Don't Answer the Phone!

1980 "...He'll Know You're Alone!"
4.8| 1h35m| R| en
Details

A Vietnam veteran that spends his days photographing pretty girls, and his nights strangling them, sets sights on the patients of a radio psychiatrist.

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Reviews

Exoticalot People are voting emotionally.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Leofwine_draca DON'T ANSWER THE PHONE! is a serial killer thriller that makes up for a lack of gore and bloodshed with a really sleazy atmosphere that gives it a low-down gritty feel. This is one of the most interesting films to be released by low budget purveyors Crown International Pictures, and it's the first one I've watched from the studio that has real power.It's reasonable to expect DON'T ANSWER THE PHONE! to be a dud, because many of the elements in the film simply aren't very good. The plotting is haphazard and the police investigation stuff is really boring. The majority of the cast give stilted performances and the scripting is sub par too. The whole film has a scuzzy, on-the-street type look to it that makes it very much a product of its era.The film has a single saving grace in the form of Nicholas Worth, who plays the killer. Worth was a long-time B-movie veteran and this is the performance of his career. His crazed maniac goes around slaughtering women while at the same time praying to the spirit of his stepfather and going off on incredibly entertaining spiels that were by all accounts ad-libbed by the actor. I've always liked Worth and his performance here is the stuff of greatness; sad, then, that due to the film's subject matter it is a role that remains unseen and unappreciated by most.
Scott LeBrun Writer / producer / director Robert Hammer delivers the sleaze in a big way in this, his sole fictional feature credit. Inspired by the real-life Hillside Strangler murders, it stars James Westmoreland ("Stacey") and Ben Frank ("Death Wish II") as two police detectives searching for a maniacal rapist-murderer, played to the hilt by the late, great character actor Nicholas Worth. Worth plays Kirk Smith, a photographer by trade who in between his depraved killings likes to phone a radio psychologist named Lindsay Gale (Flo Gerrish). Filmed largely guerrilla style in approximately 18 days, "Don't Answer the Phone" gets off to a great start; we're introduced to Smith right away, and then witness him knocking off a young nurse. The cast features some exquisitely sexy young ladies, including Playboy Playmate Pamela Jean Bryant, Susanne Severeid ("Van Nuys Blvd."), actress / composer Gail Jensen (writer of the theme to 'The Fall Guy'), Paula Warner, and Dale Kalberg. Appreciably, Hammer makes sure these ladies are unclothed or partially unclothed at some point. Trash film fans will also note the films' rather mean-spirited tone. Still, this wouldn't be nearly as effective as it is were it not for Worth, who's absolutely priceless, improvising some amazing monologues and coming up with the whole "Ramon" routine on his own. Westmoreland is a self-assured, macho lead and Frank very affable as his sidekick. The supporting cast has other recognizable actors such as Denise Galik ("Humanoids from the Deep"), Stan Haze ("Alligator"), Gary Allen ("Alice Sweet Alice"), and Chris Wallace ("New Year's Evil"); co-writer Michael Castle has a funny comedy relief role as an obnoxious lab man, and be sure to look out for the appearances by Don Lake as the man in plastic and Chuck "Porky" Mitchell as a pornographer. With a hilarious electronic score by Byron Allred of the Steve Miller Band on the soundtrack, this may play out with an accent on the sick and the sordid, but it does take the time out for some humour, such as the commotion that erupts in the massage parlour. The finale is enjoyably brutal stuff and culminates in what is far and away the best line in the whole thing. Overall, it's pretty enjoyable. Eight out of 10.
HumanoidOfFlesh In "Don't Answer the Phone" sleazy and fat photographer masked behind pantyhose rapes and strangles women in a various state of undress.The action takes place in the city of sin Hollywood.He lures some of his victims to his photography studio.In his spare time he enjoys lifting weights and calling in to a radio show hosted by Lindsay Gale.Sleazy and sordid serial killer movie with truly demented central performance of Nicholas Worth.The police procedural section of "Don't Answer the Phone" is deadly dull,but the stalking scenes are great and the misogyny is rampant.The film is not as gruesome as "Maniac","Don't Go in the House" or "Nightmare in a Damaged Brain",however if you like them sleazy and nasty you can't miss it.8 out of 10 because the rating should be higher.
BA_Harrison Snickering Vietnam vet Kirk Smith (Nicholas Worth) is one hell of a sicko: for a living, he shoots obscene pornographic photos, and in his spare time, he strangles pretty young women BEFORE raping them. LA detectives Lt. Chris McCabe (James Westmoreland) and Sgt. Hatcher (Ben Frank) are hot on the maniac's heels, but can they catch him before he kills his latest target, radio psychologist Dr. Lindsay Gale (Flo Lawrence)?With such a sleazy premise, Don't Answer The Phone looks set to be a classic slice of extremely offensive exploitation, but with director Robert Hammer reluctant to go that extra mile to offend, the film falls short of the high (or should that be low?) standards set by his contemporary William Lustig, whose similarly themed film, Maniac, goes all out to shock the viewer.Worth's character, Kirk Smith, is an undeniably repugnant fellow, and what he gets up to certainly ain't nice, but Hammer's approach to his patently sensationalist material is surprisingly cautious: whilst he doesn't mind showing the audience a little nudity (for example, all of the victims have their tops torn off before being choked to death), he doesn't quite seem to possess the cojonas necessary to present his sex and violence in the no-nonsense manner the genre demands.Instead, his characters simply fill us in on the salacious details through conversation: a psychic gives a graphic account of the murder and rape of one girl, offering lurid tidbits of info about Kirk's modus operandi, and several characters pass comment on the particularly explicit nature of his photography. At the risk of sounding like a dangerous psycho myself, I ask 'Where's the really good stuff?'. A few throttlings and some tits only qualify this as exploitation lite!To be fair, Don't Answer The Phone does manage to deliver a couple of scenes that almost make the grade—Kirk strangles a junkie hooker whilst she is live on air with Dr. Gale, and one topless victim is subjected to scalding by melted candle wax— but with too many other scenes pulling their punches, this film is most likely going to disappoint fans of degenerate cinema.5.5 out of 10, generously rounded up to 6 for IMDb.