WasAnnon Slow pace in the most part of the movie.

Spoonatects Am i the only one who thinks........Average?

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Numerootno A story that's too fascinating to pass by...

Leofwine_draca Al Adamson is a notorious name in cult film circles as a man who made the movies of Ed Wood look good. His films are known for being amateurish, slapdash, and hard to enjoy, and having sat through some of his horror outings it's hard to disagree. However, FIVE BLOODY GRAVES, a rare entry in the western genre for the director, is a surprisingly entertaining little film.Of course, it's still amateurish in nature, with 'anything goes' style performances and a general hurried feel to the production. On the other hand, it's absolutely packed with action and violence; the storyline is pure Cowboys and Indians, with never any more depth to it than that. Rest assured that the expected shoot-outs, knife fights and horse riding scenes come thick and fast in this film.Adamson has amassed a wealth of has-been actors for his film, headlined by western star Robert Dix. Watch out for future cult director John 'Bud' Cardos as an Indian and John Carradine as a preacher. Unfortunately the version I watched was heavily cut for violence, but even so I found it better than many modern day attempts at the genre. Certainly no classic but it might just be the director's best film.

skullislandsurferdotcom A more suitable title for this exploitation-Western would be DEATH VALLEY, or VALLEY OF DEATH, as a ragtag group consisting of cowboys, hookers and a preacher get picked off by Indians who appear from the rocks whenever the dialog runs its course.Add to this a jazzy game-show score and Death as the narrator, philosophizing why each character must die, sometimes even giving it away but that's alright, because in this doomed situation: death is the main character.A campy yet brilliant low budget Western with some terrific actors like Scott Brady (who dies gallantly), Jim Davis as a scumbag backstabber, and John Carradine as a pistol-wielding preacher, but none work too hard except John Bud Cardos in duo-roles as a friendly Indian and a bad one, the latter battling star (and writer) Robert Dix, firmly strident throughout, in the knife-wielding climax that begins on a cliff top and winds up in a river and down a waterfall: THE QUIET MAN be darned.

count_uebles Al Adamson! Truly one of the Princes of schlock filming and a true heir to Edward D. Wood Jr.s Throne of cheese! Adamsons films have everything that makes the true crap movie so frightening: Illucid scripts, continuity errors of epic proportions, acting somewhere between barely OK to truly awful, former movie greats fallen into rough times, no budget whatsoever, cameos by the director himself (not in the Hitchcock manner, more in the Ed "Glenn or Glennda" Wood way)... you name it.Said that, this is one of his less crappy movies (we are talking about Adamson standards here though), mainly because of a really good director of photography (newly immigrated Vilmos Zsigmound, who later would shoot movies like Maverick and Assassins) and a gorgeous background scenery.But be not fooled! There is still plenty of badness provided, starting with the mind numbing narration by Death himself, reaction shots that don't match either the scene before or after (most often then not not even the time of day!), gratuitous violence of the disturbing kind etc. etc. etc.Watch out for appearances of B-movie legend John Carradine, the movies own screenwriter Robert Dix, 50s Western staple Victor Adamson and ubiquitous Scott Brady.To see Adamson at the peak (or rather bottom ) of his art, be sure not to miss the unbelievable "Dracula vs. Frankenstein", a movie that puts Plan 9 to shame! Highly recommended for fans of Adamson is also David Konow's great biography: Schlock-O-Rama: The Films of Al Adamson

Jonathon Dabell I've seen nearly two thousand films and this ranks amongst the worst ten I've ever seen. Its violence is crude and unnecessary; its plot sounds totally straight-forward, yet is somehow confused; its music is plundered from other sources thoughtlessly (almost unrelated to the on-screen action at some points, especially when the music which British viewer's will recognise as the music from ITV's evening news roars into life during one particularly naff action sequence); and the acting is amateurish to the point of school-pantomime level. What do you expect from a picture that's from the Al Adamson school of lousy film directing? Believe me, it takes a real big effort to sit through this junk - I managed it, but I can't say that I'm proud of the achievement.