Matrixston Wow! Such a good movie.

FeistyUpper If you don't like this, we can't be friends.

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Tord S Eriksson Never, ever, have I been as impressed by a film as this little piece about four groups of people, that faces a crisis, or many. In some ways a little like Short Cuts, but totally different, at the same time.There are a heap of lead characters, whom we all learn to know very well as their stories unfold, and they are, as persons show their good and their bad sides, their weaknesses and their strengths, with lots of drama and laughter.The closest equivalent in a US movie, I can think of, which then is far weaker in every respect, is the Royal Tenenbaums. Four Shades of Brown, as the title would be in English, tells the story about a stressed out hotelier and his wife, and his elderly parents (who are traveling magicians); about the receptionist at an animal crematory and his family misadventures; about the members of a cooking course (who mostly talk about their sorry lives) and fourthly about the funeral for a womanizing trotter jockey, who tries to continue orchestrating the family from beyond the grave, by singing and appearing in 3D during the funeral, thanks to high tech equipment that has cost his entire fortune (the family gets nil, not even the famous horse is given to the family)!There is a warmth and compassion in this film, that is filled with grief and laughter, that I've never experienced before.Most actors were new to me, except Robert Gustafsson and one or two more, but they all deserve the big slam the film took at the Swedish Guldbagge extravaganza (= the Swedish "Oscar" Awards) a week ago!Male, female and male supporting actor prizes went to this film, plus a few more, to boot!If you have the chance, go and see it - the hours float by very quickly!

mantina_rex This movie must be exported to the rest of the world! An absolute masterpiece, with a both bizarre and grim film about four different stories from four different locations in Sweden. The one with the newly renovated hotel with the improper wooden figure of an old finance minister is absolutely the best of the four, odd story about love or career. I would love to see all four as a film on their own they can be so much more extended. Also the unique pause in the middle is something I've never seen before.Can't wait for the series (if they're doing one) or the extended DVD. Apparently they had cut out a lot to fit it in to just 3,5 hours.

ferdiepojke The movie is very long and hard to get at first. It takes a bit of time to understand how the four different stories relate to one another. The theme they are pushing on is fatherhood. All stories are somehow related to fathers. The story hands us an insight in the swedish culture and how it affects the different characters in their unique stories that the movie tells us about. How you "should" react in different situations and how people around you react when difficult problems hit you.I for one enjoyed the movie and i often recognised the characters from my normal day life. It reflected the swedishness in a way that i never have seen before. This I think, is a movie for those who more or less understand the typical Swedish culture. If you like it you should also look into "Ben & Gunnar - En Liten Film Om Manlig Vänskap" which is another "Killinggänget" production.

stensson This is not about the condition of Sweden and the Swedes, it is more about the condition of everybody everywhere. Still this film is very Swedish and you have to live here to understand, to laugh at the right places and to feel sad, when you're supposed to.But it's very well narrated and director Tomas Alfredsson knows exactly where to push the script, which he probably has had cut down in a perfect way. Still the film, with four different episodes rolling together, is more than three hours long. But it doesn't feel long. The acting is not really realistic (it ain't meant to be). But especially Maria Kulle and Ulf Brunnberg are making the performances of their lives.There is hope for Swedish film, obviously. This is a new way of making comedy. If this is a comedy.