Hellen I like the storyline of this show,it attract me so much

Solemplex To me, this movie is perfection.

Console best movie i've ever seen.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Frank Markland Bruce Li stars in a dual role playing Bruce Lee (before he dies) and one of Lee's best friends who battles those responsible for Bruce Lee's death, for reasons unknown the bad guys kidnap Bruce Lee's mistress Betty Teng Pei and Bruce Li kicks but to avenge the matter and make everything okay. The movie is sort of offensive with the premise, however politics aside the movie is just plain dull. Indeed Bruce Li's fight sequences are often shot so we can't see what he's doing. The story makes no sense and the movie doesn't work on any level, even as exploitation. Indeed Bruce Li looks like Bruce Lee and manages to do some impressive moves (though we can't fully enjoy it, as we can't see what's going on) but the movie is lethargically paced, the action badly shot and of course no momentum develops between the action, so what were left with is a boring kung fu movie with better than average production values but nothing worthwhile to watch.* Out Of 4-(Bad)

jaibo Exploitation cinema exploits audience desire for lurid subject matter, and there can be few more morally reprehensible forms of exploitation than the short-lived "Bruceploitation" genre, which sought to make money out of films pertaining to the death of Hong Kong's box office hit, Bruce Lee. But to call these films on their lack of scruples is to waste breath - such films luxuriate in their own lack of taste. There is an extent to which the whole of drama and cinema is an exploitation of the difficulties of life, and perhaps these films are a little more honest than most. In any case, there was a public need to air concerns gossip and conspiracy theories about Lee's death, and so these films provided a place for such a need to be fulfilled.What is really fascinating about Exit the Dragon, Enter the Tiger is it takes a postmodern notion of everything being up for grabs as fiction and stretches it to rarely reached lengths. A film in which a new film star investigates the death of an old film star, in which an actress plays an actress who was present at the old film star's death, which plays out in the style of the films of the old star's films - it's heady stuff.The investigation into the death of Lee by his pupil and supposed successor Li is a pretty flimsy affair. We never get to find out why Bruce was killed, but Lee's real death provides a basis for a fictional plot about a drugs ring wishing to use martial arts stars as couriers. But it's a pacey enough film, with excellent widescreen cinematography (the framing is particularly impressive) and sharp editing, and if the plot is rather slight and the characterization rather one dimensional - well, we are dealing with a genre (the martial arts film) which is hardly known for its sophistication in those departments. Li doesn't have Lee's presence and charisma, but he's cute and is convincing enough at the centre of some tasty fight sequences.All of the positive elements of the film come together at one moment in the final scene - Li is fighting the drugs kingpin The Baron, who unsheaves a sword-stick and lashes at our hero. Li's shirt is cut off, and bare chested with cuts across his body, he looks just the image of Bruce Lee in a famous scene from Enter the Dragon. The film has been building towards this moment, and all Li has to do is vanquish the villain to take the mantle of his forebear, which he does. No matter that Li didn't go on to nearly the same international success as Lee, and faded rather ignominiously from the screen by the early 80s, this film has done exactly what it intended to do - momentarily replace Lee with a plastic facsimile, air a bit of gossip about his death and make a small pile of money in the process.It's no good expecting anything else of a film like this, and it's as honest about its intentions as can be - and given the low-brow nature of those intentions, a considerable amount of film-making skill and effort has been put into the picture - you have only to think for a moment the logistical difficulties filming the final seaside rocks at incoming tide sequence must have presented to realize that although the filmmakers are exploiters, they certainly weren't slackers.

lemon_magic I don't blame the lesser denizens of the Hong Kong film industry for trying to make a buck when the biggest breakout sensation of that industry (probably ever) suddenly died and the industry lost its biggest marquee draw. But really, this is a little too much in terms of exploitation. Bruce Lee was a man,not just a celebrity, and his reputation (and his family and friends) deserved better than the bunch of pretenders who wanted to cash in on the tragedy of his death. If someone had tried to exploit the death a friend of Bruce Lee like this, he would have probably punched them in the face. But if you can get past the ham-handed sanctimonious cheese of the first few minutes, the film isn't all that bad. Some of the fight scenes are obviously a tribute to the source - the "Tiger" fights a giant, a gymnast in a yellow track suit(!) and a whole bunch of familiar looking "gangsters" (I recognized actor/stunt man An Ping from a string of early Shaw Brothers films before he was kicked off a roof top) multiple times, etc. And the final big fight/showdown with "the Big Boss" (yes, that's a Bruce Lee in-joke) actually is pretty good.The trouble is that the story and the direction and the fight choreography are hopelessly stale and unoriginal and derivative.No one here has access to the larger-than-life qualities Bruce was able to bring to the screen. So having the nerve to compare their efforts to something like "Fists Of Fury" makes the actors and action look even more trivial and 2nd rate than they would on their own. Bruce's presence (and some suitably archetypal skillful scripting) turned his four feature films into epics of adventure, honor, revenge, tragedy and heroism.In contrast, all a film like this is about is the "hero" beating up a bunch of guys. Penalized a couple of stars for the opening moments which exploit the stock footage of Lee's funeral, but gets those two stars back as a bonus for having an English dub that doesn't make my ears bleed.

William This film is pretty good out of many Bruce Lee death plot that plagued the 70's kung-fu film market. Bruce Lee (not the real one) is worried about the mob, so his student "the tiger" who looks like Bruce visits him. Bruce is dead as we see stock footage of his real life funeral, as the Tiger figures out who killed him. There's some real good fight sequence in this film, especially the one at the end where the tiger fights the baron, a mean dude who fights with a top hat on, and it never falls off in fight sequence. Title theme from Issac Hayes music from the film THREE TOUGH GUYS is the main theme! (i wonder if the producers got permission to use it?). If you are looking for quality, this isn't it. But a quick way to kill time, this is your film. The dubbing in this film is first class as Dimention pictures hired Chinese-American dubbing, instead of the usual loud british-chinese dubbing. You can hear American actor James Hong in several voices in this film.