Harockerce What a beautiful movie!

NekoHomey Purely Joyful Movie!

Smartorhypo Highly Overrated But Still Good

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Jason Kennedy Luttgens This is the movie for you! We're talking mega-velveeta cheesy here, but soo much fun! Christopher McDonald stars as a tough cop with some control issues, granted he sees his wife gunned down in front of him and his young son, but kills the perp, so it goes unsolved. Flash forward seven years or so ahead and Mickey is still a tough cop, with some triggers waiting to be pulled. His son Jason, now sporting a mullet to make Billy Ray Cyrus swoon, is back to live with dad and his very hot girlfriend Vera, played by Dey Young of all people, but trust me total MILF! Poor Jason soon runs afoul of Gideon, played by Judd Nelson as a insane raccoon on an acid trip who dresses like a pirate. Seriously, not kidding, the man wears mascara and dresses in frilly lace! WTF! so over the top you just have to smile. Oh Gideon run a profitable car theft ring, but young Jason just digs the metal club he runs to cover it. Naturally Mickey tries to warn rebellious teen Jason to steer clear of Gideon, but heck what seventeen year old ever listened to their parent? Added eye candy is Alyssa Milano is a relatively small role as Eve, but her opening scene... WOWZA, what a hottie! I mean I seriously wanted to leap into my screen! Jason feels likewise, tho that doesn't stop him from bedding some seriously stacked babes Gideon throws at him. Totally trash, but done in the most enjoyable of fashions, with surprisingly good performances and some cool plot twists towards the end. "Conflict of Interest" is not a classic, but it's a great example of late 80's early 90's b-movie action and it delivers the goods!

Martin Onassis I can't abide this movie's low rating here. a 6, maybe a 5, but a 3? Cmon, no way.Christopher McDonald, of memorable face, but unmemorable name, plays the boilerplate on-the-edge cop, Mickey Flannery (granted, cheesy Irish name for a cop) who is introduced as he loses his wife in a shooting related to a car-theft ring, which their child son, Jason, witnesses.McDonald, of Happy Gilmore fame as an insufferable dweeb, is likable, committed and tough here, the hero of the film. After the opening, the film moves forward in time to Jason being a young adult (at least 15 years older, though McDonald much at all, and is back on the force.Jason gets wrapped up with a criminal ring run by Judd Nelson's Gideon, the most compelling character of the movie. I'm not a big fan of Nelson in many other roles, but here, he's a real threat, and wears his mascara and LA-grunge post-hair-metal wear well. The film is almost a micro fashion document of 1993, with lots of grunge wear, with an LA angle. The pirate shirt does appear once, and it's stunning when it does, but Nelson is young and scary enough to make it work. Allysa Milano, is of course, ludicrously attractive in her apparel, which is a sequence of riot grrrl Gothic, and grunge outfits. She also acts well in her part. The club they habitate is also a good example of the raves/industrial parties that existed from the mid-80s into the mid-90s.McDonald is the other anchor to the film, constantly trying to maintain his composure while his son is increasingly drawn into a very personally threatening situation (while the son and dad are just trying to re-establish contact)and he's returned to the police force after a long absence. The audience knows McDonald/Flannery is right in his suspicions that Judd/Gideon is a lowlife murderer, but no one else believes him. It's a common plot device, but used very effectively over a long arc in this film. Then, at the end, we find that not only was McDonald right, but he was set up from the start, not just on one level, but multiple levels to the very start years earlier.My one biggest complaint with the plot would be why would a smart operator like Gideon attract so much police attention by killing two young women? Framing son and father is at least sort of a plausible explanation that the film stays true to and follows through on, in some surprising and visually exciting action scenes.It's not a masterpiece by any means, and it's title assures it remain in obscurity, but it's a totally competent cop yarn with strong family and dept corruption subtexts. Like many low budget films, it turns out to be an excellent period piece, shot from its current reality.

effjaysullivan Not because I want to preserve the integrity of this masterwork, but because I stopped watching it about half-way through.First, the good: Alyssa Milano and Dey Young look beautiful in this film. Second, there are several hot heavy-metal-looking chicks in the movie, as well. Third, Zia Harris has the mullet for the ages -- he actually looks he could be the twin brother of Kim Richards from "Tuff Turf." I caught this movie on late-night cable just last week and my immediate thought was: Wow, "Happy Gilmore" aside, Christopher McDonald simply cannot act. Script was filled with any number of clichés: Mom killed in opening scene; boy estranged from his father, who hit the bottle hard after his wife's death. Cop who plays by his own rule but (I'm only guessing, not spoiling) is ultimately redeemed. Wacky, over-the-top evil villain (the always execrable Judd Nelson, rocking some impressive mutton-chop sideburns, like a twisted Elvis impersonator) ... you name it, it's in there. Zia Harris' rebel son character is given "depth" by having him spout a haiku to Alyssa Milano, so that's a bonus. Also, interminable opening credits showing the L.A. working waterfront. Yawn.Quite simply, one of the worst movies I've seen in recent memory, and I've seen both "Pieces" and "The Incredible Melting Man."

lost-in-limbo I always had a soft spot for anything starring Alyssa Milano and Judd Nelson was another interesting inclusion. As for the film itself… did I mention Alyssa Milano was in it. Yep I'm really clutching at straws. Actually it's not that bad. Well the smoking hot Milano might be in it, but she doesn't get much screen credit. Rats! Anyway 'Conflict of Interest' is a routine b-grade crime picture that stays in first gear for most part, and unsuccessfully tries to milk out its neon lighting and heavy metal scene. Even with its admirable pacing and stylishly slick look for such a budget, the direction is too pedestrian and the script is torpidly delivered. The action is productively executed, but not all that exciting or explosive. The story formulates the usual dramatics of a police detective, Mickey Flannery who's police badge was stripped off him for killing his wife's murderer. We move seven years into the present where he's accepted back into the force and he'll see his son for the first time since his wife was murdered. However his rebellious punk son is connected to a murder in the sordidly kinky metal music underworld. Trying to prove his son's innocence he goes on a mission to prove the club owner Gideon is behind it all, and this means that he could lose his badge again. I would've like it more it didn't come across as forced and manipulative, and some of those occurrences are too elaborately planned that it leaves it being silly and daft. Thrown in for good measure is a dose of nudity and sex. Christopher McDonald gives a variable performance in the lead role and Nelson's smooth, eye-liner wearing badass villain was rather rib-tickling. And that wasn't intentional either. Milano is wasted, Zia Harris is fair and the beautiful Dey Young comes up solid. There's also some good support by veterans Lee de Broux and Harrison Page. Not a bad film, but not particularly a memorable one either.