Linbeymusol Wonderful character development!

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Michael Neumann A look into the future of Japanese movie-making was suggested by the arrival of this brash high-tech comedy, directed by one of the vanguard of young directors making noise on the international film circuit back in the mid-1980s. In keeping with Japan's headlong surge into the 21st century the film adopted a sleek, fantastic, artfully haywire style that was as much a celebration of speed and technology as it was a mockery of it. The result is pure kinetic filmmaking, highlighted by whip-crack editing, ostentatious colors, and an agile camera constantly thrusting its fish-eye lens straight into the stunned faces of the two protagonists: a pair of TV admen waging a private war against a corrupt rival agency. None of it has any connection to reality, but this kind of space-age slapstick follows its own peculiar logic. Who would think the same director could have been responsible for the subtle, minimalist 'Deaths in Tokimeki' (qv), made just one year previously?