Alicia I love this movie so much

VeteranLight I don't have all the words right now but this film is a work of art.

Platicsco Good story, Not enough for a whole film

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

myroboticbrain ...and I saw both feardotcom and without a paddle in theaters.and i've watched the films of ed wood. and sat through many a roger corman classic. and generally rented every bad movie in the bowels of the video store. this is the single most painfully horrible movie i've ever seen. the only other thing i've watched in recent memory that was even close to this bad was six string samurai (I was so disappointed in that one). But, on the upside, you can use it as a torture device to annoy your friends. There's nothing like subjecting them to bad acting, a white guy masquerading as an "albino" black man, and just generally terrible movie-making. I first saw this film when I was 17. I'm now 23, and have yet to find anything to top it. The one and only reason I'm giving this two stars is because I like to torture people with it from time to time. Try it back to back with the Star Wars Holiday Special to rid your house of unwanted guests.

zkttck While I don't have MUCH to say about this hilariously, painful monstrosity I do have one question...who the hell thinks of sh*t like an 'albino'-black slave? And for that matter, why is being a pasty-skinned Anglo-Saxon male considered close enough? If indeed the story calls for an albino I'd expect any respectable casting agent to go out and find such a person. True the population of albino-Africans is probably not soaring through the roof, but any albino would do (with exception of those of Asian kin); or perhaps a better make-up artist was all that was needed. Whatever the case, when I have trouble conceptualizing the viability towards one of MAIN characters, I find the rest of the film to be contrived and lackluster. BUT, with the right amount of THC in your system (or whatever your poison may be) the movie quickly becomes a wonderful, laughable joke. I'm sure this was not intended, but at least they accomplished something with a flick that otherwise would be better used as a book-end.

DaWeaves98 I recieved this movie as a Christmas gift from a friend. We decided that it looked good and had to be watched right away. Little did we know that this movie holds a horrible secret. Much like the fictitious tape in "The Ring", this movie really does have the power to kill, or at least make one very ill. Upon completion of the movie the friend who purchased it became sick, and didn't recover until some two weeks later. As, he is generally a healthy person who rarely gets sick, the only explanation can be that he purchased this movie, only to succomb to its awesome power. So, I warn you, if you buy this movie, watch it at your own risk, and don't say that I didn't warn you.

Gangsteroctopus The video I saw of this film was on a label called Platinum Productions. It had been retitled as "Black Rage" and had this amazingly cruddy cover art with a white slaver threatening a black slave using what is very obviously a pruning saw (exactly like the one my grandmother uses on her shrubs). But don't judge a book by its cover. Even though the video quality of the tape was on the just adequate-to-fair side (I suspect that the tape was actually a bootleg), that didn't prevent me from ultimately really enjoying this film. It was clearly a labor of love, filmed (very clearly) on real Florida swamp locations (that must have been a real fun shoot), with mostly unknowns (Ted "Lurch" Cassidy is the only guy most people will probably recognize). But the subject matter is so unique (name me one other film set in 1859 about two slave brothers - one black the other albino - who find an old Spanish treasure map and spend the rest of the film on the run from bounty trackers through some of the roughest Florida swamp country this side of a women-in-prison movie) and the quality of the production values (great performances all around, terrific attention to period costuming and set decoration, attractive cinematography, even good sound recording) is so outstanding that this picture really won me over. It's too bad that Chris Robinson gave up directing (and producing, starring, writing...) his own material like this. I hope more people have a chance to see this distinctive, well-made film.