He Got Game

1998 "The father, the son and the holy game."
6.9| 2h16m| R| en
Details

A basketball player's father must try to convince him to go to a college so he can get a shorter prison sentence.

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40 Acres and a Mule Filmworks

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Reviews

Scanialara You won't be disappointed!
Tedfoldol everything you have heard about this movie is true.
Stellead Don't listen to the Hype. It's awful
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
elderfarr This movie is stupid. It is long and drawn out. Ray Allen should be ashamed of himself for the scenes he was in. Millions of kids look up to him and he is in a scene like that. I wonder what his daughter will think when she gets older and sees that scene. Unbelievable! The plot was just another stupid sports movies. The only good sports movies are true stories. That way it is not the typical same old repeated stuff that seem to surface in every basketball movie. Spike Lee is a joke and so is this movie. I was really excited to see this movie but if I wanted a porno I would have walked down to Blockbuster and got one. I lost every bit of respect for Ray Allen that I had.
dee.reid The Spike Lee joint "He Got Game" is one of the director's most passionate films because it's about his own personal passion for the love of basketball, one of the richest and most mythic of sports. But to Lee, it's also the most holy and with that said, "He Got Game" has no shortage of religious undertones, symbolism, and imagery.Now, as a sometime fan of the game and occasional player of the game (though I was never really any good, and former Chicago Bulls player Michael Jordan ranks as my greatest athlete), I can see why Lee feels the way he does about the game and his film. "He Got Game" looks at the sport, the behind-the-scenes corruption and capitalism, greed, temptations, the relationship between father and son, and the Holy Game.But "He Got Game" is mostly about the relationship between the father and the son. Denzel Washington (in one of his best performances, and the third time he has worked with Lee) is Jake Shuttlesworth, a convict doing time for the manslaughter of his wife. Looking for a chance at redemption, he gets it when the governor, an adamant basketball fan, hears that Jake's son is the number-one basketball prospect in the country. In a once-in-a-lifetime chance, the governor, using the warden (Ned Beatty) as his go-to guy, agrees to reduce Jake's sentence if he can get his son to attend the governor's alma mater, Big State University.In order to do this, Jake is given a one-week temporary release from prison, with two parole officers (Jim Brown and Joseph Lyle Taylor) watching his every move. The deal is easier said done. Jake's son, Jesus (Ray Allen, of the Milwaukee Bucks), has nothing but contempt for him and while his younger sister Mary (Zelda Harris) and cousin Booger (Hill Harper) have forgiven him for his sins, Jesus's heart is still filled with hatred and resentment for his father. It just becomes a question of whether or not the son will forgive the sins of the father, and whether or not the father and the son can come together as one."He Got Game" is a powerful movie, rich in performances, imagery, and story. It is true that Lee has never made a "bad" film in his 20+ years as a filmmaker. Every film he makes is a new experience and will always keep you watching. While suffering from an overly long running time, a few under-developed characters (like Milla Jovovich's Dakota) and occasionally uneven storytelling, "He Got Game," like all of Lee's work, keeps you watching.It's mostly the father/son angle of the story that kept me watching. Washington is one of the strongest actors working in the industry today (some of his best moments are flashbacks to Jesus's childhood and why Jake pushed him so hard to be the best ballplayer that he could be, and the reasons behind Jake's incarceration, which are revealed to be far more complicated than first thought); while it is true that Allen is no great actor (he is an athlete, after all), he is at his best during his scenes with Washington. On his own, it's a bit of mixed effort. Lee's composer has frequently been Terence Blanchard, but replacing him this time is the emotive, driving score by Aaron Copland, blaring up during many of the film's strongest moments. Rap group Public Enemy also composed many of the songs appearing on the soundtrack; it marked their triumphant return to the rap game after a few disappointing albums.While I don't consider myself much of a religious person (despite a Baptist Christian upbringing), there is a lot of religious allegory in "He Got Game." Like his biblical namesake, Jesus is seen as the savior, the second coming and the resurrection of the game, and there are a number of temptations, many of which are of the flesh, that he has to overcome - from the dangers of being a young black man on Coney Island (where so many other promising talents have become victims), to the cash hand-outs, promises of fame by bypassing college altogether and going straight to the NBA, and finally to the young women luring him to the big universities with questionable "recruiting" practices, and there is also the sultry, Delilah-like girlfriend Lala (Rosario Dawson), who states point-blank that she's out to get hers too because once Jesus goes pro, she'll be forgotten. The only person capable of steering the son clear of these dangers is the guidance of the father, who's seeking his own redemption as well as the forgiveness and love of the son."He Got Game" remains one of Spike Lee's most passionate and cinematically mature efforts, despite a few missteps along the way. The ending is a great step from the usual "reality" of most traditional Hollywood endings, yet a further sign that Lee is maturing as a filmmaker. It's powerful, it's moving, and it has game. "He Got Game" proves once and for all, that the man behind the camera also has game.9/10
fingerscut It's hard to write a review for a sports movie, there's just a different standard for them. Their plots are usually contrived to a level of laser precision. They seem almost designed to make you feel good, which while admirable in the scheme of life, just isn't good film making.For us sports fans, a sports film that comes across as 'above average' instantly becomes classic. This hardly seems fair, just because the film had some scenes of athletic competion doesn't mean it shouldn't have to face the same standards as the rest of the silver screen.But this is a movie that goes against that grain. It's sincerely good by anyone's standards. The acting, even that of NBA Star Ray Allen's, is on-par with anything else out there. Bonus points for any film where Denzel Washington isn't playing Denzel Washington(even though I enjoy many of those films).Beautifully shot, the cinematography throws a pinpoint assist to the script and makes normally great scenes memorable and occasionally transcendent. The film hits with such power that it really exposes other sports movies for the fluff that they really are. Spike Lee manages to create a film that, while deep in the world of basketball, still can appeal to a non-sports fan. Unlike the 2006 USA Team, this movie is destined for gold! And, my apologies for the "Assist" thing, there's really no excuse. Same the the "Gold" thing. Still, watch the movie. 8 of 10.
dylanmiles1 This is one of Spike Lee's best films. And the use of Copland's music only punctuated what absolute tenderness was already there. One of the last scenes when Washington's character throws the basketball over the prison wall and impossibly into Jesus's court while playing (one of the obvious interpretations of this scene being "the ball is now in his court") is one of the most beautiful scenes I've ever seen--pure magic. That last scene is so full of meaning and symbolism that it overpowers the mind with all the instinctual emotions that goes with that scene: namely the often difficult and mythic relationship between fathers and sons, forgiveness, acceptance, and of course transcendence.