ThiefHott
Too much of everything
Kien Navarro
Exactly the movie you think it is, but not the movie you want it to be.
Deanna
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
JohnHowardReid
Director: JAMES W. HORNE. Screenplay: Basil Dickey, George Plympton, Wyndham Gittens, Jack Stanley. Photography: James S. Brown. Film editors: Dwight Caldwell, Earl Turner. Music director: Lee Zahler. RCA Sound System. Copyrighted by Columbia Pictures Corp., chapters one through fifteen on 15 February 1942, 22 February, 1 March, 3 March, 15 March, 22 March, 29 March, 5 April, 12 April, 19 April, 26 April, 3 May, 8 May, 15 May, and 21 May, respectively. Chapter titles: Mysterious Pilot, The Stolen Range Finder, The Captured Plane, Mistaken Identity, Ambushed Ambulance, Weird Waters, Menacing Fates, Shells of Evil, The Drop to Doom, The Hidden Bomb, Sky Terror, Burning Bomber, Death in the Cockpit, Scourge of Revenge, The Fatal Hour. Each chapter is two reels in length, except for Mysterious Pilot which has three. Total running time: 271 minutes.COMMENT: A well-loved serial, despite a basic story-line that's even more preposterous than usual. Plot and characters originated in an "Ovaltine" radio serial, which accounts for its juvenile quality.However, some episodes (six, for example) are crammed with action, and often handsomely staged. We also enjoyed Craven's various impersonations which give the actors impersonated a chance to really show their stuff. Joe Girard — otherwise dull and conventional — is especially convincing in these sequences. And who could resist Luana Walters as the villain's incorrigible daughter? O'Brien makes a fair fist of Midnight.
malvernp
A friend of mine once attempted to explain to me the basic difference between the Republic and Columbia serials. Both had lots of slam bang action and great stunt work. But generally, the Republic serials placed their hero in great peril---and somehow allowed him/her to escape the danger at the last minute through an ingenious solution. On the other hand, the Columbia serials placed their hero in similar great peril----but more often than not----he/she actually went through the exposed danger---and escaped unharmed!Now how could this happen to mere mortals-----unless these folks were really unknown relatives of Superman? Of course we were led to believe that Columbia's heroes (like Captain Midnight) were just like you and me---except that somehow they were endowed with a special gift allowing them to walk out of plane crashes, auto explosions and collapsed buildings with nothing more than dirty clothes and occasional wooziness! We should all be so lucky!This serial is very representative of those from Columbia at its peak. Such an observation is not necessarily a compliment. The continuing displays of immortality by a "regular" human being can get a bit tiresome after awhile, and the viewer often longs for a more clever resolution of the cliffhanger situation than just for the hero to experience it without major consequences."Captain Midnight" has the usual low budget assortment of cheesy sets, repetitious situations, low-grade special effects and varying degrees of non-acting. But it sure does move along! In its own low-key corny way, "Captain Midnight" can be great fun to someone who is willing to suspend belief and a critical eye for 15 chapters of pure escapism!
TC-4
I believe, like most serial buffs, that Republic made the best serials. After watching the 1948 Columbia serial Superman which was mostly talk and poor special effects, I was reluctant in purchasing the 1942 Captain Midnight. Boy! was I surprised. This serial did not let up for a minute. Dave O'Brien was perfect as Captain Midnight and James Craven was one of the best heavies ever. Something must have happened after 1942 because all the Columbia serials that I saw from that time on were cheasy. If Superman had been made with the Captain Midnight production values and stuntman Ted Mapes as Superman, that would have been a great serial.
Vigilante-407
It's been two weeks since I watched Captain Midnight...and I'm still waiting for one thing to happen: Have a plot develop.Now don't get me wrong, Dave O'Brien was great in the title role. This stuntman deserved another shot in front of the camera with his face unmasked for all the great work he's done over the years. But, I wish it could have been in something good.Let's see, at the start there is some bombing being done, in such a way you can't tell if you should be cheering or jeering the bombers. Of course, the bombers are only mentioned again once later in the serial. There are a lot of bad interior plane sets, a lot of thugs going in and out of jail, a lot of impersonations with voice-overs, and the good Captain and Ikky, whose only real similarities to the radio series characters are their names and the fact they fly planes.I love Columbia's serials...they produced by all-time favorite, The Vigilante, but this is definitely not one of their best efforts. Someone somewhere was definitely not drinking their Ovaltine.
