Chinaman

2005
7| 1h28m| en
Details

Keld is in a rut. His wife of 25 years has left him. For sustenance, he eats his way through the menu at the local Chinese takeaway. The owner talks him into a marriage of convenience with his sister from China and the unplanned-for happens. A delicate romance blossoms between these two damaged, fragile individuals, but a secret gives their relationship a fateful twist. A subtle and touching story of life's diversity.

Director

Producted By

Fine & Mellow Productions

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Reviews

Mjeteconer Just perfect...
MamaGravity good back-story, and good acting
Reptileenbu Did you people see the same film I saw?
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
bandw In watching this it occurred to me how undeliberative I have become in accepting quality movie workmanship. This small movie illustrates the point--it is so well done that I came to appreciate its technical qualitiesonly when I tried to come up with any negative comments.The movie details an event in the life of a Keld, a Danish plumber. That event is set in motion when Keld's wife leaves him. Keld is more of a reactive person than an active one and that is probably a reason his wife left him, although we don't get too many details on that. Bjarne Henriksen plays Keld with grace and gentleness in a captivating and nuanced performance--he can say a lot with facial expressions. I imagine that it is harder to play everyday people like Keld than bigger-than-life characters having big, dramatic scenes. Keld reacts to his new bachelorhood by frequenting a Chinese restaurant on a daily basis where he gets to know Feng, the owner (Lin Kun Wu). There is subtle humor--after running through all of the 21 selections on the menu in numeric order, Feng asks Keld what should be done next and, after some hesitation, Keld decides to start over. Feng, sensing that Keld is a kindly soul, asks him for a big favor--to marry is younger sister Ling (Vivian Wu) so that she can get Danish citizenship. The marriage is to be "pro forma," but in a sequence of beautifully filmed scenes, what does start out as "pro forma" turns into a delicate love. Maybe this story line is a bit predictable, but the relationship between Ling and Keld is developed so believably that it's hard not to be taken up with it. However, the ending is not predictable.When Keld's wife wants to come back, she is led to understand the meaning of the idiom, "Be careful what you wish for, lest it come true." She got her wished-for divorce, but that led to her being cut off from Keld later when she wanted him.The relationships between Feng and his son, and Keld and his son, offer commentary on the changing cultural dynamics of such relationships as experienced in a Chinese family contrasted with a Danish family. It is interesting to see the difference between Feng's extended family and Keld's rather lonely life.The score, while engaging, often seemed more lighthearted than what the story-line would call for.There are no villains in this vary human tale.
MartinHafer "Chinaman" is a deceptive film. While it appears very simple and perhaps even a comedy on the surface, the film is much deeper, more sensitive and very engaging. I must warn you though, this is NOT a film everyone will like. It does not have a happy Hollywood style ending and the film is pretty unconventional. As for me, I liked that the film didn't try to fit a formula and didn't even mind the sad portions of the film. But I do recommend you have some Kleenex nearby--just in case.At the beginning of the film, Keld's wife tells him that she's leaving him for good. You have absolutely no idea why or what their marriage had been like--all you know is that she wants out as soon as possible. Not surprisingly, Keld is depressed and directionless--and Bjarne Henriksen makes this very apparent in his performance. Part of his depression and directionless is evident in his habits. He goes to the same Chinese restaurant every night and he sells off all his furniture. Sitting in an empty apartment, Keld is just drifting through life--waiting for his divorce to be final.One evening when he's at the Chinese restaurant, the place's plumbing goes crazy and Keld jumps into action. After all, he is a plumber. And through the course of this, Keld and the owner of the restaurant become friends--so much so that his new friend makes him a VERY unusual proposition. He wants Keld to marry his sister, Ling, in order to allow her to remain in the country. Naturally, it will be a marriage in name only. She'll move in with Keld but their relationship will be business. However, rather expectedly, a closeness develops between them and after a while, Keld realizes he's falling in love with his new wife. Now the rest of the film is NOT what you'd expect--it is a very unusual film to say the least. But, Henriksen's excellent performance and the film's nice direction and script really hooked me. A very unusual and bittersweet film--and one that left me very impressed.
CelluloidDog A rare gem as a Sino-Danish venture, this film is about the ordinary human existence of living without drama and love unexpressed. Our protagonist is a dumpy, boring plumber who plays chess. Unsurprisingly, his wife of many years is unexcited and wants to leave him. Keld, our plumber, has little to do with little money to spend so he routinely visits a restaurant each night which leads to our story. Keld, played by Bjarne Henriksen is convincingly boring and homely. His excitement for the day is choosing between #4 and #5 on the Chinese menu. A pro forma marriage to help payments for his divorce turns to be the most colorfully warm moment in his life. He learns to love Ling as he awkwardly fits into the Chinese family. Ling, played by Vivian Wu is mysterious, beautiful, and traditional. One has to wonder whether she loves Bjarne, but it is apparent that she does have a quiet caring affection for him. But neither can verbally communicate love to each other. Another restaurant patron (Kunde) voices first concern for the interracial relationship and then offers wisdom that not expressing love is like purgatory, not between heaven and hell. If you don't do anything, he says, you can't go either way and it is worst.The acting is terrific, truthful and humble. There are touching moments as when Keld is practicing to profess his feelings in mandarin. Or when his son rats on him to get him in trouble -- the investigators say there was no evidence of a marriage (or love?). So painful for Keld and the audience since we know what is apparent to some isn't true. And there are funny, candid moments such as Keld sitting awkwardly between the elderly couple in the silk robe in front of the Chinese television programming. Or when he pretends to speak of love in mandarin in front of the immigration official.A quiet gem of the ordinary human experience. Even a boring existence is priceless.
Tao Wang just watched it.what might i say?it is a good combination,both the film making and the film story.i just like it.sadness may teach people how to survive better,or then we may realize how shall we cherish the life.and the director did a good job to make it a bilingual film.and from there you can get to know how the Chinese are living in Denmark.the Grill's boss Feng,is holding both the old Chinese tradition and the compromising to the Danish culture.while the rest of the family is holding the stubborn attitude for old tradition.you can tell that when Lin doesn't want to make this "marrige".and the young Chiense son,is the reflection about the positive immigration attitude.i really hope people can try to watch and understand this film.then you may feel happier the coming day.best wishes.