Firelight

1998 "Passion has no limits."
7.2| 1h43m| R| en
Details

In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven years later she is hired as governess to a girl on a remote Sussex estate. The father of the girl, Charles Godwin, turns out to be that anonymous landowner. So Elisabeth has to be her own daughter's governess, and she can't reveal the secret of her tie with little Louisa.

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Trailers & Clips

Also starring Dominique Belcourt

Reviews

Contentar Best movie of this year hands down!
Sexyloutak Absolutely the worst movie.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
ksundstrom England to-day is maybe a small influence in the thinking and emotion of America. This film merits great consideration. It reflects the English cultural way of life of the 1800's, a way of living, albeit in the upper middle classes and aristocracy that provided a fundament to the American society and that still survives in thin layers of Englnad. This English personality is united with a cool realistic and monetary Swiss attitude to life. An English heir (Stephen Dillane, played with great sensitivity) to a lord (Jon Ackland, epitomizing the spendthrift lords seeking only pleasure) resides in a lovely house and park with pond and bathing hut in glass. But he needs himself an heir. He pays the debt of a Swiss women owed for her father. She agrees as her part of the agreement to give birth to his child. The women is portrayed superbly by Sophie Marceau with the Swiss minimum of facial expression and restraint. A Swiss behaviour that is still noticed to-day. She arrives seven years after the birth of their child to reply to his need for a gouvernant for the child. Thus one learns a lot about some very impotent facets of the future make up of America: moral rectitude, the work ethic, how to bring up children, the appreciation of natural beauty, the restarting of ones life. Most important is the sensitivity to sensual forces repressed but released when needed: conception of a child despite being contracted for money, love eternal for a wife that is paralyzed, love of a mother for the best development of her child, the demand that love will be the force that unites the parents of the child and in the end the future for all three. Even euthanasia. Ironically, but so often the case, the heir has to sell his lovely house and grounds to pay off the debt of his father. Thus he and the mother of his child find themselves in the same quandary. The photography of the English countryside in autumn and winter is for dreams. A film to be seen and savoured several times.
mah92019 I read the comments – negative and positive. "Firelight" is an exceptional movie that I first saw and then saw again, and again and again recently (2006) on TV. I am not a Gothic romance admirer. One part that hit home was the history of efforts by Luisa to drive away governesses. The author (Nicholson) knew what he was writing. Having lost my wife when one son was almost five years old, my housekeepers were of short duration. One day, I came home from work to find the housekeeper ready to leave after my four year old had chased her down the street with a butcher knife. His statement was: "I chased the other housekeepers away, and I will chase any more housekeepers away, until my father brings home a step-mother."Unknowing viewers probably missed this point. What a magnificent picture so well suited to being staged in the 1800s. Photography continued to improve as I watched the show on Encore as did the script, as did my admiration for the actors, the music, but most of all for the director. One viewing fails to show the greatness of the film.To earn $786,000 in the U.S. shows the commercial results of poor marketing. This has to be one of the best cinematic ventures in years. Perhaps a reissue with promotion on the late shows would create a better result.
cellenb2 I originally watched this on Encore Indie and it touched me in a way only a few movies or stories ever do. The subject matter could have become tawdry if not handled well, which it was. All the characters had their place, even the American who offered Charles an option of a place to go, to be free of all the pretense and obligation of his life, being also a main theme of the story, obligation and responsibility, as well as the desire to break free of them. And watch it several times, the nuances that come out are amazing and also listen to the background talk, some interesting facts come out which help you understand the characters and stories even more. I actually watch it with headphones on to hear all the conversations going on. And Charles, watch his facial expressions, they are absolutely priceless and perfect. My father actually sat and watched it, and trust me he's a ESPN guy, not romance movies. Anyway, it was just amazingly beautiful and passionate.
MissyBaby WOW! I just saw this movie on TV and I have to say it was one of the best movies I have seen in forever. I am a movie fanatic, especially when it comes to period romances, and this was definitely one of those. Stephen Dillane and Sophie Marceau where perfect in this movie. I was supposed to be doing my schoolwork and getting ready to go to the funeral home, but I couldn't leave this movie. SPOILER: I was literally on the edge of my seat with Louisa walked over the frozen lake. I held my breath and hoped everything would be alright.I can't wait to watch this movie again. I have every intention of buying it if I can find it. Amazing. 10 stars. Don't pass this one up.