PodBill Just what I expected

Beanbioca As Good As It Gets

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Cristal The movie really just wants to entertain people.

MartinHafer This film appears to be set in late 17th century Spain, but it is NOT just another costume drama. That's because it has a bizarre and often cartoony style about it--and as I knew nothing about the film, I was taken by surprise. In some ways, the cartoony ways reminded me of the dumb but very funny "The Villain".The film is about the inept and evil Don Salluste (Louis de Funès) and his valet, Blaze (Yves Montand). It's obvious that Salluste is an idiot and Blaze is the brains of the operation--much like Jeeves & Wooster. However, after Salluste robs the poor and behaves like a boorish jerk for the first half hour, he is caught in an indiscretion and all his many titles and riches are stripped from him. In a very funny twist of fate, these are all then rewarded to Blaze--who now becomes the trusted adviser to the King! Ultimately, this creates problems, as although Salluste was thoroughly hated by the other nobles, at least he knew the rules--mistreat and over-tax the poor. A group, almost like the 'anti-Three Musketeers' decide that they should stop trying to kill the King and concentrate on Blaze, as now, Blaze is encouraging the King to do insane things like curtail the abuse of the poor (such as the rule that when a nobleman kills one of their servants they now have to at least report it...how unfair!).This film achieved something difficult--very difficult. While a film can be extremely silly and cartoony, making it ALSO funny is a tough order. It could have just been a stupid film--but was in fact quite clever. If you like this sort of silliness, other than "The VIllain", you might also want to try watching "Start The Revolution Without Me"--an even sillier costume drama that is set in France during the time of the impending French Revolution.Finally a few observations. It really is Montand doing the singing, as he had a marvelous voice and was actually a very popular pop singer as well as an actor. Also, while some might take offense at or think the many midgets in the king's court was dumb, this actually WAS accurate. During this time, courts often were littered with such small people, as they were a popular fad at the time! Truly a case of the truth being stranger than fiction. And, finally, why did this movie have a spaghetti western style score? Weird.

fedtho As all other comments have pointed out, this is a real delight, thanks to top acting and directing talent, great dialogs, clever parody of Morricone and spaghetti westerns... I know the film by heart, as it has been on french TV at least once a year since it was made: 30 years ago! I'd really be interested in knowing what kind of entertainment value people from the USA, people who are neither living near France nor in a french speaking environment, find in this movie. Because it seems so very specifically french to me...And I noticed that more or less every comment here comes from someone who's got either a language or some other European strings attached helping them getting the movie's humor.Louis de Funès is a cult figure in France, he is an artist apart from everyone else. I love him, and I would be so curious to know what effect he, as well as that french comedy style, have on someone who doesn't have my cultural background...Anyway, to anyone who has the opportunity to see this film, it's quite a curiosity, unique in its own way!

writers_reign Writing yet another screenplay for her father, Gerard Oury, Daniele Thompson went to Victor Hugo's Ruy Blas, used it for a door-stop and fashioned a glorious romp out of it (incidentally her own third film as writer-director, Fauteuils d'orchestre, opens in Paris next month and I for one can hardly wait). There's one sad note surrounding the production; the great comedian Bourvil had signed to play opposite Louis de Funes but shortly after completing a straight role (as Andre Bourvil) in Le Cercle Rouge he died and was replaced by his co-star in Cercle, Yves Montand, switching from drama to slapstick comedy without missing a beat. This movie has all the elements of that Dreadful word we mustn't mention in the groves of Academe or among that small, rapidly dwindling band of Godard buffs, Entertainment. Only see it if you want a good time and a laugh a minute.

Chris C A great performance from France's Charlie Chaplin - Luis de Funes. This movie is about a money-loving ruthless tax collector in the renaissance Spain, who loses his job and is determined to get it back. One of de Funes' best acts, and a very good job by Yves Montand as his servant. If you don't die laughing while watching this film you may safely assume that you don't have a sense of humor.