Easy to Wed

1946 "It's a VAN! What a Man! Singing! Dancing! Romancing!"
6.1| 1h46m| NR| en
Details

When a newspaper accuses a wealthy socialite of being a homewrecker, she files a multi-million-dollar libel lawsuit. The publication's frazzled head editor now must find a way to discredit her.

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Reviews

GamerTab That was an excellent one.
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
Raymond Sierra The film may be flawed, but its message is not.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
vincentlynch-moonoi Few people would say that Van Johnson was one of Hollywood's greatest actors, but there are a number of films where he turns in very good performances. I particularly liked him in "Invitation" with Dorothy McGuire. But in this film, "Easy To Wed", his comedic talents really shine. He's very good here.Esther Williams is very good as the love interest. Lucille Ball show off her comedic talents. And Cecil Kellaway is a joy. The only real downer is Keenan Wynn. Wynn occasionally did well in films, although I never understood how he got into motion pictures (other than being Ed Wynn's son), and in this film I think he's...well, the most negative thing in the film.Of course we have glowing Technicolor (it's MGM!). The plot is sorta cute, and while this is not one of the great MGM musicals, it's mildly entertaining...particularly the duck hunting segment. Nothing to brag about, but pleasant.
TheLittleSongbird 'Libeled Lady' is a marvellous and thoroughly enjoyable comedy, a near-classic with three of the four stars on top form (especially Jean Harlow and William Powell, Spencer Tracy's comedic chops became more refined and more at ease in his later films in my opinion).'Easy to Wed' is a musical remake but is nowhere near as good and one may question its point. It is by no means a bad film though and makes for more than serviceable entertainment. Starting with its faults, Esther Williams has little to do and her role does not play to her strengths while Van Johnson is wooden in a role just as underwritten and looks uninterested.The musical numbers don't feel necessary (despite Ethel Smith contributing very nicely on the organ), are not that compellingly staged and are also not particularly memorable, while the story is even more contrived than that of 'Libeled Lady' and lacks its zippy energy (the musical numbers do it no favours), some of it badly drags. The ending feels too pat and incomplete.However, the classy cinematography, beautiful use of colour and elegant wardrobe more than compensates as does a script that is almost as witty and sophisticated as that of 'Libeled Lady'. The duck hunting scene is not as hilarious as the fishing scene in 'Libeled Lady' but still an amusing scene. Edward Buzell does his best to inject some energy and style and does very competently.Keenan Wynn has very deft comic timing and doesn't come over as heavy-footed. It's Lucille Ball's exuberant and very funny performance that steals the show though, especially when she indulges into a flight of Shakespeare.On the whole, vastly inferior but serviceable and watchable. 5/10 Bethany Cox
mark.waltz During the hey-day of Hollywood, remakes came fast and furious, but most of the great screwball comedies weren't touched for 20 years. MGM obviously couldn't wait and remade one of its best only 10 years after the original. There is no topping the original cast of this tale, and the replacements point out the B category this fell into, even on an A budget. As charming as Esther Williams is, she can't compare to Myrna Loy, and Van Johnson and Keenan Wynn are as far down the totem pole from William Powell and Spencer Tracy as they can be. The real delight is that Lucille Ball can't miss here in the Jean Harlow part, showing off her flaming red hair here in Technicolor. Only Lucy could get away with accusing someone of arson, meaning bigamy.The musical numbers seem pretty superfluous, with Lucy utilizing her hips to literally blow the hats off the chorus boys without even touching them, in one number. Organist Ethel Smith heats things up, even banging on conga drums in another. Ms. Williams pretty much avoids the water, although a funny duck hunting scene with her, papa Cecil Kellaway and Johnson (altered from the original hysterical fishing sequence) is set on a river. The presence of the annoying socialite and her dizzy daughter seems out of place here. This isn't for purists but isn't a dud, either.
mkarol-2 This is one of the few times at MGM Lucy was given a chance to exploit her full comedic range, and she goes at it with gusto. From the moment she makes her whirlwind entrance looking absolutely gorgeous in a white wedding gown, she commands the screen whenever the camera is on her. In fact, though the movie ostensibly "stars" Van Johnson and Esther Williams, the bland leads take a back seat to the lively pairing of Lucy and Keenan Wynn, as her somewhat morally corrupt boyfriend. Forget comparisons to "Libeled Lady"; "Easy to Wed" is of a different era, and much more slapsticky, and, as noted, Lucy is a gem whether getting drunk and playing the piano or evincing true pathos as a wronged woman. She has rarely been photographed more appealingly, either.