Driftwood

1997 "Sometimes being rescued is worse then being left to die."
5.4| 1h40m| R| en
Details

When Sarah walks alone along the desolate beach one day she find an unconscious man, who has been brought to land by the waves. When he awakens he doesn't remember anything. He has no name and no past. His dependence lies on Sarah. A role that makes her forget her loneliness and she decides to therefore lie about their situation... She says that they are situated on an island, where no one can reach them. From now, his life lies in her hands.

Director

Producted By

Goldcrest

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Reviews

Micitype Pretty Good
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
blindbiz DRIFTWOOD is an outstanding movie focusing on a woman's point of view about men, sex and having a "fantasy man" as a captive in every sense of the word. The acting is superb...James Spader is very believable as an injured sailor rescued by a lonely artist who, unfortunately, is quite mad. Women will appreciate how the camera focuses on the beauty of a man's body and sexual pleasures from a woman's perspective (refreshing!!). The actress playing "Sarah" is absolutely wonderful in a difficult, demanding character study of a woman tormented by the ghosts of her past who seeks only to find love---no matter what it takes. This film is sure to become an "art film" favorite, especially among women who have always dreamed of having a beautiful lover on a remote island, albeit with a different outcome. Enjoy...
Farleyed You don't really notice it at first, but Anne Brochet is deceptively cute. Intitially she seems almost plain, then you get a crush on her and think it is your own special crush. Then you realize she was Roxanne in Cyrano with Depardieau. Anyway, this is an interesting little movie about obsession and deception and Spader is interesting, even when doing mundane things.
hawker-2 More a 3 act play than a feature film, the story is concise and honest. Once we realize Sarah is lying about the seclusion of her 'island,' and see a few too many appearances of her dead mother, it becomes apparent where the story is heading. Sarah's loneliness and desire to keep "The Man" with her makes her a sympathetic villain by the end. It's not the most original premise, but it delivers the goods with a refreshing truthfulness and simplicity.
Rio-7 I really think that this movie might have been classified as one of James Spader's great movies if the story line wasn't so screwed up and half the movie wasn't based on sex alone. The movie concerns a lonely French girl who finds a shipwrecked sailor and tries to keep him for herself. The movie would be believable except it's quite impossible for 2 people to jump into bed and suddenly be in love with each other. I think the movie itself was quite good, cast well and filmed well with attention paid more to acting than material detail. Get rid of the mentally disturbed and the distasteful sex and you've got a great movie.