Gabi on the Roof in July

2010
5.8| 1h39m| en
Details

An ambitious painter on the verge of a big break confronts his moral decay when his idealist, hell-raising, younger sister comes to stay with him in New York City for the summer.

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Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
somosuno_2003 It was difficult to watch. I generally appreciate movies that show odd perspectives. This movie was not only pointless but offensive. In what modern society does a twenty-year old virgin walk naked around her brother and his friends? If there is such a place, incestuous couples should buy real estate, yes? Thankfully, my brother would have beat the stuffing out of me before beating the stuffing out of his friend. As enlightened as these characters pretended to be, the conservatism and/or hypocrisy dripped with pathetic irony. The sister was not petulant as has been characterized elsewhere. She was an infantile trouble maker whose grasp of relationships familial or otherwise was personified in the paralyzed hamster. Brother-sister portrayals like this make me wonder about modern sexual boundaries. Some things are just not done and this movie was impossible to embrace as worthy of the independent movie genre.
cinemasaver I got to see this film at my college with a Q&A session with the directors. They seem to be very nice people. Much of the audience was laughing and enjoying the film, but i was not. The problem I had with Gabi on the Roof in July was the direction of the story. The film floats around setting up plenty of different routes to take narratively, but it decides to instead backtrack and go in circles. I'm all for realism and lots of dialogue, but at some point in time you gotta use those words to progress the story. Nothing happens in this movie. People talk, people complain, and people talk some more. That's all that happens, along with relationship problems. Nothing is resolved, nothing is accomplished. Sam tries to sell his art, Gabbi is having sex, Sam complains about not having enough money for rent, Gabbi is having sex. It's just a continuous cycle of minor grievances that really aren't compelling nor interesting to keep my attention. And it ends on the same note it started with. On the positive side, Lawrence Lavine, Sophia Tokal and others are very good actors. 4/10
Judy I caught the screening for this film at the Chesapeake Film Festival in Easton, Maryland. It was about a 20 year old girl, Gabi, who goes to visit her brother on summer break. She is free-spirited and loves flashing her brother Sam to make him uncomfortable. Both her and Sam get into love complications that shake things up.I am a 26 year old lady and found this movie hilarious. It had me loudly laughing through the entire film. Even though the characters are right around my age, I think many people could relate to the breaking down of innocence as we come of age. We were all idiots who made stupid mistakes.This movie was vulgar with lots of nudity and sex humor - so if you can handle that, it is fantastic. It made me reflect on all the horrible Hollywood romantic comedies I've wasted my time watching - like Marley and Me or Couples Retreat. This film was real people being themselves, the naked truth. If you have the chance, I highly recommend this film. Watch it through Gabi's eyes, free and joyful.
kelly-dresden This was definitely the strongest independent film I've seen in a while. The performances, particularly Gabi and Sam, were amazing, incredibly natural and dynamic. What was really fresh and exciting about this film was how well it balanced a sense of authenticity with masterful storytelling. What I find problematic about much of the current trend of post-collegiate naturalism is that the plots often drag. That's definitely NOT the case with this film, which has an intricate, but unforced, plot. I highly recommend seeing this film to anybody with an interest in independent, literate cinema. Certainly, fans of Cassavetes, Eric Rohmer, or Woody Allen would find something to enjoy in this thoroughly engaging, thought provoking, incredible little film!

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