Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

a_chinn Jeremy Northam plays a corporate spy caught between two rival firms in a cyberpunk future where he's not always quite sure who he's working for, who's on his side, or even of his own identity. Lucy Liu plays a femme fatale of sorts who helps (or is she manipulating?) Northam. It's a clever twisting plot, though the film suffers some from it's limited budget and suffers more so from under developed characters, which made me less interested in what happens to them. These strengths and weaknesses were also true of writer/director Vincenzo Natali's previous film "Cube" (he also later directed the underrated "Splice"). Overall, the Byzantine plot is so clever and so much smarter than most science fiction films, it makes this film well worth checking out by sci-fi fans despite it's deficiencies.

David_Brown I really liked this movie despite NOT liking Sci-Fi or Lucy Liu. This is a very interesting film, with lots of tricks involved, but Love overcoming all. Spoilers Ahead: It is where Jeremy Northam plays two very different roles: Uber Spy Sebastian Rooks, and average person, Morgan Sullivan. Rooks has himself brainwashed into believing that he is Sullivan, so he could infiltrate and steal computer software from two companies named Digicore and its rival Sunways Systems. These two companies with that software, basically can brainwash people into believing anything. His real goal was to get the power for himself, and sell it to the highest bidder. One actress that I cannot stand is Lucy Liu (except in this movie), she plays a Femme Fatale named Rita Grant, who you have no idea is out to help or hurt him (of course, you find out she is his only ally)). I like he way you see Northam go from weak businessman to much stronger person (even his face changes), as the Rooks Character starts to take over. To me, the most interesting part of the movie, was the final several minutes, where Rooks set things up to kill the Heads of Security at both Companies, and even created a program where he (as Sullivan), is supposed to "Kill Rita Grant With Extreme Prejudice." The way the movie ends is that although the Sullivan Identity shoots her, he cannot kill her, and although Rooks still some of the characteristics of his previous life (drinking fine whiskey and smoking (which is what Sullivan did not do)), it is the Sullivan Identity (the one who loves Rita), that takes over. In fact, on a sailboat, both Rita and Rooks/Sullivan see the disk that gave that order that "Sullivan" could not carry out, because the "Power Of Love" was Greater. 9/10 stars

The Blast Club - Ariel Guerra (web-534-393830) A cult movie, nuff said. The casting was strange yet workable, the music was forgettable. But the more I watch it, the more I like it. A great indirect story about identity and modern society.I liked the color in which the movie is slightly tainted, reminder of a film noir and yet with a modern twist (kind of a Minority Report set and feeling). The story unfolds gently and every part has a proper function of the whole. It's perhaps about how your life can turn into something else... and still be part of you. Fully recommended!

Aditya Gokhale Director Vincenzo Natali's earlier "Cube" (1997) was a fascinating film, and that was reason enough to give "Cypher" (2002) a look."Cypher" makes a very intriguing start; a man named Morgan Sullivan (Jeremy Northam) is being interviewed by Digicorp's head of security and is being put through some neurological tests. He is being hired for corporate espionage and will soon be sent on missions to various conventions to secretly transmit corporate presentations for the benefit of Digicorp. He is given a new identity; that of Jack Thursby and his first assignment begins. It all seems fine in the beginning and Digicorp seems to be pleased with Sullivan's job. A chance encounter at the convention with a mysterious but beautiful stranger Rita (Lucy Liu) brings forth startling revelations and Sullivan finds that he could be caught in a deadly web of deceit amidst an ongoing cutthroat corporate war! Revealing more would take out whatever fun there is in watching "Cypher" for it is entirely a plot-driven film and it is the turns in the plot that keep it going.A terrific beginning doesn't always guarantee picture perfect masterpieces and "Cypher" proves just that. Further down, beneath the highly enticing exterior of brilliantly sleek cinematography, surreal camera-work and a background score that creates a sense of dread, there is great ambition that unfortunately succumbs under its own weight and finds itself settling into the comfort zone of a 'been there-done that' thriller which incorporates the essential ingredients of a typical edge-of-the-seat action/thriller.After a promising start, the film picks up a decent amount of momentum and does build tension to a considerable extent, enough to keep you hooked throughout, in its maze of twists and turns, that sometimes catch you unawares and sometimes come across as predictable. Certain twists are just too convenient for their own good, but you find yourself excusing them as you become increasingly curious to learn where it's all going to lead. There are hi-tech contraptions and otherworldly gadgets, a glass-eyed evil looking man who has to be an antagonist by design, odd shaped choppers and underground vaults in isolated locations, to access which, you have to use some fast capsule-shaped elevators that go some several hundred feet beneath the ground! The filmmakers play with your mind. An 'alien' angle, perhaps; or just a futuristic vision of corporate security measures!? It is a very interesting representation, although an exaggerated one; maybe the intention was to make a statement about the future of the contest in the corporate world! Brian King's screenplay and the director's vision of it, definitely draws a whole lot of inspiration from past masters. Some of the set design and the overall mood of the film quickly bring to mind, Ridley Scott's "Blade Runner" (1982). Some of the thematic elements also remind you of John Frankenheimer 's masterpiece, "The Manchurian Candidate" (1962). Only those were ground-breaking films for their times and "Cypher" doesn't particularly create anything strikingly innovative. The oft-used gimmick of too many twists in the final act raise entirely new questions in an already befuddling narrative, making us rewind and think of the numerous holes that the film may have managed to riddle itself with. Employment of fast cut editing for showing some visions in the protagonists mind that may be distant memories or just random nightmares tends to strain the eyes. "Mission Impossible"-like athletic stunts and nick of time narrow escapes put a dent in the film's grave atmosphere and transport the viewer to the world of popcorn cinema for those brief moments!Nonetheless, a very sincere and convincing lead performance by the underrated Jeremy Northam and a steady pace that doesn't let up, make for an engaging and entertaining sci-fi noir thriller. Do not expect anything earth-shattering; then perhaps it wouldn't hurt to check "Cypher" out when you have nothing better to do.Score: 7/10