Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Rexanne It’s sentimental, ridiculously long and only occasionally funny

happytrigger-64-390517 As I love American B movies, Phil Karlson has always been one of my favorite director, with tough thrillers and westerns with very nasty fights and anti corruption subjects ("The Phenix City Story", "Walking Tall"). And always great tough actors, William Bishop, George Montgomery (wahh "The Texas Rangers"), John Payne, Richard Widmark and Joe Don Baker, around 15 B masterpieces. Some are still very hard to find.Twenty five years ago, I really wanted to see "Gunman's Walk", absolutely invisible. And the only way was to go to a museum and pay for the projection. This is how I discovered this pure treasure, a very strong story of a father facing a psychopathic son, incredibly played by Tab Hunter, completely possessed by madness, he is really scary. Lot of tense psychological details. The cinemascope by Charles Lawton Jr is pure genius and inventive, it is quite rare in westerns.When producer Harry Cohn saw that movie, "he was literally crying". And Harry Cohn said to Phil Karlson : "you're going to be the biggest director in this business and I'm going to make sure you are." Harry Cohn went to Phoenix, Arizona and died. (Phil Karlson in his only interview I know in the super book "King of the B's").

Robert J. Maxwell Phil Karlson was an erratic director who could sometimes hit one out of the ball park, perhaps without meaning to, as in "Walking Tall." This is one of his better efforts, with some intrinsic ambiguity. There are some interesting moral dilemmas. For instance, you love your son. Would you kill him if he were threatening to kill you?The beetle-browed Van Heflin is splendid, as usual. After one or two stereotyped parts in his early career, he began to bring a great deal of conviction to his roles. He may have given the best performance in "Shane." And he's convincing here, too, as one of those "powerful men around here" who fought the Indians and enforced his own law when none other was available. But now, some years have gone by and that approach is out dated. Heflin doesn't quite seem to realize it. He runs his ranch honestly and he's a man of honor but he remains a racist. The town is now settled peacefully and has a sheriff and a deputy, which Heflin treats with friendly disdain.But his real trouble is with his two sons, reckless and increasingly violent Tab Hunter, and law-abiding tolerant James Darren -- one good, one bad. Heflin approves of the bad son who gets drunk sometimes, has a sweet temper, is quick with his fists, and doesn't like to be bested in any contest. It reminds Heflin of his own youth.The problem is that Hunter's infractions grow beyond the tolerable. The sheriff is an old friend of Heflin's but when Hunter shoots and kills a couple of men, he has to draw the line. So does Heflin, who now sees what he's responsible for.Heflin is fine. Katherine Grant is a half breed who is only around so that the tender-hearted Darren can fall in love with her and Heflin can vent his hatred of Indians. ("That SQUAW!") The supporting cast is fine, a good handful of seasoned professionals.The sons are two handsome young heart throbs of the period. Neither can act. There is handsome young Tab Hunter, outfitted in tight shirts and slacks; and there is handsome young James Darren, in looser clothing as befits someone who doesn't like guns but can love a squaw. Behind the nicely chiseled Aryan face of Tab Hunter lies Arthur Andrew Kelm, a strapping kid from New York who looked good enough to get into the movies although he never uttered a believable word. And behind the troubled yet hopeful eyes of James Darren, we find James William Ercolani, a kid from Philadelphia who looked good enough to get into the movies although he never uttered a believable word.The story's moral complexity lifts it out of the ordinary shoot-'em-up Western. The two heart throbs almost sink it but it survives despite the carnage they've wrought.

David_Brown This is an extremely powerful film, with another commanding performance by Van Heflin (Easily one of the most neglected actors of all-time). What you see is in Lee Hackett, is a man who is unaware of terms like LOVE (He essentially sees it as weakness). He is so hard, he even let has sons (Ed & Davy (Tab Hunter & James Darren)) call him Lee instead of dad. His biggest problem however, is actually not being hard, or even powerful, it is being an enabler. It is obvious to viewers that Ed (Tab Hunter) is a sociopath, who will kill and hurt other people just on a whim, and despite that, his father does whatever he believes necessary in order to keep him from being punished for his deeds. Spoiler Ahead: Even after Ed murders Deputy Motley, he says to him, "You fool, I could have gotten you off." It took the showdown against Ed, to realize how much Ed really hated him, and really wanted to have a duel against him, and he had no option but to kill him. I really like the ending where he asks Davy and his Indian woman Clee (Kathrym Grant)to help take your brother home, and they walk out of town, with Clee & Davy supporting Lee on each arm. What I see in the end of this film is hope. The hope being that Lee has finally cleansed himself of the prejudice, anger and hate that consumed him, and by calling Clee over to him (Along with Davy), I think he did.

RanchoTuVu Another western about a son's (Tab Hunter) blind ambition to be the equal of his pioneering father (Van Heflin) in an increasingly civilized west. Saved by director Phil Karlson's talent to move the story along and punctuate it with many exciting scenes, the highlight being a bizarre horserace along the edge of a dangerous gorge, and fine lesser roles by Ray Teal as a lying horsetrader and Mickey Shaughnessy as a deputy whose main job is to keep an eye on Hunter's increasingly unlawful behavior. The familial tension between Hunter, Heflin, and younger brother played by James Darren swings from mildly ridiculous to downright absurd. An at times beautiful film to look at, it comes off well in the end as Hunter gets more and more out of control, drinking, singing, and whoring around on a crazy night, and reaches a fairly stunning conclusion when Heflin is forced to hunt him down.