BlazeLime
Strong and Moving!
Smartorhypo
Highly Overrated But Still Good
Ceticultsot
Beautiful, moving film.
Toni Orcullo Antigo
This beautiful tale of a woman Elise coming to terms of accepting the disappearance of her sister Frances is one of those movies that you will never understand if you don't listen to the dialogues attentively, which makes the movie even more interesting because there is no clear cue as to what really happened to the character whom the central emotions of desperation, longing, melancholy and even confusion revolve around. The way the movie presents its conflict is flashback. Flashback is a great tool to present two realities that are quite complex. In this movie it is used effectively through the aid of great cinematography. There are moments when flashbacks are too lengthy to be useful to the message the film tries to convey but overall, it was used in a palatable manner. One problem I find the movie is characterisation. There are characters that are confusing as to how they are related to the one another because the characters themselves are off-tangent and exaggerated but acted in a restrained and underwhelming manner. Especially The doctor, Elise's love interest.Overall, the film is beautiful. Quite dark but beautiful. If you pick up the cues, you'd probably know more than Elise as she seems too oblivious of the fact that her sister was giving her signs that something wasn't going well with her life that possibly led to her disappearance. In the movie the resolution is as unclear as the the conflict but true to what the film is suggesting that in grieving and moving on, you do not need to know all the intricate details, you just need to do it to better yourself.
leplatypus
I write this review the last day of my 40th year, being again unwell and hoping that this Annus Horibilis will be definitely over. For the first time in my life, my body had been in constant pain all along the year, attacked by accidents or by illness: what's funny is that browsing my previous reviews, I can link them with the actual problem: with « American graffiti » in January, it was tinnitus ; In March with « Kramer vs Kramer », it was bronchitis ! Two weeks of silence in April when i had surgery ; in May, with « house of sand and fog », it was teeth pain ; now, in august, it's Adam's apple shock ! Like the previously mentioned movie with Jennifer, this one resonates with my difficult being as it's about the disappearance of a child, which is for me the worst pain for parents and sibling ! The ambiance is very heavy, sad, depressive and for that Natalie was the perfect choice. Being a sister too, she could easily find a connection but above all, Nat has this dark side, this spleen in her. For me, it's because she seems inside torn that she got a worldwide success with the same song because she was living it ! In a way, her millstone that i presume explains surely why Nat runs away from glamour, exhibitionist that other female singers abuses : here, in the movie, she dresses seriously and don't want to play with her skin ! So that's why I like Nat very much : she is authentic, has values and fragility and here she thus seems very natural and it's a pity Nat didn't get more opportunities after !In addition, the movie is interesting in a way as the fate of the sister is left to the audience as the clues are rather vague. At last, the young sister is also a lucky pick as she has definitely a bit of « Nat » in here too !
MarieGabrielle
Simply beautifully filmed, with Natalie Imbruglia as Elise, who has lost her sister under mysterious circumstances in 1987. They live on Semaphore Beach in Australia, she now lives with her mother who wallows in deep depression from loss of her husband, and then her eldest daughter Frances.Elise wonders what happened to her sister as they went to the beach daily the summer Frances disappears. She works at an aimless job at a movie theater, models for her friend who asks why she wastes time dating Marvin. "he loves me, he really does" she wants things simple. She imagines at times seeing her sister at a nightclub, or walking the beach.The set decoration is realistic, Elise's mother a waitress lets the house go when husband dies, the pink and green tile and cheap paint in kitchen reflect a kind of disorder. Elise's mother spends the next 20 years cutting out news articles about other missing children.The beach itself portrays a sense of loss, then renewal after turmoil...seems trite but it isn't in this film: there is no real answer to anything, it is like having a loss in real life.I lost my mother to an accident in the 1990's and I suppose this film has special cadence for me. The loss, why did it happen...we see all of this as Elise wanders the beach, lives a half existence with her depressed and depressive mother.This is a niche film, it should be seen a few times to pick up the hints and nuances. Ultimately Elise finds internal spirit, it is subtle but we see as she plants the seaweed garden and moves on with life: it is never easy but somehow people go on, and Elise moves forward deciding not to live within the pain any longer. Highly recommended, especially for anyone who has felt deep loss. 10/10.
mauvemoonlight
The film's plot, such as it is, revolves around a teenage or pre-teen girl named Frances, who disappeared some twenty years ago and the profound effect it had and continues to have on her mother and younger sister, Elise. Elise is now an adult but we have flashbacks throughout the film.Eventually some extremely vague hints are made regarding some things that might have happened to Frances prior to her disappearance - but nothing is ever clearly stated.So what happened to Frances? Well, nobody ever really says - suicide, murdered, snatched by someone, or ran off? Just go with whichever one of those strikes you.The film is more watchable than some films out there - but I would not particularly recommende it. What it mostly has going for it is that it contains no graphic sexual or violent scenes.4 Stars
