Gunmen

1994 "In a South American country, there's only one way to take down a druglord: point blank."
5.2| 1h34m| R| en
Details

A New York DEA agent springs an outlaw from jail to lead him to stolen money in South America.

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Reviews

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Mandeep Tyson The acting in this movie is really good.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
bh_tafe3 Two mismatched rogues who hate each other are forced to work together to try and find a buried treasure, while a really nasty guy tries to track them both down to get the gold. One of our heroes knows the boatyard the treasure is hidden in, the other the name of the boat.Christopher Lambert and Mario Van Peebles haven't exactly had glittering screen careers, and Denis Leary, the villain, probably enjoyed the peak of his film career in the mid 90s. But in this one they are all fun to watch. Van Peebles and Lambert have a certain chemistry on the screen that needs to be seen to be fully appreciated.The film does go a little too far on the side of dirty in some scenes and stupidity in others. Patrick Stewart's presence is as ludicrous as his character's arc and demise.In general this is well acted and directed and certainly not a bad movie. This is not essential film making by any means, but worth tracking down if you like action comedy buddy flicks that borrow the plot from classic westerns.
Paul Andrews Gunmen is set in the jungles of South America where drug lord Loomis (Patrick Stewart) has hired mercenary Armor (Denis Leary) to find 400 million dollars of his stolen money, while moving the cash one of his men named Karl Servigo loaded it on a boat somewhere ready to sail off after meeting his brother Dani (Christopher Lambert). After Karl dies while being tortured by Armor the only other person who might know where the boat is happens to be Dani, however Armor isn't the only one looking for Dani as New York cop Cole Parker (Mario van Peebles) is aware of the money & breaks Dani out of prison in order to find out where the boat is. The hunt for the 400 million becomes a race against time as to who will get there first...Directed by Deran Sarafian I have to admit to being rather disappointed by this lacklustre buddy buddy action thriller that doesn't have nearly enough action or thrills. The script by Stephen Sommers (who notably later went on to direct high profile fantasy films such as The Mummy (1999), Van Helsing (2004) & G.I. Joe: The Rise of the Cobra (2009)) is a light hearted affair with plenty of banter between the two mismatched leads who inevitably become good friends by the end & a quick succession of one-liners but I thought there was a real chemistry lacking between the two leads, maybe it was Lambert & Peebels performances or the script or the direction but I never warmed to either of them. The villain starts out as a frail Patrick Stewart in a wheelchair (practice for his role as Xavier in the X-Men films?) who is wasted in a small role before Armor decides to run the show himself, having said that Armor isn't the brightest bad guy, why did he kill Karl in the first place? Despite needing Dani & Cole alive he lets his men shoot at them constantly & why kill that woman at the end? At 90 odd minutes Gunmen moves at a decent enough pace but the action is forgettable, the character's don't click & the plot about finding hidden money while avoiding the bad guy's is nothing that original or special & Gunmen doesn't distinguish itself from any other average action thriller.The action mainly consists of a few shoot-outs where the bad guy's can't shoot straight as usual, a few people crashing out of windows & a boat exploding at the end. Gunmen looks quite nice, set in South America the lush green jungles add a little something the close-ups of wrinkled faces & guy's with thick stubble remind me of a Spaghetti Western. There's a topless woman & a bit of blood but nothing excessive.With a supposed budget of about $8,030,000 this had a fair bit spent on it & I can't really see where the money went besides the locations & even then Gunmen was filmed in Mexico not South America. The acting didn't impress me, as I said I thought there was little to no chemistry between Lambert & Peebles which really killed the film dead for me.Gunmen is an average action thriller with the whole buddy buddy mismatched partner thing going on of which there are many better examples out there. Not something I would want to watch again, ever.
Frank Markland Christopher Lambert and Mario Van Peebles play two bumbling tough guys who go up against a mobster who Lambert stole money from, while Lambert and Van Peebles escape the bullets fired at them, a conspiracy is abound and the usual double-crosses take place in this dull movie which is so bland I can't even come up with a clever opener for my summary. Lambert has an interesting screen presence in his roles that almost always makes him more likable than most other B. stars, however his style is not a style that works with comedy. If you do not believe you can go and immerse yourself in the movie "Why Me?" (An appropriate title for the hapless audience) and see what I mean, Gunmen is painfully trite with dialog so tired and action so uninspired you just sit and watch in darkness as you hear your eyes glaze over and freeze in the sub zero temperature the entertainment registers in. Gunmen is an awful movie, so painfully obnoxious and obvious in it's set up that one would prefer the pairing of Lambert and Van Peebles only slightly over Chuck Norris and Louis Gossett Jr in Firewalker. Strangely this movie feels a lot like that 1986 dud. As reported by others watching Patrick Stewart swear is funny but aside from that, do you really want to see a movie that feels like a rejected TV pilot? * out of'4-(Bad)
Gareth Hacking I think it's fair to say Christopher Lambert has had his fair share of duds in recent years. Started off in a great way in the 80's and then it's been one long slide into obscurity (Highlander 4 anyone?). Mario Van Peebles career path has been pretty similar since 'Heartbreak Ridge' though he seems to have done all right recently appearing in Ali. Anyway ‘Gunmen' co-stars the two the same year they appeared together in Highlander 3. The basic plot of this South American actioner is that Dani Servigo (Lambert) is the only one who knows the name of harbour where a boat with 400 million dollars of drug money onboard is moored. Cole Parker (Van Peebles) is the only one who knows the boat's name. Together they're trying to get there before Loomis (Patrick Stewart), the drug lord the money belongs to and Armor O'Malley, his right hand man (Dennis Leary) who's starting to strain at the leash.Why am I recommending this film? Well, Sam Raimi said that the success of the Evil Dead films is dependant on how much abuse Bruce Campbell suffers. I think it's the same with this. At one point Van Peebles is tortured for information by being hung below a helicopter and flown through trees and then dunked in a lake. The more they suffer the more you want them to overcome the obstacles in their way. Mind you, Dani and Cole not the nicest of ‘heroes'. Actually they're a couple of complete jerks. They bicker constantly and don't trust each other, stooping so low as to shoot each other in leg so they other can't run off with the money (this being a early 90's action film all this does is give them slight limps, how realistic). What makes it great to watch them is Lambert and Van Peebles aren't afraid to go for it and it's obvious they're bouncing off each other. On top of this we have Leary playing exactly the nasty driven character he's so good at (don't believe me? watch Judgement Night), whether it's shooting his own men or having people buried alive. An interesting fact to note is that this is an early writing effort from Stephen Sommer, who went on to demonstrate his ability with action pictures with such films as Deep Rising and The Mummy.