug of love ensues. Young girl is mentored by old timer, young girl releases record of her own, a mild success. James Colt flakes. They all go their separate ways. Dylan is a loser in love but his integrity and dignity remain intact. The end.What became of the actress Fiona Flanagan is anyone's guess, she wasn't that bad, quite pretty, a bit over-theatrical but she was probably trying to make up for Dylan's stupor throughout. Rupert Everett burst out of the closet some ten years later, and Bob Dylan never appeared as Billy Parker the ramblin' bluesman every again. Actually I'm not sure he appeared on the silver screen ever again after that - the man is better behind a mic, I think even he would agree.To conclude? Hearts of Fire is the absolute guilty pleasure, watch it for the laughs, the tears, the hopes, the dreams; I for one will continue to scan the TV schedules in the hope of yet another cheesy viewing. Can you get it on DVD?
busterclaude Ok, the story is cliche and basically not-so-good. What got me through the entire film was Fiona and Bob Dylan. Fiona's music was incredible! And I always love watching Dylan sing/play (if not act). And while Fiona's acting was passable, she is very telegenic; she looks quite good on screen.I never heard of Fiona, but apparently she made several albums, then disappeared from the music scene. Her full name is Fiona Flanagan. I'd love to find some more of her music. Actually, even as poor as the film was, I'd like to find a copy of the soundtrack. About half the tracks are suppose to be hers.
Brian W. Fairbanks Bob Dylan once said that hearing the voice of Elvis Presley for the first time was "like bustin' out of jail." So what exactly is this thing called "Hearts of Fire"? Dylan's attempt to pay tribute to Elvis movies like "Spinout" and "Tickle Me"? This is a bad film, a very bad film. Dylan is the only interesting thing about it. It's not his performance or his songs (none of the ones he wrote for the film are memorable) that make it interesting, though. Rather it's just the fact that he agreed to be associated with it at all. Trying to figure out why he decided to take a role in this film will leave you feeling as baffled as Mr. Jones in the famous song.

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