Good News

1947 "M-G-M's terrific technicolor musical!"
6.7| 1h35m| NR| en
Details

At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.

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Also starring Patricia Marshall

Reviews

ThiefHott Too much of everything
Stometer Save your money for something good and enjoyable
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
tavm Good News is one of the most underrated MGM musicals from the '40s I've ever seen from that era. While leads June Allyson and Peter Lawford are no Judy Garland and Mickey Rooney (who ironically, were the original considered leads for this movie version years ago), they sing and dance entertainingly enough for one to not notice after a while. Another underrated talent showcased here is one Joan McCracken who shines in the opening number and the later made-for-film specialty "Pass That Peace Pipe", which was eventually nominated for an Oscar for Best Original Song. And dig the "Velvet Fog" Mel Torme in his younger days crooning here! Excellent debut for director Charles Walters and screenwriters Betty Comden and Adolph Green makes this one of the most spectacular musical comedies I've seen yet! P.S. Among the extras on the DVD are two numbers from the 1930 film version of Good News, the title number and "The Varsity Drag", both performed energetically and athletically by a young woman named Dorothy McNulty, later to be known as Penny Singleton from the Blondie movies. All of the above are well worth checking out!
Ed Uyeshima The death of June Allyson this past week is reason enough to revisit one of her most important starring vehicles, this wholesome 1947 MGM college musical from the golly-gee-whiz school of entertainment. Based on a pre-Depression-era stage hit, it's all pretty ridiculous but very sincere with random moments of clever comedy thanks to the formidable team of Betty Comden and Adolph Green with their first screenplay effort. The thin plot involves exuberant co-eds at Tait College and two in particular, conscientious good girl Connie Lane and football hero Tommy Marlowe. The closest thing the film comes to drama is the risk Tommy faces in not being able to play in the big game if he cannot pass his French class, and you can guess who is the only who can tutor him. There is inevitably a snooty gold-digger out to steal Tommy from Connie under the assumption that he is an heir to a pickle fortune. And naturally, there are hijinks galore among the co-eds who have a more vested interest in the big game than their own studies.The trivial nature of the film is offset primarily by two things. First, there is Allyson, who exudes cornbelt, girl-next-door appeal effortlessly. With her froggy voice and twinkly smile, she shines as Connie despite the fact that she is not inordinately talented as either singer or dancer. As Tommy, Lawford is actually a better dancer than you would expect, but his character is such a flighty dullard that he comes across as rather silly. The second notable factor is a wonderful bouncing ball of a dancer named Joan McCracken, a Broadway performer who plays Connie's comic sidekick Babe Doolittle. Shamefully an obscure footnote now, she is the dynamic center of the energetic if somewhat politically incorrect "Pass the Peace Pipe" production number, a dazzling example of finely coordinated MGM choreography at its best. Another example of that craftsmanship is the final "Varsity Drag" number where dozens of dancers impressively replicate the moves of Allyson and Lawford in synchronized lockstep. This will definitely not suit everyone's taste, even lovers of MGM musicals, but it is a worthy tribute to Allyson's appeal and the kind of musical that would never be made again without some hint of cynicism.
gkeith_1 Football is in the fall, at least nowadays it is. Prom is in the spring. So is graduation, at small colleges (I think).This movie had football, prom, and graduation, all in the spring. Then, to top it all off, Tommy said he was getting a degree in French LOL. Tommy came off as such a dunce, and I never really picked up on what his major was, anyway.I expected the women's hairstyles to be short bobs of the 1920s, and more Charleston dancing. These two points became lost when I decided to let myself get lost in the escapism and pure entertainment.All in all, I still like this movie, very much. I really like the singing of June and Peter, and feel that they had very nice voices. Hope they were not dubbed. At any rate, they were honest and heartfelt vocal renderings.June Allyson passed away several days ago (today is July 16, 2006), at age 88. In 'Good News', which I saw today for the third time, I figured I would melt in tears when she & Peter Lawford did the scene of 'The French Lesson'. That happened a little when I saw June in 'Little Women', shown 2 hours or so earlier, where Jo meets Laurie (June & Peter) late in the movie (I just saw the last part of it). I knew that I would be watching them again in 'Good News' a little later, because today was the June Allyson special presentation on TCM (7 of her movies).I do like the 'Varsity Drag' in 'Good News', and wish June had danced more in this movie. I did enjoy how she and Peter led all the other dancers in the huge finale, each leading their group in a large tight triangle. It was so neat.RIP June and Peter. We love you so. I am still melting in tears.12/10
brumbolt Good News is one of my all time favorite MGM musicals.Great songs by wonderful performers.Ray McDonald in a part that shows his talent,Ray was one of the under exposed performers at MGM.June in one of her best performances ,its also one of her favorites.Peter miscast but does a good job.The first film directed by Charles Walters he went on to direct Easter Parade and many others.JoanMacCraken in one of the few films she made.Pat Marshall ,Mel Torme all add up to a great entertainment.When I met June Allyson I told her some scenes from the first version were shown .She wasn't aware there was an earlier one.I said Penny Singleton(the star) was no match for June Allyson.She chuckled at that. Gordon