Crimson Rivers II: Angels of the Apocalypse

2004 "An unholy crime... An unstoppable killer... Caught in a deadly tide."
5.9| 1h37m| en
Details

No one is safe when seemingly random killings emerge as a deadly pattern intended to usher in the end of the world. A murder victim with the same DNA as Christ. A serial killer mimicking the deaths of the 12 Apostles. Inspector Niemans and a young, rebellious detective team up with a beautiful expert in religion to crack the case before their elusive suspect completes the cycle of terror, paving the way to an even bigger bloody catastrophe.

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Reviews

Alicia I love this movie so much
TrueJoshNight Truly Dreadful Film
Rexanne It’s sentimental, ridiculously long and only occasionally funny
Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Ben Larson I have a thing for Jean Reno. Ever since I saw him in Godzilla, I have been searching for his films. This is the completion of Crimson Rivers, and it is great. No, it won't win any awards, but it's enough to see Reno as Commissionar Niemans again, strongly supported by Benoît Magimel (The Piano Player, The Child of the Night), Camille Natta, and the ever evil Christopher Lee (Wicker Man, Lord of the Rings). Lots of blood and a weird story based on end times and a book supposed written in God's hand. Heads roll, people are nailed, and monks fly through the sir. Fantasy? Oui. Reno est magnifique. C'est tout ce des sujets à moi.
Vogler This sequel is just disappointing. It starts with the great Vincent "Dobermann" Cassel not being in the second part anymore, but he wouldn't save that stupid story anyway. There are many interesting ideas, but when it comes to tie them all together, the end is mostly stolen from "Raiders of the Lost Arch". But there's even more fun in that flick: Nazi monks on 60 year old steroids, which make them invulnerable to bullets... Gimme a break! I wonder if Besson will ever learn that world war 2 is over (remember those evil German villains in "Taxi"?). Part 1 was far better, the story, and especially the appearance of Vincent Cassel. I really wonder how Besson/Reno can make masterpieces like "Leon" on the one hand, and junk like that movie on the other hand.
Max_cinefilo89 The original novel was awesome,and so was Mathieu Kassovitz's movie adaptation,starring Jean Reno and Vincent Cassel.Pity the same can't be said for this disappointing,insipid,useless sequel.Reno returns as Pierre Niemans,having to investigate on a couple of murders perpetrated by superhuman monks.Yes,the concept IS that bad,and yes,the writer IS Luc Besson,who probably should retire considering his most recent works.Instead of Vincent Cassel and Nadia Fares,we get Benoit Magimel and Camille Natta,whose on screen presence is as interesting as that of an insect.The main title sequence and the opening murders are visually great,but the rest of the film sucks.Reno and Magimel try to compensate the whole thing with some bad jokes,but when even Christopher Lee's portrayal of the Nazi villain seems to be saying "This time they should have typecast someone else",you realize something has gone incredibly wrong.One of the worst follow-ups ever,and let's hope the third chapter stays in development hell forever.
Framescourer Pretty dreadful franchisy sequel. Apart from Dahan's (French) meditative camera-work inbetween stock action filming there's absolutely nothing original about this film at all. To name all the contrivances and their lineage would be as boring as the film itself: suffice to say that if you've seen Bond, Indiana Jones and The.., Seven and even The Matrix you've probably covered most of this.Of the cast, Magimel has the 'cute' of Cassel (from the first) but not his charisma. Reno is the one holding it together, although his ennui is rather more phoned-in for this one. And simply putting Christopher Lee in a film - doing his sect-leader yet again - does not rubber-stamp it with integrity (he's left out to dry almost as much as the redundant chick-interest, Natta).I did, however, enjoy an unwittingly (?) postmodern thrill-sequence set in the supermarket. If only there were more of this invention 3/10