Flight of the Innocent

1993
6.8| 1h45m| R| en
Details

The boy Vito is a portrait of beauty and wide-eyed innocence spawned from a violent family of kidnapers and murderers in the South of Italy. When his entire family is murdered by a rival clan of kidnapers, Vito must flee for his own life and in the end attempts to make atonement for some of his family's sins.

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Trailers & Clips

Also starring Manuel Colao

Reviews

Alicia I love this movie so much
CheerupSilver Very Cool!!!
Micitype Pretty Good
Stellead Don't listen to the Hype. It's awful
film_ophile Oh how i wish i could save people from watching this film. It is sooooo cheesy, soo over the top, i wanted to laugh, as in a serge leone film, but unfortunately the director here was dead serious. arggggh. felt like a series of commercials. ALL it had going for it, and I mean ALL, was some beautiful scenery shots including some great Roman buildings. Other than that, if you are a sophisticated film goer,you will buck at the melodramatic schmaltz (both of the repeated shots of bloody murders, the repetitive slow motion shots of bloody deaths, and the light-filtering-in-the gauzy- child's- bedroom shots with the vaseline- coated lens.) Fortunately I could fast forward through all the stupid predictable dreck.If I save one person from watching this, i will feel so much better.
arzewski Although from a cinematography the production is good, the story and the actors are in doubt. First the story: it is about a kid from a crime family in the deep south that escapes from a deeply agrarian society to the heavily services-oriented north. Well, sorry to tell you, but the deep south as it is mythologized in the Godfather movies, doesn't exist anymore. Everybody has a cellphone now, nobody wants to be a Sheppard anymore, everybody wants to have an office job. The story is highly simplistic and idiomatic, kind of a cute story of a sweet looking kid with bad guys around him. Then the actors: the parents of the kidnapped child are "acting" the part that it is so obvious. When they see the child's school backpack, the knee to it, pick it up, and embrace it. So obvious, that it is classic "B" movie, and so predictable, more for a melodrama aired in soap-opera afternoons. Even how the director directed the shots has some unnatural feel: when the kid emerges from the crypt in the cemetery, he is made to turn his head slightly and then express surprise to discover there is a vehicle. It is as if the kid didn't have peripheral vision. Such scene direction by putting emphasis on frontal screen scape is typical of television direction of simple and uncomplicated easy-to-do productions. To have it here just shows how simplistic that was. But it was the only time it happened, otherwise, the other scenes are more dynamic
alexmoi58 Honestly is one of my all time 10 best italian movies ever. I cant understand how a director like Carlo Carlei it`s not working in Hollywood after this one, like G.Tornattore o R.Bennigni this movie is a great movie and also very original, touching and well shooted. E X C E L E N T italian movie E X E L E N T Carlei "avanti caro"
jtur88 This film was a bit too Disneyesque for me. The requisite beautiful child, equipped with intellect, wisdom, incredible luck---everything but a dog. With three years of school, he reads remarkably well. Fresh from a Sicilian olive orchard, he's street wise enough to have Rome eating out of his hand. He's the only target that's too small for the bad guys to hit unerringly with every shot. To make matters worse, befouled with needlessly explicit violence, which kicks it out of the Disney Channel, straight into Action-Max.

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