Father of the Bride

1991 "Love is wonderful. Until it happens to your only daughter."
6.6| 1h45m| PG| en
Details

George Banks is an ordinary, middle-class man whose 22 year-old daughter Annie has decided to marry a man from an upper-class family, but George can't think of what life would be like without his daughter. His wife tries to make him happy for Annie, but when the wedding takes place at their home and a foreign wedding planner takes over the ceremony, he becomes slightly insane.

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Karry Best movie of this year hands down!
Executscan Expected more
ShangLuda Admirable film.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
namashi_1 A remake of the 1950 film of the same name, 'Father of the Bride' is Lovable! A cute, funny & emotional film, that works entirely. And Steve Martin, Now An Oscar-Winner, delivers a knock-out performance as the paranoid father.'Father of the Bride' Synopsis: George and Nina Banks are the parents of young soon-to-be- wed Annie. George is a nervous father unready to face the fact that his little girl is now a woman. The preparations for the extravagant wedding provide additional comic moments.'Father of the Bride' is a complete family entertainer. It caters to all ages. Its for everyone. Charles Shyer, Nancy Meyers, Frances Goodrich & Albert Hackett's Screenplay is wonderful, it offers funny & emotional moments, simultaneously. Charles Shyer's Direction, on the other-hand, is tender. Cinematography & Editing are appropriate.Performance-Wise: Steve Martin is the life of the show. He delivers a knock-out performance in the central role. Diane Keaton is simply brilliant in her part. Kimberly Williams is cute. George Newbern is earnest. Martin Short is hilarious in a cameo.On the whole, 'Father of the Bride' is a massive winner!
dunmore_ego A film with charm, grace and laughs, FATHER OF THE BRIDE is a rarity in the pantheon of White American Romantic Comedies (WARC). Firstly, because it's watchable. Secondly, because it is post-comedy Steve Martin and it's still watchable.Remade from the 1950 Spencer Tracy farce of the same name, director Charles Shyer retains that film's original twist on the abominations which would one day be known as Chick Flicks: the film's star is not the focus of the "romance" but the outside observer, as love labors on his daughter, as he narrates through the eyes of a doting, frazzled father.Steve Martin is George Banks, the titular Father of the Bride, who plays his part with the aforementioned charm, grace and laughs. Unlike most WARCs, the father of this household is not the least intelligent member of the family; he is not portly, he doesn't wear flannel shirts over white wife-beaters and he doesn't moon over sports programming like it's gospel. George owns his own business, is a loving father and husband, pragmatic, punctual, reliable and knows how to treat women with respect. He seems caught in that timewarp of a generation that was once hip and is losing its ground on the moving goalpost of hipness.The comedy in this lighthearted farce is drawn first from George's unwillingness to accept his daughter as an adult on the pathway to marriage, and then from the wedding planning. This was at a time when Steve Martin was still Steve Martin, on the heels of PLANES TRAINS AND AUTOMOBILES (1987) and DIRTY ROTTEN SCOUNDRELS (1988).And Diane Keaton was still a glorious MILF, glowing as George's understanding wife, the mother of his children. (Oooh, I'd like to mother her.) At times, movie stoops to playing Mother Smarter Than Father, and George is incessantly put upon by many of the characters, but the movie redeems itself with George's surfeit of poignancy, that he drivels all over us at regular introspective intervals. Rather than make us vomit, it hits home all the psychological and pragmatic reasons a father holds so tight to his daughter.When daughter Annie (beautiful newcomer Kimberly Williams) announces at the dinner table her intentions to marry a man she met in Rome, all that George sees is his five-year-old girl blathering it. Throughout the film, George makes comments about being "replaced," about not being needed or heeded any more, but it all boils down to feeling like he has lost his daughter's love. And that's another welcome departure from WARCs: we don't feel - and we don't *need* to feel - any chemistry between the two people who are actually getting married! All our hopes rest on the chemistry between the father and daughter.In the final moments, as Annie and her new husband (George Newbern) are leaving the reception, George has reconciled his protective paternal love with his desire for her to feel that same love towards someone else. And we feel his sincerity. If Steve Martin can sell this story to us childless nullifidians, imagine how he's making those fathers in the audience weep like repentant sinners.The usually less-than-funny Martin Short raises his game here to above adequate as the ambiguously-Euro wedding planner Franck (pronounced "Fronk") who, along with assistant B.D. Wong, debilitates the English language in his quest to provide the best wedding ever for Annie. ("Ahhh, Mahsta Bonks and Missus Bonks and the lofflay bride!") The groom's parents were merely devices for some farcical Steve Martin moments with Dobermans and falling into pools.The annoying side of this film is how the father of the bride - George - is treated like a bottomless piggy bank. He is literally extorted by every contractor involved - on the threat that if he doesn't buy what the wife and daughter want for the wedding they will pout a lot. And it must be nice to be so affluent that when obscene monies are changing hands - amounts that would bankrupt most of us for life - your worst reaction is to pull a funny face. And all for the sake of one of the biggest social scams since civilization went civil - a wedding, which is nothing but a glorified party, just with a white dress and a state contract.Maybe it's a sign of the changing times, but remember when George's social standing would have been called middle class? There is no such class in America in 2011; George would now be termed "upper middle class" or just upper class.How nice marriage can be when you can afford swans and a $10,000 cake; when everyone is painfully white and has a job that actually pays the bills; in a giant house in suburbia with a picket fence, a picturesque, tree-lined street and a dog trained not to thigh-hump anyone.So now the fathers are all weeping for a totally different reason...
random_avenger In a remake of the 1950s film of the same name, Steve Martin plays shoe factory manager George Banks whose 22-year daughter Annie (Kimberley Williams) unexpectedly announces her plans of marrying a computer system designer named Bryan (George Newbern) who she only recently met on her trip to Italy. Of course, the new father-in-law gets highly protective of his girl and suspicious about the groom and his wealthy parents (Peter Michael Goetz and Kate McGregor-Stewart). The elaborate and costly wedding arrangements are also a major source of stress for George who must learn cope with the feeling of not being the number one man in his daughter's life anymore.Steve Martin is a decent comedian, so the humour works best when it relies on his screen-persona and puts less emphasis on crazy situations. Luckily, the movie stays pretty down-to-earth for the most part and allows Martin to create the mood with his somewhat realistic performance and verbal jabs that invariably work much better than the more outlandish scenes, such as Martin jumping from a balcony or falling into a swimming pool. However, the characters of Martin Short as the flamboyant wedding planner Franck Eggelhoffer and B.D. Wong as his assistant Howard are so grossly exaggerated that they are much closer to irritating than funny. Since the soon-to-be husband and wife aren't really developed enough to make them very interesting and Diane Keaton plays her part as the mother of the bride with a constant smirky smile that makes her come across as rather unnatural in the role, the movie can essentially be called a one-man show of Steve Martin who fortunately suits the role well.At the end of the day, the appeal of Father of the Bride depends on the charisma of Steve Martin and the perceived touchingness of the theme of letting go of your daughter. Perhaps the serious story can feel moving to those with personal experiences of seeing one's offspring get married, but others, such as myself, may think of it as cheesy and a bit too soft in the end. Still, there are many successful jokes and the tone is suitable for the whole family, so if the premise sounds interesting to you, you may well enjoy the movie more than I did.
kai ringler i absolutely loved this movie,,very funny Martin Short, Bronson Pinchot , Steve Martin what more could you hope for,, the father,, George Banks finds out his little girl is getting married and proceeds to go off of the deep end, as i would to whenever mine gets married, he tries to cut corners . because it will cost 250 dollars a head for the wedding,, he meets his future son-in-law and very cautiously accepts him, there is lots and lots of comedy and slapstick in this one, especially the now infamous hot dog bun scene,, where he snapped, and lands himself in jail for causing a scene at the local grocery store,, i think they kinda overdid it just a little with putting in snow in L.A in winter,, because it never snows there anyway,, but all in all i really liked this movie, because it shows how a father feels when it' time to let go of his little girl.