Colibel Terrible acting, screenplay and direction.

Konterr Brilliant and touching

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

gradyharp HUEVOS DE ORO (Golden Balls) is a 1993 film by writer/director JJ Bigas Luna (best known for his 'Jamon, Jamon' and 'Son de Mar') that suffers from defective promo/packaging. The cover of the DVD (probably released only of late because of Javier Bardem's growing popularity in this country) suggests an edgy comedy: Bardem in a gold suit is seen grasping his crotch! Nothing could be more misrepresenting as this is a drama of lust, greed, power, and ruthlessness. Get past the promo and settle in for a drama and the result is not bad.Benito Gonzalez (Javier Bardem) is a construction worker with a dream: he is obsessed with power of building and owning the tallest building in Barcelona and of becoming the richest man who can own gold Rolex watches and have all the women he wants. He is a lustful lover, first with his best friend Mosca's (Francesco Dominedo) sister Rita (Elisa Tovati) whose body and scent are a passion for him. Yet he dreams of his tallest building (the possibility of his achieving this is not unlike the ease of getting an erection!) and he focuses his life on his greed. His co-worker Miguel (Alessandro Gassman) is to help him fulfill his dream, but when he discovers Miguel is sleeping with Rita he is incensed and leaves his lowly construction job for the promise of riches in Barcelona.Through stepping on people, using devious means to get backing and money for his 'Gonzalez Tower', Benito gradually destroys all of those who want to help him - his new girl Claudia (Maribel Verdu) with whom he has another sexual obsession then talks into sleeping with one of his money source prospects, the banker (Albert Vidal) who has slept with Claudia becomes his father-in-law when for monetary gain Benito marries daughter Marta (Maria de Medeiros), a wily but wealthy film producer 'Gil with the Chickpeas' (Ángel de Andrés López), and more.By breaking the law, abusing his 'friends', and lying in general Benito's building is nearly completed. But a series of tragedies involving Mosca's accidental death, and an auto accident with many permutations for Benito, and the ultimate loss of funding result in Benito's multiple losses of his dreams, betrayals of his pitiful sex life (this time a lowly gardener Bob (Benicio Del Toro) steals his paramour) leave Benito destroyed. The story is actually on the order of a Greek tragedy - but sadly without the impact.Though Javier Bardem is a brilliant actor and is in the company of other exceptional actors, the script by JJ Bigas Luna is weak, paying little attention to character motivation and emphasizing instead gross caricatures. But if the film is taken as a recreation of the driving, greedy, power obsession of the 1980s then the message makes its impact. And it is always good to see early work by such actors as Bardem, Del Toro, and Verdu! Grady Harp

dantown Thank God I have fast-forward. I think this is a movie about a guy who rises and falls. Whatever: It's a stupid cliché. It doesn't make any difference. There's this guy, javier Bardem, who constructs buildings or something. It doesn't matter. He is handsome, this Javier Bardem. Who cares? I think there is a car wreck but I watched this in fast-forward, so ...who cares? Car wrecks and handsome heroes who struggle back from them smells like a melodrama to me. Javier likes someone , but he marries Maria de Madeiros instead.She is magnificently, poetically beautiful, with a heart-shaped face. Then Javier has an oral-interface with Maribel Verdu, who washes her vulva, beforehand, for some reason. You would think Maribel Verdu, with her hand-washed vulva would be sexy. No, she is not. This is a tedious story about a bunch of people who don't interest me. Javier, Maribel, and Maria have a threesome: How boring. This film is annoying. I think this might be a minor THEME of (some) Spanish-language movies: The rise and predictable fall of a little guy who succeeds against the odds. Let me just clear this up: this is a high-class melodrama or perhaps soap opera. It is not worth your time, except for a laugh.

esh04676 Lots of rather drrunken partying and explicit sexual activity do not disguise the fact that Golden Balls tells a sad story. Bardem, as Benito the young construction worker consumed with ambitions, aspiration, and sexual desire, is very fine. I would give him most of the credit for making this an interesting film, but Bigas Luna, the director, shows great skill in his handling of Benito's tangled relationships with three women and his slick maneuvering to gain financing for his consuming desire to build the tallest skyscraper in the city. Benito scores success in business and with his women, but in the end meets his downfall, losing money and prestige as his shoddy building practices are exposed. Even worse, it is made clear to him that he is not as good in bed as his gardener, Bob, played by Benicio del Toro in what is little more than a cameo but very convincing.

DanB-4 Either you like Bigas Luna, or you don't. Huevos de Oro is the middle picture in his trilogy of weird romance films, the other two being the more noted Jamon Jamon and the truly bizarre La Teta y La Luna. All films have breast-obsessed Spanish macho men, sexy young women, love starved 40-ish women, love triangles wrapped around the oddest plots, and the most eyebrow raising sex conversations. All of these films seem to parody the Javier Bardem Spanish macho man character and how he is ultimately ruled by his libido. (The same can be said for most males).Luna as a director introduced to me to three spectacular, stunning actresses in his films, namely Maria de Mederios, the now famous Penelope Cruz and Mathilda May. He also uses recent Oscar nominee Javier Bardem with great frequency.In this film, there is a loose plot of a man (Bardem) who wishes to obtain financing for his construction business, and marries a woman he does not love (the wide-eyed Maria de Medieros) in the process. He maintains his passionate relationship with his first and true love, and ultimately gets entangled in his own romantic web. He never gives up his juggling act, until the three main characters come face to face.What Luna does as a director is take these simple plots and wrap wonderfully strange characters with bizarre obsessions and mannerisms.This movie has lots of passion, sex, conversation, and twisted romance, all bundled into an enjoyable and unique film. Many will be offended by Luna's unabashed approach to film-making, but this is still a fresh and unique picture. I recommend the three in this series highly. I can not guarantee you will like them, but I can guarantee that you will remember them. ***1/2out of ****.