Epidemic

1987
6| 1h46m| en
Details

A director and a screenwriter write a screenplay together about a globally spreading epidemic. Unbeknownst to them, an outbreak develops around them in the real world.

Director

Producted By

Det Danske Filminstitut

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Reviews

Unlimitedia Sick Product of a Sick System
Dotsthavesp I wanted to but couldn't!
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Mandeep Tyson The acting in this movie is really good.
Claudio Carvalho The screenwriters Lars and Niels are writing the screenplay of an outbreak like many other plagues in Europe. In the story, the renowned epidemiologist Dr. Mesmer decides to leave the Faculty of Medicine to go to the outskirt of the city to give assistance to the inhabitants. Soon, a mysterious disease is spread in the real world. Then the writers travel to Germany for a meeting and then they visit their producer, where they meet a hypnotized woman that is sick."Epidemic" is a deceptive, messy, boring, annoying and pretentious collection of disconnected ideas and senseless subplots by Lars von Trier with an awful grainy cinematography in black and white. I was tempted to stop the DVD, but unfortunately the box of the Trilogy of Lars von Trier was very expensive and I decided to watch until the irritating conclusion with a woman crying and screaming for a long period before committing suicide, increasing to my loss of money a complete loss of time. My vote is two.Title (Brazil): "Epidemic"
gothic_a666 "Epidemic" is, at its heart of hearts, a movie about making movies. As such it challenges the relation between fiction and reality. The two are not statically established realms, self contained in their clearly contained functional domains but they are dynamically interacting at all levels and at all times. The result is a movie in which the narrative structure is dual and of a meandering nature, climaxing in what could be a merge between a programmed project that involves human intellectual intervention- the movie within the movie- and the outbreak of a natural phenomenon with its catastrophic consequences- the epidemic.Styllistically, "Epidemic" is very much a Lars Trier movie and it shows. From the apparently disconnected flow of scenes to mix of gritty realism with allegory, the director imprints his very personal mark in all elements of "Epidemic". Its very structure attests to this and the imagery reflects it in a very overt manner. "Epidemic" seems to be a playing ground of sorts in which Lars von Trier experiments as much as possible and in trying different things creates a diverse mismatch of scenes that not always work completely well together although they create an atmosphere.As the process of coalescence between "fiction" and "reality" (this reality being, of course, fictional in itself which adds another layer of complexity and challenges the very notion of the third and fourth walls) heightens the narrative frame shrinks from the stage that is Europe to a small room. The claustrophobia of the later phase of the movie bring the full impact of the plague to the viewer's attention via a limited sample of the population that permits a personal experience of it all.Much like Bergman's "The Seventh Seal", the plague in question is to be read on many levels and very much like the Swedish director's movie, "Epidemic" is not for everyone. Those who find it interesting, however, may have a strangely riveting experience upon watching this clearly unconventional movie that pushes many borders even if does not do so in a completely coherent manner.
ludovic391 The idea of the film is great. Mixing the creation of a movie and his viewing. It's done in a very ambitious way, incredibly sophisticated and elegant when we know the budget who was assigned to the movie.A lot of scenes are incredible, specially the one who shows the contamination of the priest, adding a reflection on the condition of the black man. Obviously the last scene is one of the most incredible things I've seen on a screen, but we can doubt the mental health of Von Trier and his crew. However maybe it's the reason he's so good...I didn't like a few things. I think there is too much time about the creation of the movie, a few ridiculous and unappropriated moments as the story of the American letters of Niels
siderite I obviously was in the right mood, since I don't give it a horrible mark. I do give it a 6 out of 10, because it is obviously such a low budget movie and it's definitely very original, but other than that, I am still amazed I watched it till the end.Two screenwriters are trying to do in 5 days what they barely succeeded in one and a half years, that is write a script. They lost their original screenplay, which by now they can barely remember how it started, due to a bad disk. Each day is accompanied with scenes of their creative process, scenes from the movie they would do and dialogues with different people.Now it happens that I've just written an IMDb comment that said "Funny little things: Udo Kier plays a short role in this movie, and he is really young". Deja vu! Udo Kier plays in this one, as well.The movie is shot in black and white, probably by the same single camera, and the sound is almost not processed giving the whole movie a documentary like feeling. There are a lot of things written between the lines, the satire of the government and film industry being the most obvious.Conclusion: you should watch this mostly if you're Danish. Else if you are a movie critic or deep into films. It is NOT a horror movie. A movie that has some gore at the very end is not horror. And also you have to have the right set of mind to watch it.