ManiakJiggy This is How Movies Should Be Made

Smartorhypo Highly Overrated But Still Good

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

tedg Spoilers hereinThe losers are only a few: the writer and Daryl Hannah. Daryl because she should be working at more challenging parts right now. Regarding the script, you can smell a Redford a mile away: cloying sentimentality, mechanical plot evolution, subconscious conflation of nature with goodness and freedom. This script is really bad: one can see the remnants of the formula: switching lovers mirrored by switching destinies. The curse of emotionally jailed parents. The challenge. The balance of victory and defeat. The nature-specific enlightenment at the end. Please advise this kid to go into another line or to radically reinvent himself.The winners are enough to keep this from being a waste. Most of the actors are strong enough to put something where the writer did not. Postlethwaite has one real scene and is memorable. Really. Sutherland and Dillon show they are better than the material. But the one that fascinates me is Molly Ringwald. She debuted in a quirky, actorly adaptation of `the Tempest' with Susan Sarandon and Raul Julia. She did a Godard free-style adaptation of `King Lear' with Woody Allen! In between, she had the unfortunate success of some cheap personality roles. Since then, she's been cruising. Will she come back from the dead? I see she is signed up for Greenaway's next project, `Luper.' He is the most intelligent mind in film today, so that seems promising.But here, she is background. A shame I say.Another winner: the sound designer. This has great sound. Fortunately they didn't lard it up with honk-a-glitz so far as the songs -- but the sound is what impressed me.Ted's evaluation: 2 of 4 -- has some interesting elements.

Artemis699 This movie is absolutely terrible. Even with a Redford, a Hannah, a Sutherland, and an incredibly knowledgeable bullriding instructor, this movie failed to deliver in story, plot, and reality.The main character is utterly unlikeable and many of his surrounding characters are so shallowly written that normally good actors can muster up, at best, USA movie of the week caliber performances. The writer did absolutely nothing to deepen the characters and as a result, the viewer knows nothing about Ely and could care less if he wins or loses.On top of that *SPOILERS AHEAD* The logistical details of teh rodeo life are pure fiction. He goes from riding PRCA to suddenly winning the PBR finals. He shows up for a rodeo with no intent to ride and is allowed on a bull at teh last minute, and many other things that a person with even a layman's grasp of rodeo would identify as pure fantasy. Even the tragic death at the end was so rushed and confused that I did not register any emotion. That and the ending made no sense what so ever. I'm sure he was trying to make some dramatic point about the sanctity of life, but at that point I was too bored to care.

smitty-12 This is an interesting movie--with some casting problems. We find that there is a lot more to riding a bull than just being big or tough. Kiefer's character (brother to the lead) expands the stereotypical cowboy role because he is a sensitive, yet confident, thinking mans cowboy; full of compassion and depth. Molly Ringwald is waisted on a weak script. She plays a women who is supposedly a great catch but she has no patience, understanding, or sex appeal and is a poor listener. In addition, she looks at least 5 years older than Ely (her boyfriend). What do they have in common? What in the world was the attraction for these two people? In fact, all of the women's roles are written politically correct or safe and are therefore drab, boring, and unrealistic (they're too perfect). We never find out what Ms. perfect mom saw in the completely dysfunctional dad. It's hard to believe she could stand him long enough to have two kids . . . the movie shows that he had no redeeming qualities--whatsoever. Daryl Hannah is a fine actress but to long in the tooth to play the love interest of a man (Kiefer) nearly 2 inches shorter and 7 years younger than she is. Conversely, it's encouraging to see men and women closer in appearance and age--but this pair up just doesn't work--in the scene in the cafe Hannah looks old enough to be Ely's mom--which makes a later scene highly unlikely. All in all a good TV movie but comes up short when compared to other quality big screen cowboy fair like Urban Cowboy, The Electric Horseman, or The Grey Fox.I'll give it 3 out of 5 stars.

alex1785 Production on this film took place in December of 1998 as Hearts and Bones. I was a production assistant on the film, and spent nearly a month on the set. I recently saw the film on DVD, and was pleasantly surprised. The film is actually a lot better than I expected, with decent performances by the stars and a good script from James Redford.The transfer to DVD was well done (at least on the German import disc I bought), and the film is presented in its original aspect ratio. The sound quality was also pretty good. The story is also very watchable. Unfortunately, this movie has only been shown on the big screen at film festivals, and widespread domestic theatrical release will probably never happen. However, the US DVD is slated for release on September 3rd, and it's probably worth the 4 or 5 bucks to rent it, even if you don't like rodeo. If you do like rodeo, though, this would be a good DVD to buy.