FeistyUpper If you don't like this, we can't be friends.

Bereamic Awesome Movie

Crwthod A lot more amusing than I thought it would be.

Staci Frederick Blistering performances.

dougdoepke A band of beauty shop desperadoes cartoonishly plunder their way from California to Arkansas, to reclaim the old family farm.Wow! No energy crisis here. Just plug in the nation's generator and it'll light up from Broadway to Sunset with Denver in between. The movie's a classic of editing, scripting and directing; at the same time, add drive-in Oscars to actresses Leachman and Sothern. This is the hillbilly masterpiece Roger Corman was building toward with his series of backwoods desperadoes. Sure, much is silly, along with the usual cartoonish violence and enough car crashes to put on an extra shift in Detroit. But there's still enough subtext to make you care.This is America of forgotten people, the country's poor rural whites, one step ahead of bill-collectors and two steps from the law. Check out the cross-country tour of 1950's kitsch— the Burma Shave, the seedy motels, the lonely highway outposts—still familiar to thousands of us. And whose great idea was Leachman's tiger sheath dress that about says it all. But don't overlook the subtext that slyly mocks the conventions of the time. No Ozzie and Harriet here. It's three generations of mother-daughter, ousted from their cut-rate beauty salon, picking up new family members as they rob and roar along—an 80-year old Granny, a 50's greaser, a philandering cowboy. And don't forget sweet daughter Cheryl's already knocked up, but can't decide which boy to hook up with. But then maybe she doesn't have to— and so much for 50's-style monogamy. Or consider hormonal old Granny who's still got eyes for the boys, plus young Snake who eyes her back—no sir, no ageism here. Or Jim Bob's wealthy wife, sobbing for Jim Bob on TV, that is, when not entertaining the sheriff on the side— and so much for the upper class.Then there's the banker's moneyed class, the fugitive family's natural enemy. I love that big fancy wedding that suddenly explodes as the girls fulfill their 30-year debt of honor. Or when Sheba redesigns the banker's headstone with a barking pistol. No sir, it's sweat equity that earns a farmer his land and not the banker's money— too bad the law's on the wrong side here and we're made to feel it. Then, of course, there's the Lord that keeps getting invoked along with a whiskey bottle. But it's not the religion of the church. It's the Sweet Jesus of desperate folk clinging to one another in a hostile world and hoping things turn out in the end. And speaking of end, what an inspired one here—the family that works together stays together, even if they can't seem to get the rules right.No indeed, snooty Hollywood never recognizes kitschy films like this. But it's got style, humor, and a penetrating subtext that makes you feel rather than merely observe. Too bad ace screenwriter Thom died soon after. He had a real knack for the material. But more importantly, knew how to combine with director Demme's electric style. The result, in my little book, is worth 20 of those lumbering prestige films of the time. You know, the kind with Richard and Elizabeth that usually got the publicity space. All that vitality makes Mama a great extension of the 40's B-movie. Plus, it's funny as heck. So check it out.

Woodyanders Flighty'n'spunky Melba Stokes (a wonderfully zesty performance by Cloris Leachman), several members of her kooky family, and a couple of wacky misfits join forces to embark on a colorful crime spree in the 50's. Director Jonathan Demme, working from a sharp and witty script by Robert Thom, ably crafts a spirited and affectionate tribute to the gloriously kitschy 50's: Sparked by a nonstop zippy pace, a first-rate soundtrack of choice golden oldies, engagingly quirky characters, a very funny sense of off-the-wall humor, and a few exciting and well-staged action set pieces, this movie crackles with a certain infectiously bubbly energy that's a total treat to behold. Moreover, the cast play the campy material with tremendous joy and gusto: Ann Southern as Melba's feisty mother Sheba, Stuart Whitman as amiable cowboy Jim Bob, Linda Purl as Melba's sweet, pregnant daughter Cheryl, Don Most as Cheryl's dippy surfer boyfriend Shawn, Bryan England as tough greaser biker Snake, Merie Earle as spry nursing home escapee Bertha, Sally Kirkland as Jim Bob's ditsy wife Ella Mae, Jim Backus as ruthless businessman Mr. Albertson, and Dick Miller as bumbling cop Wilbur Janeway. Popping up in quick bits are Dennis Quaid, Bill Paxton, and Will Sampson. Bruce Logan's sunny cinematography gives the picture a nice bright look and makes cool use of wipes. Snotty Scotty and the Hankies supply a twangy and flavorsome score. An immensely fun flick.

Lee Eisenberg Apparently, Roger Corman likes it when "Happy Days" cast members hot rod across the country (he was involved in "Grand Theft Auto", directed by and starring Ron Howard, and co-starring Marion Ross). In "Crazy Mama", Cloris Leachman plays Melba, a woman who runs a beauty parlor in Long Beach with her mother Sheba (Ann Sothern) and daughter Cheryl (Linda Purl) in 1958. Their Arkansas farm was repossessed by the banks in 1932. When slimy banker Mr. Albertson (Jim Backus) tries to repossess their beauty parlor, they decide to return to Arkansas with Cheryl's boyfriend Shawn (Don Most). So begins a crazy car chase across America. In Las Vegas, Melba falsely marries a man (Stuart Whitman) to make it look like she's married, and they also get greaser Snake (Bryan Englund, Leachman's real-life son) to go along. In the process of everything, a lot of cars get wrecked and some people get killed.I will admit that this is a pretty silly movie, but it is so fun! I never would have guessed that Ralph Malph and Thurston Howell III had ever co-starred in a movie (by the way, Linda Purl also starred on "Happy Days"). And the fact that they all co-starred with Frau Blucher just adds to the wacky factor. Oh, and by the way, B-movie character actor Dick Miller plays a cop. Jonathan Demme just always seems to have something good up his sleeve.

funkyfry Entertaining 1950s era ganster mama movie emulates the best points of Corman's previous depression-era genre films. Demme does a solid job, succeeding particularly well in creating a feeling of casual cameraderie among the bandit women and the men they drag along with them as they go on a spree enroute to the family farm in Arkansas. Creates reasonably good characters who are often not used to their full potential, but a good time film (good 6 pack film) is the result. Leachman and Sothern make an effective pairing, and castaway Jim Backus makes a brief appearance as the first of many men the trio of Southern beauties will take advantage of along the way to their broken down dreamland.