Goin' South

1978 "In 1868 Longhorn Texas, a convicted outlaw had two choices: get hung, or get married."
6.2| 1h49m| PG| en
Details

Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.

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Reviews

CheerupSilver Very Cool!!!
Micitype Pretty Good
Konterr Brilliant and touching
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
boatista24 This movie has a great cast, many of whom are inter-related in various ways. First, there is Jack Nicholson, Danny DeVito and Christopher Lloyd, all of whom were in One Flew Over the Cuckoo's Nest together three years earlier in 1975. Needless to say, Nicholson must have had some influence in casting DeVito and Lloyd, as he directed this picture. DeVito and Lloyd were still relatively unknown until they were cast the following year in TAXI. Next, we have Veronica Cartwright, who would be cast in ALIEN the very next year in 1979. Then we have the lovely Luana Anders, who looked just as fabulous as she did 17 years earlier in her signature role as Don'a Medina in The Pit and the Pendulum, in 1961. There is John Belushi in his first film role, which ironically was in the same year that he would appear in Animal House. Finally, Mary Steenburgen appears here in her first film, as well. She would later go on to make some fabulously successful appearances in films like Parenthood and Back to the Future Part 3. As for the movie, it was an under-rated and relatively unknown independent film made by Nicholson on a lark. It remains one of those magnificent sleepers that was just great fun to watch. It's a happy movie with lots of laughs and lessons in loyalty and kindness. It remains one of my favorite comedies, westerns, and casts nearly 40 years later.
Red-Barracuda Going' South is probably most famous as being a film directed by Jack Nicholson. It's a western about an outlaw called Henry Moon who is saved from execution by a sexually repressed woman who owns a gold mine. To his chagrin she immediately sets him to work there, needless to say they don't get along at first but then they do later on.This is essentially an odd couple film. It plays things consistently for laughs but like the majority of comedy westerns it really isn't too funny. Nicholson may be a great actor but he isn't a very good director. The pacing lags badly in the second half but the story isn't terribly engaging overall. It also stars a host of actors who would go on to become stars in the 80's such as Danny Devito, John Belushi and Christopher Lloyd. But despite the potential that this cast suggests, most have very under-developed roles and it feels suspiciously like Nicholson invited them along just so that he could have a laugh on set. The western itself was in decline by the late 70's in any case and Going' South didn't bring anything new to the table to help change that. It's a film that seems to have a minor cult reputation but I didn't think it was too good and it's certainly one of Nicholson's lesser film outings.
rickmantler One can't help but notice how Nicholson eventually gave up on concealing his hilariously obvious coke nose (to the untrained ear it just sounds like "allergies"- this is the usual excuse given, of course....). Over the counter allergy medicine can help with allergy symptoms. Nothing helps cocaine-blasted sinuses. Not even Scorsese could direct while coked up. Nicholson's attempt is considerably more disastrous. Take a second look at the cast (see Belushi) and it isn't hard to deduce what happened to this movie.Note that it gets steadily worse as the film progresses.I wasn't expecting a "great" movie being that this was Nicholson's only directing effort. I was just curious. I didn't expect something this bad. Yikes.
Dr Jacques COULARDEAU Some very good ideas in this western. Some extremely good situations. Some good suspended situations too. And yet we regret Nicholson is directing himself. He can't see himself when he is acting and that shows tremendously in the film. It explains some slow and long sequences that should have been packed in the acting itself. That explains why the actor Jack Nicholson is too often using some faces and attitudes and gestures that we have already seen in The Shining, in The Witches of Eastwood, or in many other films. He cannot see himself and thus he cannot direct himself properly. And there were and are some extremely potential situations. There could have been, and there should have been.Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines