Pluskylang Great Film overall

ShangLuda Admirable film.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Witchfinder General 666 *This is a review of the version with the international aka. title "EXORCISM".Does the plot of this movie serve mainly as an excuse to show tons of sleaze, gratuitous female nudity, sadomasochistic perversions and violence? Yes, it does, and if you have a problem with that you better stay away from this film, as from any other film made by the prolific Spanish Exploitation-deity Jess Franco after the mid-70s. To my fellow fans of the man, however, L'ÉVENTREUR DE NOTRE-DAME aka. EXORCISME aka. EXORCIM of 1979 is highly recommendable, as it combines Franco's passions for sleaze, elegance and controversy in a highly entertaining manner. Franco had cameos and supporting roles in many of his 190+ films, but he plays the main psychopath here.Mathis Vogel (Franco), an author who writes sadomasochistic stories for a sleaze magazine, is really a religious fanatic who kidnaps, tortures and murders sexually promiscuous young women in order to save their souls. The hot girls working for the sleaze-magazine, who also appear in sadomasochistic fake black masses in front of decadent audiences, soon begin to disappear...EXORCISM is interesting for a variety of reasons. Jess Franco, who was once labeled "The most dangerous film-maker alive" by the Vatican has been one of the most active adversaries (and victims) of censorship throughout his career; some decades ago, censorship in the name of morality still came partly from the influence of the church. While evil devil-worshipers were very popular villains in 70s cinema, Franco actually gives us an evil Christian who is out to murder promiscuous girls and innocent leisure-time-Satanists. The sleaze-level is high in this one, and anybody disgusted by the combination of sexuality and violence in a movie should stay away from this as from most other Franco-flicks. The young Lina Romay (Franco's real-life wife) is the most beautiful member of the entirely exhibitionist female cast. The story is often ridiculous but fun to follow, even though some clichéd elements like super-idiotic police might make viewers roll their eyes. As in the majority of Franco's films, the set-pieces, cinematography and score are great. As it is the case with many other Franco-movies, there are (hardcore-pornographic) alternate cuts of this movie available, this is a review of the non-porn 'Horror' version. Sleazy Franco-typical nastiness, recommended to my fellow fans of the man.

Michael_Elliott **A quick note but I watched all three of these at different points over the years so the reviews are a little out of place with one another. I'm posting them in order of the Synapse version, the XXX version and then the 1979 re-edit.Exorcism (1974) *** (out of 4) This was one of the first Franco titles that I actually watched and I hated it with a passion. Over the next year I started to check out a few other Franco films and I guess you could say I finally "got" what he was all about so I went back to watch this one again and ended up really enjoying it. I think the film gets better with each new viewing, although I think the film plays best as pure camp. In the film Franco plays a deranged writer who witnesses a fake devil worshiping and is certain that he must kill the people to save their souls. This film has a lot of trademark Franco items from countless sex, nudity and violence all the way to the erotic nature of the story. This is a very strange little film that manages to be quite surreal in its black mass scenes and the movie just contains a weird vibe throughout. The film also have some hilarious moments, which I'm sure was unintentional. I also get a huge laugh at of Franco's acting during the orgy scene. When Franco hides his face in shame, it's just downright hilarious. Another funny moment happens when Romay is leaving a restaurant and she opens the door the wrong way and ends up running into it. This certainly isn't Franco's best film but it is one of his most enjoyable.Sexorcismes (1974) ** (out of 4) Once upon a time (1974 to be exact) in a country far, far away (Spain to be exact) there lived a director named Jess Franco who made a movie called Exorcism. The film dealt with a looney writer (played by Franco) who stumbled upon a sex show with witches and demons. To make them pure, the writer goes on a killing spree. Then, in 1979 Franco decided to remake the film but didn't have enough cash for a full movie so he edited out forty or so minutes of Exorcism and mixed it with about forty-minutes worth of "new" footage. This disasterpiece was called The Sadist of Notre Dame. However, back to 1974's film Exorcism. The French producer's weren't happy that Franco didn't make the film extreme enough so they offered him a tad bit more money to go back and shoot hardcore scenes so that the film could be released into French porn theaters. That end result was released as Sexorcismes and that's the version I watched here.The Sadist of Notre Dame was a horrible film in my opinion and one (of several) that I gave a BOMB rating to. Exorcism on the other hand is a film I always enjoyed for its surreal and bizarre sexual nature. That film was a straight horror flick with your typical amount of Euro nudity but there wasn't anything hardcore. Several of Franco's films during this period were shot "soft" and "hard" but usually the hardcore versions were nothing more than cheap inserts that really hurt the original film. I had been interested in this French version of Exorcism for quite sometime and it finally arrived and as I suspected the hardcore scenes add nothing to the film but they do take away quite a bit.The most shocking thing about these new shots is that doubles weren't used, which was normally the case. Most of the original cast are involved in these new scenes and that includes Franco himself! I remember the first time I saw Romay in hardcore scenes I was rather shocked because I always considered her an "actress". Seeing Franco in these scenes just made me laugh my ass off because I couldn't believe what I was seeing. Having seen Franco in countless interviews and other films, to see this here was simply shocking. Either way, none of this stuff is shot too well and it's clear they were filmed differently than the rest of the film. It's also worth noting that the producer's didn't bother to change the soundtrack, which leads to some pretty silly moments. In the "horror" version there are several scenes were women are stabbed and we hear their screams. This soundtrack of screams is also used in this hardcore version, which makes for a few funny moments since these screams don't match up with what's going on in the film.Sadist of Notre Dame, The (1979) BOMB (out of 4)Jess Franco at his laziest. The film might be worth one more star but I'm not going to give it to this. An ex-priest (Franco) escapes from a nut house and starts killing people in God's name. This film is a re-edited version of Franco's 1974 film Exorcism with newly shot scenes added. I enjoy the "original" film but this one here is just downright confusing and poorly made. The new scenes add nothing and the editing to them is the worst I've ever seen. The pacing is horrid and the re-editing even ruins scenes from the original film.

The_Void 'Exorcism' is not Jess Franco's best film, but it's certainly not the worst either - which doesn't say much for much of the rest of his oeuvre! From the title, I was expecting this to be a rip-off of The Exorcist, but it's more like Ken Russell's classic nunsploitation flick 'The Devils'. As usual with films like this, there is little plot and the thin plot we do get is rather difficult to follow as most of the film is taken up by sex and torture sequences. Basically, the plot focuses on a priest who takes it upon himself to exorcise demons from a group of people he believes to be possessed. The film starts with a torture sequence involving a couple of naked women, which is well filmed and lead me to believe that this might be a halfway decent flick. However, most of the film is really quite boring; there are plenty of scenes that see naked women strung up, getting tortured but the lack of any real point does get in the way. The film stars the beautiful Lina Romay which is always sure to increase the watchability of any film; and we've also got a surprisingly decent performance from the man himself Jess Franco (under yet another moniker). All that aside, Exorcism isn't a good film, and therefore I don't recommend seeing it!

Coventry Slow, terrifically build up shock-tale that easily passes as one of Franco's finest achievements, almost on the same level as "The awful Dr. Orloff" or "Miss Muerte". The acting is weak but the film is well-scripted and versatile enough to appeal to wide cult-audiences…Throw in some rancid sleaze and eerie Parisian dark alleys and you've got yourself a truly undiscovered Euro-horror gem. Just make sure you watch an uncut version, preferably the one under the title "The Sadist of Notre Dame". The premise handles about the mentally unstable ex-priest Mathis Laforgue (played by maestro Jess Franco himself) who recently escaped from a psychiatric clinic and now dwells the streets of Paris. He sees himself as a redeemer, sent by God to wipe out all that is impure. Laforgue kills prostitutes; horny teenagers and erotic party-goers, claiming he's doing it to save their souls…Call it a revival of the Inquisition, set in present day Paris!This is a cruel film with a cruel message. Even though it all sounds quite far-fetched, the film is brought with a strange sense of realism. "The Sadist of Notre Dame" makes up in cruelty what it lacks in budget possibilities. There are quite a few sequences that contain severe acts of torture and mutilation, interfered with the most perverted sexual undertones. Franco at his best, in other words. And I was quite surprised to see his acting capabilities are above average too! Franco, with a constant nihilistic glance in his eyes, outshines the rest of the cast. His regular actress – Lina Romey – was at her most ravishing during this era and she willingly shows this whenever she cans. You get the picture, this is a real must for the more demanding cult-collector.