Cubussoli Very very predictable, including the post credit scene !!!

Wordiezett So much average

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Jenni Devyn Worth seeing just to witness how winsome it is.

gothic_a666 This movie mixes elements from the Western tradition of Slasher movies along with a peculiar kind of creepiness so typical to Asian horror. An interesting combination that should have been much more successful. Unfortunately 'Kuchisake-onna' is overall mediocre and downward pedestrian at times. It fails whenever it adheres to clichés such as making sure that everyone confronting the villain in the grand finale is without weapons of any kind but there are a few redeeming points. The positive parts include the child abuse angle that pervades and drives the plot, the fact that the villain does not only lurk in dark shadowy places but actually acts in broad daylight and a possession story that is original.With so much going on for it, it is a true shame that the movie manages to fall into tired recipes that do away with so much potential. After all, in a story in which the villain targets children is open to horror as perceived from their point of view. That approach would have elevated it from the usual supernatural thriller to something more unique. And the movie itself seems to be aware of this on occasion.With some psychological bits and a decent slasher angle this is a movie that fans of the genre will probably find worth watching but it does have a limited appeal without being part of the elite in the competitive world of J-horror.

vmorda Carved is different from most Asian horror flicks in the regard that the story doesn't become overly convoluted and confusing, yet at the same time, it does little to add complexity to the explanation or back story of the Slit-Mouthed Woman. Essentially a really evil person dies, so naturally their ghost continues to have the same actions of the person that they once were. If you can go into this movie accepting this fact, and not with the mentality of expecting something smart or challenging from the story, then you should easily enjoy this.With that said, this is indeed another norm of the Asian horror genre, "vengeful ghost girl." However the concept of the ghost, and the urban legend revolving around it (which is based on a real legend), does feel fresh and unique. The main selling point of the Slit-Mouthed Woman's motif is that she specifically targets children with overly sized scissors. Which naturally makes for perfect, innocent victims in this film, as they are easy to sympathize for. Carved is not shy in having the kiddies get hurt or killed. I wouldn't say the visual execution of such is excessive any way, but the idea of it may be too disturbing for some viewers. So if you're sensitive to the idea of child abuse (which this film's story is primarily based on) or seeing a corpse of a kid, then avoid watching this. Though I feel that this reason alone is what makes Carved successful as a genuine horror flick. Unlike American slasher films, where horny teenagers make stupid decisions quickly and you ultimately we care less about what happens to them in the end (not to say that there isn't some merit in that).The main characters are as interesting just as well, as Matsuzaki was once a victim of child abuse, and Yamashita was regretfully an abusive mother herself. So there is motivation for their characters to stop the Slit-Mouthed Woman from kidnapping and harming another little tot, while over coming their own, personal conflicts. With a visually grotesque and interesting antagonist (regardless of having a nonsensical weakness and catch phrase, that is more related to the actual legend then the movie's character), I can't help but to recommend this for those who feel tired with most Asian horror flicks and are looking for something different.

siderite If this would have been released before The Ring and the plethora of Asian movies that went on the same formula, I would have said it was average. A story that is slightly original and a factor of fear and hopelessness that could have made this a watchable, maybe even good horror movie, with low production values, probably because of budget limitations.However, the film being released in 2007, I can only say that the bad acting and the low production values made this film below average. The story was simply suffocated by the fakeness of it all. The few good things in the movie I can now assume that were cloned off of successful Japanese horror films and dismiss them altogether.Bottom line: ridiculous as this sounds, this story would (in my mind) have created a great movie. However this version was just a fail.

massaster760 A small town in Japan is facing a serious crisis... the curse of the Kuchisake Onna (a.k.a. The Slit Mouthed Woman). A facially disfigured spirit of a woman who sports a huge pair of scissors and an immense hatred for children. After an opening which features the legend of the Slit-Mouthed woman being told through several sets of characters. The film wastes no time and goes right into the children's abduction. The only thing standing between the spirit and innocent children are two teachers at the local elementary school; Ms. Yamashita and Mr. Matsuzaki. As the list of children whom have disappears begins to lengthen, the two teachers set out to solve the mystery of the Kuchisake Onna. Slit-Mouthed Woman is not necessarily a "bad" film. The plot has a dose of originality and the premise is great. Also, some of the scenes involving the spirit and the abducted children are truly horrific and harrowing. However, the delivery is stilted, and the film has two major faults (as listed below).Kuchisake Onna is plagued with (in my opinion) the worst horror cliché in the book. Anytime the Slit-Mouthed Woman appears, the films protagonists stand around, frozen like rabbits in car headlights, seemingly incapable of running, or defending themselves. In 2007, this type of lackluster horror formula is played out. Especially considering that the Kuchisake Onna can't be killed, it would have been much more fun to watch the film's characters give the demon some serious beat-downs... but alas, all they do is scream and try their best to look terrified (while the viewer does their best not to look bored).My other major reservation about Kuchisake Onna, is that I was struck with the feeling that Director Kakesu Shuichi just might have a deep seeded hatred of women. Because the film's female characters-including the ghost-all have one thing in common... they beat the holy hell out of their children. The film's misogynistic tomes seem to come out of nowhere and the female characters (while not beating their children) stand idly by while the Kuchisake Onna steals children from under their noses. My question is, "Where's the Motherly instinct?" I couldn't help but feel that most women would go frantic if placed in similar situations, risking life and limb to protect their offspring... but not in this film.To be sure, the film has some redeeming qualities (I did enjoy how the film played the plot straight out, instead of throwing in the gratuitous plot-twist) but when coupled with the faults mentioned above, Kuchisake Onna stands out as an average J-Horror entry at best. One wishes that the director would have made the female parts more interesting, willful, and less fiendish. It would have made the film a lot more interesting.Bottom Line- Average J-Horror entry with some major faults.