Dark Harbor

1999
6| 1h24m| R| en
Details

A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road and after much argument they stop, only to find a young man battered and bruised. An offer of summoning the police firmly rejected, the two help the man as best they can although it certainly means missing the ferry... and so starts this thriller: a tale of twisted sexual attraction and ulterior motives.

Director

Producted By

Killer Films

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Reviews

Scanialara You won't be disappointed!
Clevercell Very disappointing...
Moustroll Good movie but grossly overrated
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
NateWatchesCoolMovies Dark Harbour is a quaint, little seen romantic thriller from the late 90's that sets up an alluring atmosphere in the brief time we get to spend with it, and then ventures slightly into territory that's a bit beyond its initial calculations, providing a super lurid, erotic third act that might not sit well with viewers who patiently followed it along the tracks of logic before it faltered slightly. It's funny though, because the ridiculousness of the twist ending is one of the main aspects that has made the movie stick in my mind since I saw it like eight years ago. The uniquely paired cast makes it worthwhile, as does gorgeous locations and solid cinematography, working hand in hand with neat, rain speckled sound design to bring us a low key thriller that does the trick. Alan Rickman and Polly Walker play a wealthy couple on their way to a remote getaway at a snazzy, forest covered property they own in picturesque Maine. They are about as dysfunctional as couples get; bickering, petty creatures who can't stand to be in each others presence to the point of constant tension. On their way into a secluded, densely forested region they come across an unconscious young man (Norman Reedus) who vaguely suffers amnesia and appears to be distressed, prompting them to take him with them to their abode. From their tension arises to an uncomfortable level as the drifter proves to be both a third wheel and a sinister force of unease to both, culminating in an ambient, rainy forest finale that stands as the best sequence in the film, and a nice bit of work at that. Rickman doesn't usually go for this kind of melodramatic, American stuff and it's surprising in a good way to see him flex his genre muscles. Walker, who wowed me in HBO's Rome, is overlooked and slides into any role with intuition and believability, not to mention her luscious physical presence. Reedus, an actor now known for his endless work on the increasingly dull and shabby The Walking Dead, has countless hidden genre pieces like this in his filmography, and his inherently edgy, enigmatically off kilter aura makes everyone worthwhile. This one especially so, as it's a nicely crafted little dip into a hot and cold mess of a situation that tears the rug from under you in ways you won't see coming.
luckyrose277 A few things to touch on as a response to the earlier person's comment. You just have to pay attention to what is going on in the film.(I guess they are spoilers)The red stuff under David's mouth? Poison ivy, the wife says not to scratch it or else "it will spread".David goes "insane" because the stranger is telling HIM to get out of the house, which probably proves David's theory of an affair happening between the wife and stranger; he runs after the man. David does not lose him in the woods, he simply hits the stranger a couple of times and leaves it to his wife to pick up the pieces.Only the wife eats the mushroom. I must say, after that one point with the wife and stranger, I began to feel disappointed. But the ending made up for the entire film.And for that and the very last scene... this is one of my favorite movies ever. I should have put it together earlier, but let myself get sidetracked. I was really surprised, honestly.This film is interesting, to say the least. But if you are not watching this for the performances that the actors give, I'd say you better let this one go, because that is all that keeps this certain film together.
Nobleware Dude, I thought this movie rocked. Perfect for just sitting around alone and watching at like 3AM with just you and a bottle. The whole time you are watching it you are thinking WTF? What's gonna happen next.... dude just get with the chick already. Alright..... they are pickin mushrooms... this is odd... but kinda creepy cool. Damn this whole movie has an erotic dirty naughty cold evil undertone to it... it's subtle dance just keeps you drawn to it... you're just waiting for someone to get whacked. But damn... WTF!? You get that and then some. For the morally enraged stomach it is great running to the toilet to barf material. Any movie that can get that kinda reaction out of you deserves an award.
serena_lilian_snape I am personally an Alan Rickman fan, and only rented this film because he was in it. At the end I was so shocked at the film's confusing plot and it took me a while to realize what all had just happened. *SPOILERS*The film itself had a plot in which no normal mind could comprehend. I heard from other people its chopped full of symbolism, but what modern day human cares enough to notice those kinds of things. The homosexuality was also surprising, you'd expect Rickman to be killed for the sake of Alexis and the boys affair, but instead you get a shocking love triangle. If i were a critic id give this a D+, i don't plan to watch this again unless someone happens to be watching it, which is highly unlikely. Rickman's performance in this film was great, he just chose the wrong movie to act in.