Pluskylang
Great Film overall
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Casey Duggan
It’s sentimental, ridiculously long and only occasionally funny
mrinemom4
This is a great version of 'Cinderella' and I've seen many of them! I'm so fond of Julie Andrews and this is a really special version. I'm hoping many people can see this and enjoy it! Even if this was made many years ago, it was a clever story with great singing. Too bad the movie found was in black and white. My 11 year old decided he didn't want to watch it! I wonder how many people still remember watching it? The step-mother almost reminded me of Anges Moorehead. It's nice to see these old movies once in a while. I'm glad there are some movies that we can enjoy once in awhile. What part I liked was, well, all of it! Thank you for your time!
Ed Uyeshima
It was estimated that 107 million people saw the original broadcast of this made-for-television musical created by no less than the legendary team of Richard Rodgers and Oscar Hammerstein II. That represents an astonishing 62% of the U.S. population at a time when there was no pay-per-view, no cable, no TiVo. Having just read Julie Andrews' remarkable early-life autobiography, "Home", I have to admit my interest was piqued to see this seminal production. Andrews was all of 21 on the night of March 31, 1957, when she performed the title role live, and it's fascinating to watch her screen persona so fully formed seven years before her big-screen debut in "Mary Poppins". Rodgers and Hammerstein wrote the musical specifically for her talents as she was then wowing Broadway audiences as Eliza Doolittle in the smash hit, Lerner and Lowe's "My Fair Lady". The evidence refutes Jack Warner's later claim that she was not photogenic enough to be in the film version, and the 2004 DVD is the closest many of us will get to see what her Eliza was like.Captured in black-and-white kinescope, the show is definitely a product of the Golden Age of Television with its flickering images and claustrophobic, sometimes awkward staging. However, as directed by Ralph Nelson ("Father Goose"), the story's universal charm and farcical touches, the expert cast of mainly Broadway veterans, and the memorable musical score more than offset the technical deficiencies. Andrews' bell-like soprano is at its best in her sadly hopeful ballad, "In My Own Little Corner". As the King and Queen, playwright Howard Lindsay (he co-wrote "Life with Father" and the original book for "The Sound of Music") and his real-life actress wife Dorothy Stickney prove to be a comically adroit pair. Fellow stage legend Ilka Chase plays the malevolent stepmother with catty aplomb, and the comic duo of Kaye Ballard and Alice Ghostley fulfill the comic possibilities as the jealous stepsisters. Edie Adams lends a more saucy twist to the ethereal role of the Fairy Godmother. Much later a reliable character actor best known as the Chief of Police on "Hill Street Blues", a stalwart Jon Cypher fits the cardboard dimensions of the gallant, smitten Prince and showcases a surprisingly robust tenor voice first in a soaring duet with Andrews on "Ten Minutes Ago" and then on the show's best song, "Do I Love You Because You're Beautiful?".Like most of my generation, I am more familiar with the 1965 color remake (starring a very young Lesley Ann Warren) since the original production aired only once. Running a fleet 77 minutes, it's a shame that the original color footage could not have been saved since the fairy tale atmosphere begs for it. Luckily, as part of the DVD, there is a gallery of color production and rehearsal stills to give you an idea of what the original audience may have seen if they owned a color TV set, a rarity at the time. Other DVD extras include rare archival footage of Rodgers and Hammerstein appearing on "The Ed Sullivan Show" to publicize the show (including a recited performance by Hammerstein of "Do I Love You Because You're Beautiful?"), as well as a recently filmed introduction by Andrews. The best extra is a half-hour retrospective featurette, "A Lovely Night: the Making of Rodgers and Hammerstein's Television Classic", which features Andrews, Adams, Ballard and Cypher fondly recalling the experience. Children may not be able to tolerate the black-and-white, but baby boomers will find particular joy in seeing this particular production.
theowinthrop
Due to the 1950s style production values of the sets I am limiting this to 1n 8, but if it had had 2005 set values it would be a 10.Cinderella is one of the few fairy tales we grow up with that actually have been successfully used in entertainment mediums. Most people think of the Disney cartoon feature film of the early 1950s, but there was also THE GLASS SLIPPER, a full length film that appeared in the middle 1950s, the early 19th Century opera LA CENERENTOLA by Rossini, and even modern variations in film (MIDNIGHT in 1939 and CINDERFELLA in the 1960s). Then came this 1957 Rodgers and Hammerstein triumph. It was their only joint musical venture for television (although Richard Rodgers had done the them music for VICTORY AT SEA), and it proved so successful that it was shown again in 1965 with another cast led by Leslie Anne Warren, Walter Pigeon, and Ginger Rogers.At the time the original television production was shown in 1957, it came at a critical moment for the lyricist and composer. They were doing well as producers, and they had a string of mighty successful works behind them (OKLAHOMA, CAROUSEL, SOUTH PACIFIC, and THE KING AND I), and they were very busy with the Hollywood productions of CAROUSEL and SOUTH PACIFIC at this time. But they were human: Several of their productions were not as successful. ALLEGRO (from the late 1940s) had an interesting book, but the music did not catch on (except one tune which was saved for SOUTH PACIFIC). ME AND JULIET, a backstage romance, had a middling run. PIPEDREAMS (based on the same stories of John Steinbeck that TORTILLA FLATS came from) was a total flop. Cinderella would be their first successful musical in five years. Soon FLOWER DRUM SONG would restore the pair to their Broadway leadership positions, capped off by their last masterpiece THE SOUND OF MUSIC.They were fortunate to discover for their lead Julie Andrews, she of the pure human voice that comes closest to a bell. She does well acting the role of Cinderella, as well as singing the score from her first big number (in the rocking chair by the fire) to the end. Edie Adams is having fun as a rather mischievous fairy godmother, but one whose mischief has it's good motives. The young John Cypher shows that he could have been the leading man in operetta parts (fortunately for his abilities he got better dramatic roles later). His Prince Christopher is a dutiful son and a wise lover. Ilke Chase is sharp as the stepmother, but not really as vicious as her cartoon equivalent in the Disney picture. As for Kaye Ballard and Alice Ghostley, they certainly are amusing (Ballard is pretentious about her learning - her first name is "Portia", which leads her constantly dropping "The Quality of Mercy" Speech to whoever she sets her eyes on as a prospective lover; Ghostly is just very pessimistic). It came as a surprise to me that the Cinderella march tune actually has words that the two sisters sing at the ball. The King and Queen are played by two performers who are not as well known as the others. Not today anyway. Howard Lindsey and Dorothy Strickney were better known in the 1950s for their work in Broadway productions (with or without each other - they were married). Lindsey is of particular interest because he made very few appearances in movies, and rarely in a large part like this one. His best recalled work was as the co-author (with Russell Crouse) of the dramatization of Clarence Day's LIFE WITH FATHER. This was one of the longest running plays in Broadway history (it once held the record of longest running - something like sixteen years). Lindsay played the role of Clarence Day Sr. (the role William Powell plays in the movie version). As you may notice that the King in Cinderella is wearing special pince - nez eyeglasses, it was probably suggested because Lindsay wore the same glasses as Mr. Day. He and his wife, Ms Strickney, share some sweet moments together as a happily married couple, probably based on their actual connection there.Tonight was the second time PBS has shown the complete 1957 version, and as such it suggests that there may be many other nice little treasures of "lost" live performances that are waiting restoration and re-showing to today's audience.
joseph952001
I was around when there was no televisions in the homes and you had to go to the movie theaters to see movement on a screen, in fact, a very large screen we thought until Cinerama came into our lives. Everything was live. There was no filming for perfection and the first person to come up with the idea of filming live programs was Desi Arnaz when they started "I Love Lucy" on television, but I'm getting ahead of myself.Think of it! Every week, Sid Ceasar and Imogene Coca and others were rehearsing for a one and a half hour variety program called "Your Show of Shows" and even during the live T.V. Show, they made such mistakes that made the show funnier than if it was filmed. "Your Hit Parade" was live ever week. Snooky Lansen once had the hit song of the week and had a problem remembering lyrics and one time wrote them on the floor of the studio in chalk and when it come time to sing the song, someone had erased the lyrics! Ah, the days of live television! Then came along Rogers and Hammerstiens "Cinderella" in which they starred their new found personality Julie Andrews who was wowing Broadway in "My Fair Lady". So, they got the right cast together and put of a live musical version of Cinderella with wonderful music and Edie Adams camping it up as the Fairy Godmother when Cindereall, Julie Andrews, claims to Adams, "Oh! Fairy Godmother; what a beautiful dress!" and Adams with disdain in her voice says, "Oh! This old thing! It's 550 years old!" For years, it was rumored that they could never show the old Kinsoscope copy of Cinderella is because it was either destroyed of lost. After seeing all the talent in the show, it would have paid a lot of royalties out, but no more since most of them have passed away, so why not release it on D.V.D.? One thing about years later is that both Julie Andrews and Leslie Ann Warren played Cinderella on T.V. and they both starred together in "Victor Victoria" with Andrews playing a woman playing a man playing a woman and Warren playing a Chicogo Mobsters Whore! YOu must admit they both went from Saints to Sinners through the years.Thank God for the restoration of this wonderful show, and, of course, the original record album, always available, and now on C.D. can still be heard in it's original recording by Columbia! Wonderful show! Let the young'ins see what the fun of live T.V. was like in the golden age of television!
