Scanialara You won't be disappointed!

Jeanskynebu the audience applauded

Stometer Save your money for something good and enjoyable

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

drdeathforpresident The first scene of the film grabs your attention; a man with no name who looks like a throw back from the 40's enters a bar and makes small talk with a damsel in distress. He worms his way into her heart and into his warehouse where he is directing her into her grave. The rest of the film is forced especially the acting except for the actor, Jeffrey Vincent Parise, who adds some life to this dead dud. Edward Furlong looks like he has been on a bender and needs to take a time out. Their is too much talking and not enough killing. I mean, come on, this is a horror film not a soap opera! Honestly, there is nothing to recall about this film. I did use the fast forward button a lot. Don't waste your time and effort.

Rayman Al-Eryani Thats Really A big big big flop. Acting is really awful you will feel like you are watching a comedy music is bad the killer looks so funny will make you laugh you will regret 2 hours of your life you wasted watching this movie like what i feel now that i'm wasting 10 minutes writing this post :) the only good scene in the movie is the first one this scene makes you feel like you are going to watch an amazing movie the movie depends on two bloody scenes and thats it. the funny thing is the scene when the producer was talking with an actor and he said "We are making money here who gives a s!!t about performance" it was like he is talking really about the movie it self :)

gavin6942 In the 1950s, aspiring actress Scarlett May is brutally murdered. Years later (2006), the crew of "Pirate Wench" is being slaughtered. What is the connection between these two events? Is there one? "Dark Reel" is a surprisingly good film, with a great ensemble cast and featuring the best work I've ever seen out of Tiffany Shepis. I love Shepis in pretty much everything she does, but I really think this one goes above and beyond her normal duties. Along with her, there's also decent performances from Edward Furlong (who is not aging well), Lance Henriksen (also some of his best work in years), Rena Riffel and Tony Todd.I found the stand-out performance to be from Jake Grace, who plays the onion-loving pirate Rhett Johnson. I don't know if I'm familiar with any of his other work, but I loved him here. More pirate action, more onions, please! The special effects were good -- quite good -- when it comes to the blood and guts. Some of it didn't look all that real, but some effects -- such as a sword through the back -- were impressive. Everyone really came together on this film.Not really sure what to say about this one. It's just really good. I can't critique it, because there's not much to critique, just a a solid horror story from beginning to end with plenty of mystery mixed in (good luck guessing the killer -- I changed my mind multiple times). Hopefully we see more things of this quality from this cast and crew. Oh, and "Gnome Killer 2"? Funniest movie I've ever seen!

capkronos Sometime in the 1950s, struggling actress Scarlett May (Alexandra Holden) meets a talent scout from Spotlight National Films, who asks her if she'd like to do a screen test for their studio. She's lured to a warehouse and ends up starring in a snuff film instead, getting strangled and then dismembered before the cameras. 53 years later, Spotlight National is still an operating studio, churning out B-movie titles such as "Gnome Killer," "Nightmare Slasher" and "Snakes on a Crane." Horror fanboy Adam Waltz (Edward Furlong - looking a bit rough and pudgy here), who has just followed his bitchy débutante ex-girlfriend all the way from Virginia to Los Angeles, wins a one-line walk-on roll in the studio's latest effort "The Pirate Wench," where he quickly becomes affiliated with the (mostly self-absorbed) cast of crew. Soon after, a masked killer starts bumping people off who are in some way affiliated with the studio. Who is doing it? Why are they doing it? And how is this connected to the 1950s slaying? This list of possible suspects and red herrings is about a mile long, but thankfully the majority of actors they cast do a pretty good job and are fun to watch. Lance Henriksen gives a typically strong showing as troubled studio head honcho Connor Pritchett, who equates the murder of a starlet with free publicity. Tiffany Shepis gives a very appealing performance as friendly horror movie queen Cassie Blue, and even somehow manages to have some decent romantic chemistry with her co-star. Tony Todd is fine as an intrusive detective (but unfortunately gets much of this film's worst dialogue), as are Emmanuel Xuereb as the studio's head of creative development and Jeffrey Vincent Parise as an arrogant and pretentious director. There's also veteran character actor Tracey Walter as an obnoxious tabloid journalist, Rena Riffel as Todd's partner, Whitby ("The Dream Child") Hertford, Mercedes McNab (from the TV shows "Angel" and "Buffy the Vampire Slayer") and some other familiar faces. Unfortunately, attempts at making some of these side characters quirky and original come off as obvious and embarrassing much of the time, such as a secretary who annoyingly mimics everything her boss says, a foul-mouthed sound man who screams all of his dialogue and a lead actor who has bad breath because of his obsessive onion eating.The flaws certainly don't stop there. Toward the end (huge spoiler here so skip to the next paragraph if you don't wanna hear this) the film becomes sloppy and the revelation of the killer's identity is basically a huge cheat. While the 1950s killer is pretty obvious early on, the current killer (predictably the son of Scarlett May) is played by an actor who looks like he's about 35, yet is playing a character who is 53 or 54 years old. The scenes parodying low-budget horror/exploitation film-making aren't clever or funny enough to really add anything of value to this film. Another aspect that I didn't think really worked is how the ghost of Scarlett returns to try to help Furlong's character uncover the killer. Her image superimposed over the Pirate film footage looked hokey and wasn't even really necessary.So while this is a highly flawed film (particularly in regards to the screenplay and grating comedy elements), it still managed to keep my interest for the most part thanks to some nice directorial touches, a pretty good Badalamenti-inspired music score and a decent cast. Also good are the cinematography and the killer's mask/disguise. Though there is a little blood/gore (mainly at the end) and nudity, there probably won't be nearly enough of either to please exploitation movie fans. The opening sequence, which was shot in black-and-white, is stylish and very well done, is the best scene in the entire movie, and there's generally enough good here to make me want to see what else director Josh Eisenstadt may have up his sleeve.