AniInterview Sorry, this movie sucks

Lucybespro It is a performances centric movie

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

amieberriman I watched 'Catch Me Daddy' as part of the Hull Independent Cinema Project. 'Catch Me Daddy' was filmed in Yorkshire and based in West Yorkshire, about a girl who was trying to escape the claws of her fathers cultural views.I enjoyed the film a lot because I was always questioning who the dad was, and you never fully understand the title until the end. A scene that stood out for me was when a rival gang, pretending to be 'frienemies', slit the throat of the rival gang member. I remember it because of the way it was directed. A shot of the guy being tackled in the car with a knife next to his neck, and then the long external shot of the car. The car rocked aggressively and you could hear shouting coming from within the car, and then a splat of blood cracked across window of the car from left to right in the motion that blood would of spat from his neck. The car stop shaking. You then saw the gang members haul the body out of the car and put it on the road. The car then ran over the body, 3 times, just to make sure the man was brown bread. The kill was handled in a mysterious manner and left a lot to the imagination of the viewers.It was important to me that the film was filmed in Yorkshire and had Yorkshire cast and crew. I think it is important to promote independent film but especially that from my home land. It gives me more opportunities in the future if the buzz for film and production in Yorkshire starts to grow.I would recommend 'Catch Me Daddy' to anyone who had an interest as it shows how some cultures can clash and what we shouldn't do to deal with this. I didn't like the fact that was it was stereotypical film and represented West-Yorkshire in a bad light, however that's just because i'm from Yorkshire and I know it has more to offer then gang crime and racial disputes. But that cannot take anything away from how beautiful the film was and how cleverly thought out the design and sound elements were. All the actors were impressive. I also enjoyed seeing Billy Elliot's dad in a totally different light, and accent.

Danny 'Catch Me Daddy' is a disturbingly charged and viscerally moving film with superb cinematography and timing which juxtaposes a stunning modern day Yorkshire Dales landscape with a alienated feel of tombstone... You almost expect tumbleweed to roll by at some point...The powerful symbolism and imagery draws you into hidden world full of hidden meanings yet it still manages to challenge viewers to think about the injustices portrayed, which are real in a modern world and the uncomfortable subjects of revenge, killing for honour and respect and lawlessness.The use of unknown actors in the lead roles is a genius move and really brings home the realism of the subject matter without sensationalising the issue of young girls and women being murdered for honour and respect.Directed by the Wolfe brothers and produced by EMU Films, two British collaborations (and not too British) are making a name for themselves and are the ones to watch in the near future.

stilladvance very powerful, and pretty impressive as a hybrid of British art- house and thriller conventions, even if these two strands of its makeup never sit entirely comfortably against each other. there's little that hasn't been seen in the films of other European socio-realist directors (i kept thinking of Ulrich seidl, Clio Bernard and Brno Dumont as well as tiny bit of ken loach, though this has little of loach's generosity or compassion) but the Wolfe's obviously know a thing or two about gut-piercing drama, they just stick too conveniently to the surface of the subject they are focusing on. it feels a little too easy to take such a sensitive subject and treat it merely as thriller fodder. yes it has some sensitive scenes, and the last scene is almost unbearable to watch (i left feeling scarred) but it is also just reveling in ethnic stereotypes in how there is not one redeemable Asian man on screen. so while you could say there are no redeeming men of any background on screen (or that it is not the job of every film to deal with this, but i would say for a film tackling this subject, and a group who are routinely represented poorly in the mainstream, it is an important detail, esp when there have been very few films dealing with these themes - catch me daddy seems close to becoming exploitation, albeit dressed up in art-house clothing), the older white bounty hunter at least appears to care somewhat, as does the white boyfriend. does it drive home the absolute horror of the situation as it should? yes. but it also relishes that horror a little too uneasily/problematically. it is essentially just reinforcing the audience's preconceived notions of Pakistani/south Asian communities, with Asian men as brutes, white men as saviours, Asian girls as victims, with little to challenge or colour around that - so while the film might appear superficially bold, its also somewhat thin on understanding its subject beyond very basic circumstances. but i imagine the Wolfe's would make good British genre movie makers, which the UK could probably do with more of. they're great filmmakers, I'm just not sure if they are particularly mature as storytellers.

Greekguy The story, torn straight from the newspapers, is simple - a young Pakistani woman is on the run from her family. Sabeena Jabeen Ahmed, who plays Laila, the object of pursuit, is terrific in this role, delivering a thoroughly believable and moving portrayal, and her co-star, Connor McCarron is equally spot-on as a young man in love and in over his head.The achievements of the cast are matched by the excellence in direction; this is a film that keeps the viewer both involved and anxious. Between moments of sheer suspense and genuine menace there are snippets of beauty and, on occasion, the kind of incidental humour that is found in everyday life. All in all, this is an exceptional first feature film from the happily talented Wolfe Brothers