Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

kidboots Even though Norma Talmadge's signing with National Pictures in 1915 was a fiasco and her popularity, which she had striven so hard for, plummeted, D.W. Griffith saw something in her and signed her to a lucrative deal with the newly formed Fine Arts-Triangle film company. Her roles were diverse and her public popularity soon recovered. "Going Straight" paired her with Ralph Lewis and gave her a role as a respectable married woman and the brains behind a criminal gang.When underworld character Briggs (Eugene Palette) makes the front pages for a series of robberies it causes the respectable Remingtons to remember a past they are trying to forget. John (Ralph Lewis) was once involved in a desperate gang of crooks and his sweet wife Grace was the ringleader!! When police get wind of a robbery that Grace, as a maid in the household, has helped to plan out, the gang is ambushed but gallant John helps Grace escape through a closet door!!Years later the Remingtons have "gone straight" and prospered but when John goes to look at a warehouse for a client he runs into Briggs. The years haven't been kind to Briggs mainly because he hasn't mended his ways and when John responds to a plea for money, Briggs decides to up the ante and go in for a bit of blackmail and is not above using a little paper boy (George Stone) as a decoy!! Once John stops the payments the brazen Briggs comes to the house and threatens to expose Grace for her earlier crimes unless John comes in on a robbery he is planning. Of course the house of the planned break-in just happens to be the one where Grace and the children are visiting for an overnight stay.Just some stunning camera work. Norma found in the Franklyn brothers, directors who harnessed in her sometimes over emotional performances. The close ups here were so effective, when Briggs breaks into Grace's bedroom and realises he wants more from her than just revenge, only their eyes are highlighted - her's fearful, his knowing and cunning. Just a terrific scene.John, downstairs, tinkering with the safe is able to come up, knock Briggs down and fortunately explain to the family that he had come for Grace and the kids. All is not over for Briggs yet...... he has one more chance!!Eugene Palette looking trim (he can certainly climb those drains) and light years away from his podgy detective roles plays Briggs with daring and desperation!!Very Recommended.

Cineanalyst In this early Norma Talmadge picture, "Going Straight", her and her husband are former criminals blackmailed by their old partner in crime to be accessories for one last job. It's a melodramatic, generic and morally flimsy narrative, but it's at least competently made. An exciting flashback sequence early on introduces our couple's shady past; narratively, I appreciate the flashback here instead of a completely chronological plot. The three leads: Talmadge, Ralph Lewis and Eugene Palette do well in their parts, especially making good use of their close-ups to flesh out their characters. That alone is a significant improvement over the earlier Talmadge feature "Children in the House" (1916) included on the same Grapevine DVD. Talmadge has a nice wide-eyed, distressed look on her face through much of the film. "The Social Secretary", though, is the gem of Talmadge's few Fine Arts/Triangle vehicles in circulation today.(Note: The print had many, continuous scratches, but is, overall, clear and of relatively good quality and much better than the dark print of "Children in the House".)

wes-connors Years ago, Norma Talmadge (as Grace Briggs) and her crooked partner Eugene Palette (as Jimmy Briggs) helped locksmith and gang leader Ralph Lewis (as John Higgins) commit burglaries. After falling in love, Ms. Talmadge and Mr. Lewis married. Later, Lewis was arrested, and went to prison for his crimes. Upon release, he and Talmadge decide to make amends. After "Going Straight", they change their name to "Remington", made babies, and lead a happy, prosperous life.Presently, while Talmadge and Lewis remorsefully recall their life of crime, Mr. Palette remains crooked to the bone. He hooks up with little Georgie Stone (as Jimmy), a helpless waif and criminal adjunct. When Palette re-encounters his now prosperous pal, he blackmails Lewis by threatening to reveal wife Talmadge's participation in their past crimes. Since Talmadge was never caught, she would (presumably) have to serve some years in prison. Eventually, Palette's demands increase...***** Going Straight (6/4/16) Chester & Sidney Franklin ~ Norma Talmadge, Eugene Palette, Georgie Stone, Ralph Lewis

Silents Fan This story of a family trying to escape its criminal past is highlighted by a fine, expressive performance by Norma Talmadge. Ralph Lewis is solid in his performance of a locksmith, turned safe cracker, turned ex-convict turned successful businessman. But if you have never seen Eugene Palette in a film of this vintage, you will be most surprised by his performance as a career criminal. Palette is slim and trim, and only his eyes are recognizable to fans of his later films. His performance as the career criminal who tries to drag the family back into a life of crime is riveting. The actor usually known for his genial performances as a doting father racks up theft, assault, blackmail, breaking and entering, Faginism, attempted rape, attempted murder and the near murder of a child along the way. There are several good fight scenes, including a brawl and shootout between a criminal gang and the police that would do credit to a small war. This is a fine film for its vintage and well-worth watching for Talmadge's and Palette's performances alone.