MamaGravity
good back-story, and good acting
Paynbob
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Cristal
The movie really just wants to entertain people.
Poseidon-3
Casual viewers could be forgiven for believing that this is an Irwin Allen production even though he had nothing to do with it. It bears a lot of his 1960's hallmarks such as a simplistic approach to story-line, showy-yet-tacky production design, name brand stars and unfunny comic relief. Connors plays a US Senator during The Civil War who is shipwrecked and picked up (along with five others) by Ryan, a gifted, but rather despotic inventor who has created an incredible underwater metropolis. Newman and her young son Hartstone, claustrophobe Cuthbertson and gold-obsessed brothers Fraser and Connor round out the "guests" of Ryan, who soon find that they aren't permitted to leave the underwater city. Ever. Most of the castaways greet this news with despair, but Newman and Hartstone actually discover they like the place. Where else could one enjoy an endless supply of gourmet seafood, live in rooms that are accented with pure gold and swim in the plant and rock accented community pool run by curvy Italian bombshell Paluzzi? Of course there is that pesky giant manta ray that occasionally swipes by for a bite of human flesh! Connors is his usual square-jawed self and, though not particularly well-cast, he does an adequate job. Ryan plays his role with an overdose of dourness, robbing the part of any irony, flair, camp or flavor. Newman is appealing (and even attempts a small bid at women's lib!), but isn't given much to do. Paluzzi (who is given one really ugly ball gown and an even worse hairdo to go with it in one scene) has a crazed musical number in which she opens a box and "plays" a golden stick with leaves on it as the camera attempts to focus on her through the cheesecloth. She and Newman go scuba diving and inexplicably have their hair fully exposed and unrestrained so that it floats everywhere including over their face masks! Fraser and Connor are presented as bumbling idiots and they only cease to be annoying when they finally begin to forgo their pointless buffoonery. Turner appears as Ryan's faithful first officer and has one of the few roles with more than one dimension. The film is packed with bright, colorful, eye-popping imagery along with many goofy costumes and props. Check out those scuba suits with the gold-plated tank holders and the clear "wings" on the shoulders! The alarms in the city have lobster claws on them! Some of the underwater photography is far too murky and under lit to enjoy fully. It isn't a bad time killer and fantasy fans will enjoy some of the model work, gadgetry and hilarious "science". Irwin Allen would actually tackle this material for television a few years later with Jose Ferrar as Nemo. Also, some of the elements seem to have inspired Ross Hunter's dreadful 1973 remake of "Lost Horizon".
otto4
I saw this in the theater as a kid and loved it. The story about people living a Utopian existence in a domed city underwater sticks with me today. I'm not sure how I'd feel seeing it again, when the so-called 'good guys' in the movie are so anxious to get back to their own world that they endanger the underwater city and steal a submarine. But it's a fun movie with good sets, great miniature work on the subs, the cities, and the giant sea monster. I wish this was released on DVD as the sets and sub were quite neat looking.A neat aspect of this movie is that they tried for a bit of science "fact". For example, the most common material in the undersea city was gold, because they used a process to pull gold out of sea water.I wonder if those people are still living down there to this day? :)
sswenson
Shipwreck survivors are rescued by an authoritarian ruler of a secret underwater city during the 19th century. Family film features nice underwater photography, enough action and special effects to offset wooden acting and less-than-sublime script. (Rating B+)
SanDiego
Sequel to "20,000 Leagues Under the Sea" (the Disney version) and prequel to "Mysterious Island" (1961 version) relating the further adventures of Jules Verne's Captain Nemo and his submarine community. As in those two films (and the Jules Verne novels by the same name), shipwrecked survivors are rescued by Captain Nemo and in this case, taken to his underwater city. Robert Ryan is no James Mason and brings the plot to a sleeping halt with his monotone delivery and wooden appearance and Chuck Connors is terribly miscast as the head of the survivors, however director James Hill ("Born Free") excels at filming nature and the film comes alive whenever people interact with animals such as a shark attack. Jules Verne stories are always fascinating and some of the set design is inspired (including an underwater resort-style swimming pool shared by children and penguins!). Really fun to watch as a trilogy since the story line holds together from one film to another (despite different producers and film studios!)
