SpuffyWeb Sadly Over-hyped

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

SnakesOnAnAfricanPlain Con-man stories always hold some interest for me, even if they fail to truly go into detail about the protagonist or their victims. Color Me Kubrick is more of an interesting idea than a complete story. Alan Conway pretended to be Stanley Kubrick, despite knowing little about his work, or looking anything like him. He deceived people in order to receive free meals/gifts and the popularity. The film shows a number of these cons, which aren't plotted out, he just says he is Stanley Kubrick and people believe him. The film does a good job at showing the naivety of those tricked. Only one man even attempts to catch Conway out. The film may hold some fascination for UK viewers, just to see Jim Davidson in a rather well played role. It does manage to be funny, but often puts the emotional focus where it shouldn't be.

bengt alvång This film was strangely intriguing and had my full attention all the time. The dialogue is at times extraordinarily witty and it's a mix of sadness (emphasized by the music scores from both Clockwork Orange and 2001, as well as melancholy tones from Bryan Adams "I'm not the man I seem to be, but I'm the man for you..") and comedy depicting the double nature of the conman Conway. Malkowich slippery and at times very painful acting is one of a kind. It's amazing how his character bounces up again and again, he can't stop himself. Of course, as a social commentary this film is a hard judgment on the willingness for people to believe and get benefits from anybody who appears to be in a position of power. bengt alvång http://www.fokus.nu

whatever_isaac i went into this expecting a documentary, or a biopic, or at least a drama that examined the events that occurred around this guy. what i got was a crappy comedy that played like a rip-off of catch me if you can. it seemed to me like they filmed several separate "incidents" that they found funny, then remembered that films are supposed to have plots, so they threw in one scene introducing his roommate as some guy smoking pot on his couch, and then we were expected to have an emotional reaction later on in the hospital scene when he's there and malkovich is pretending not to recognize him? the subplot with the escort service went nowhere and neither did the newspaper one. this director needs some practice.

theericconrad I went to this picture with the hope that -- if nothing else -- watching John Malkovich play a highly troubled delusional queen with a genius for manipulation and an obscene fashion sense would be enough to keep me entertained for an hour and change. It wasn't.The flick's barely worth analyzing; it's simply a mess, handled so poorly that Malkovich's moments of comic mastery are lost in a sea of poorly executed photography, tepid writing and haphazard form. While director/prod Brian Cook was one of Kubrick's assistant directors we see that little to no talent ever rubbed off - things get so bad that one clings to the often forced and clumsy musical/visual homage's to the genius' work to at least quell that nagging voice that won't stop whispering "you spent eleven dollars on this...you spend eleven dollars on this..."To say nothing about the quality of acting, photography, writing, form, pace, etc., one can credit Color Me Kubrick as a charming premise, but one gone sodden and awry with mediocre film-making.