Crazy People

1990 "Warning: Crazy People are coming."
6| 1h30m| R| en
Details

A bitter ad executive, who has reached his breaking point, finds himself in a mental institution, where his career actually begins to thrive with the help of the hospital's patients.

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Reviews

TrueJoshNight Truly Dreadful Film
Protraph Lack of good storyline.
Teringer An Exercise In Nonsense
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
screenman The premise of this movie is simple and hilarious. Moore play an advertising executive who experiences a minor nervous breakdown. Unlike 'Reginald Perrin', who fakes his suicide, Moore's character has a falling-out with deceit. He begins composing advertisements that tell the truth.And this is where the comedy really takes off. Moore's character is confined to an institution, but in the meantime his spoof adverts are accidentally sent to press. As things turn out; the truth has more appeal than lies (why do ad-men and politicians find that so hard to accept?). In the asylum, the plot enters its 'second phase', as we are introduced to a bunch of people with all manner of comic and tragic conditions. It is they who take up the thread of humour in this part. It is also here that things go awry. A romantic sub-plot is farcically attempted by the introduction Of Darly Hannah as a love interest for Moore. Like him; she has also been committed for some reason.The story then struggles between these two digressing strands and the whole plot is stretched too thin to cover them. Dudley Moore was 55 by the time he worked this movie, and much too old to play a romantic lead with a 20-something inmate. Their relationship begins to look uncomfortably like abuse. Darly Hannah has a wonderful face and figure, but not much else. Her coy-and-vulnerable-beauty is a role she would reprise to the letter in 'Splash' with Tom Hanks.There is a happy ending as you would expect; but by then, so many wheels have come off that you no longer take the joke seriously any more. It's a pity John Guilgud wasn't used instead of Ms Hannah. He could have been an insane politician turned philosophical mentor, or some such thing. The plot would have stayed on-track and the gags could have kept on coming. The pairing had already been shown to be a winning formula in 'Arthur'. Bob Hope and Bing Crosby demonstrated that such a franchise could work in the longer-term with their 'Road To...' series.For the most part, this is well worth a watch. Just be ready to make some coffee or get a beer or something when the maudlin and implausible romance takes over. Unless you're a fan of Ms Hannah's physical charms, that is.This was pretty well Dudley Moore's last Hollywood outing. If he'd been 20 years younger I think he would have made the ideal candidate for 'Splash'. But the studios needed a younger vulnerable-funny-guy, and Tom Hanks seems to have been Moore's natural successor. He wasn't as funny, but he wasn't so short and had youth on his side. He was also a yank.If you think this is good, then try 'Bedazzled'. You'll see Cuddly Dudley both at his most endearing, and at the high point of his pairing with Peter Cook.
ccdesan Truth in advertising... if only it were so! No, it's not the slickest film and the performances are just a bit flat, but there's a lot of good material to work with. The "R" rating is for a lot of scattered profanity (which really isn't necessary, but.. wait! wait! here's a slogan for Hollywood screenwriters: "We're really stupid dullards, but we say 'F---' a lot so you'll think we're smart!"), but if you can stand it, this movie has a lot of funny moments. Darryl Hannah playes a cute dysfunctional inmate who falls for a stressed-out and temporarily committed Dudley Moore - there's a lot stolen from "One Flew Over the Cuckoo's Nest" here, but it's entertaining enough that you shouldn't mind. Worth watching at least once.
tfrizzell Top-notch advertiser Dudley Moore is committed to an insane asylum after he comes up with some whacked campaigns for famous products. However his work is accidently exposed and everyone loves the new advertisements. Thus the agency convinces Moore to come up with more ideas with the help of the other patients at the institution. Daryl Hannah, J.T. Walsh and Paul Reiser are good in supporting turns. The film is a hit-and-miss comedy that has some really great moments, but in the end there is just nothing really above average when all is completed. 2.5 out of 5 stars.
Maisa1111 This is just one of those movies that you can just enjoy. A very pleasing movie with a ton of memorable lines. If only advertising was really like this. See "The Freak", this movie will not only scare you, it will f**k you up for life! A classic.