MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

slightlymad22 Despite giving Sly Stallone second billing (after Ben Gazzara) and a nice big picture on my DVD cover, he is not a lead actor in this movie. Ben Gazzara, Harry Guardino, Susan Blackeney (Yes that Susan Blackeney from "Lords Of Flatbush") are all listed before Sly who is listed under "Starring" with three other actors. Sly doesn't even appear until thirty one minutes in to it, and he doesn't speak a line of dialogue until ten minutes later, his part does grow as the movie enters its second half. Plot In A Paragraph; Set over several years, this is the story of Al Capone's rise and fall in the gangster underworld. Gazzara over acts and hams it up a lot. It's almost as if he thinks he is appearing in a spoof Capone movie. Harry Guardino is great as Johnny Torrio, as is Susan Blakely, I think her open crotch shot, must be the first one for a leading actress in a mainstream Hollywood film. Martivn Kove is very good in his supporting role. Dick Miller has an enjoyable small role as a cop on the take too. Following on from his first good role in 'Flatbush' the previous year, Sly under plays it as Frank Nitti and continues his early career with another steady supporting role.Nobody can fault Capone for its effort. It covers several decades (taking several liberties with the truth along the way) in a short running time, but it's campy B movie quality all the way, as it rushes through a lot of gangster activity. It's never dull and is quite entertaining in a trashy low budget way.

Woodyanders Although it plays quite liberally with the documented facts and makes a sizable number of historical blunders, this film nonetheless manages to be a worthy and engrossing presentation of the cagey and ambitious, but hot-headed and sadistic Al Capone's rise to power during the Prohibition era. Ben Gazzara delivers a marvelously fierce and volcanic portrayal of the notorious Capone: Cheeks stuffed with cotton, spitting out his profane dialogue with venomous aplomb, and glowering at his minions and enemies alike with unbridled seething rage, Gazzara's Capone makes for an appropriately loathsome and frightening psychopathic hoodlum. The strong supporting cast likewise do well in their parts: Harry Guardino as Capone's shrewd mentor Johnny Torrio, Susan Blakely as brash and free-spirited flapper Iris Crawford, Sylvestor Stallone as the traitorous Frank Nitti, Carmen Argenziano as loyal bodyguard Jack McGurn, John Davis Chandler as hateful rival Hymie Weiss, Royal Dano as crooked politician Anton J. Cermak, Dick Miller as wormy corrupt cop Joe Pryor, and Martin Kove as brutish strong-arm flunky Pete. John Cassavetes makes the most out of his regrettably small role as smooth capo Frankie Yale. Director Steve Carver, working from a tough no-nonsense script by Howard Browne, relates the absorbing story at a constant brisk pace, stages the thrilling shoot-outs with considerable muscular aplomb, and maintains a suitably gritty and hard-hitting tone throughout. Moreover, Carver deserves extra points for his decidedly harsh and unsentimental warts'n'all evocation of the 1920's period setting and his unsparingly graphic and equally unromanticized depiction of the more seamy and vulgar aspects of the mob. Vilis Lapenicks' cinematography makes nifty occasional use of slow motion and freeze frames. David Grisman's tuneful and jaunty score also does the trick. A solid and satisfying movie.

MARIO GAUCI Cheaply-made and over-simplified account of the life and times of the most notorious gangland figure of The Roaring Twenties; clearly intended as exploitation - with liberal doses of nudity and foul language to embellish the typical blood-soaked exploits - the Fox film was produced by Roger Corman (who was associated with any number of similar genre efforts, released in the wake of BONNIE AND CLYDE [1967] and which became an even greater commodity after THE GODFATHER [1972]).As Capone, Ben Gazzara chews more than the scenery - as he obviously has placed something in his mouth to help 'authenticate' his delivery! Similarly, so as to give the impression of realism, the script continuously precedes scenes with the date and year when the event depicted is supposed to have happened; still, this doesn't prevent the film from appearing clichéd most of the time! Curiously, the film ends with Capone on parole going mad in some luxurious mansion - a turn of events which, as far as I know, is completely fabricated.With the various real-life characters and myriad factions on display, one is prone to lose track of who's killing who and why - but, for all that, the carnage is constant and moderately well-staged (though, at one point, Corman inserts footage from his own film THE ST. VALENTINE'S DAY MASSACRE [1967], also a Fox production!). The cast is made up of veterans like Gazzara, Harry Guardino and a cameo by John Cassavetes, and newcomers such as Sylvester Stallone (a pretty good pre-stardom role as Capone's right-hand man who eventually has his boss ousted!), regular baddie Martin Kove (as a thug from a rival clan) and lovely Susan Blakely as Capone's young but free-spirited moll.Needless to say, the film doesn't do justice to the character (seen in countless other gangster pics, the most significant impressions perhaps being those given, Method-style, by Rod Steiger in AL CAPONE [1959] and Robert De Niro in THE UNTOUCHABLES [1987]) - but neither is it the disaster Leonard Maltin claims, having slapped a BOMB rating to it! By the way, while the print on Fox's R2 DVD is O.K., the audio is pretty lousy (often displaying a distracting hiss).

Gringotec Psychopath? In his last years due to syphilis maybe, but even the movie's final scene showing him in Florida surrounded by gangster friends (allegedly including Frank Nitti, who had died some years earlier) rather than his family was absurd. Why did the film ignore his wife, son, siblings, and brother Ralph, who was the most important brother in the organization? And what's with that broad Iris, with him through out the movie? Pure fiction.Even the killing of Jim Colosimo at his restaurant was baloney. Frankie Yale did it, though the lone witness recanted. One writer claims Capone hadn't yet arrived in Chicago at that time. Johnny Torrio knew Capone from New York, saw potential, and brought him west, so even the movie's opening scene of Capone's alley fight as a means of meeting Torrio was nonsense. Further,it was the George "Bugs" Malone gang that attacked Torrio in front of his apartment building, not a Capone plan... and you can bet the Torrio's didn't have a sign in front of their house displaying their true name! I could go on and on here about substituting fancy for fact, events omitted, but space is limited. Capone's social skills were far above average amonghis peers and the public. He always bargained first, not shot first, and had great loyalty to his men and kept his end of agreements. Visit a bookstore to get the true story instead of believing this absolutely ridiculous flick. BTW, Capone never exposed himself on the golf course or anywhere else, as far as is known.